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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 63 174 it is the complementary color RGB 64 192 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 63 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 191 63 174: RGB 196 63 169, RGB 213 81 188, RGB 230 99 207, RGB 247 117 226 and RGB 255 135 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 63 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 191 63 174: RGB 191 63 174, RGB 174 45 155, RGB 157 27 136, RGB 140 9 117 and RGB 123 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

Complementary color

CMYK 67 / 0 / 58 / 25

HEX #40C051

RGB 64 192 81

HSL 127.97, 0.5%, 0.5%

LAB 69.03, -57.43, 45.17

 

CMYK 0 / 68 / 14 / 23

HEX #C43FA9

RGB 196 63 169

HSL 312.18, 0.53%, 0.51%

LAB 49.68, 63.64, -29.23

 

CMYK 0 / 62 / 12 / 16

HEX #D551BC

RGB 213 81 188

HSL 311.36, 0.61%, 0.58%

LAB 55.75, 63.74, -30.66

 

CMYK 0 / 57 / 10 / 10

HEX #E663CF

RGB 230 99 207

HSL 310.53, 0.72%, 0.65%

LAB 61.87, 63.51, -31.8

 

CMYK 0 / 53 / 9 / 3

HEX #F775E2

RGB 247 117 226

HSL 309.69, 0.89%, 0.71%

LAB 68.01, 63.07, -32.72

 

CMYK 0 / 47 / 4 / 0

HEX #FF87F5

RGB 255 135 245

HSL 305, 1%, 0.76%

LAB 73.01, 59.96, -35.34

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 74 / 11 / 32

HEX #AE2D9B

RGB 174 45 155

HSL 308.84, 0.59%, 0.43%

LAB 43.13, 62.53, -31.42

 

CMYK 0 / 83 / 13 / 38

HEX #9D1B88

RGB 157 27 136

HSL 309.69, 0.71%, 0.36%

LAB 37.35, 61.05, -29.13

 

CMYK 0 / 94 / 16 / 45

HEX #8C0975

RGB 140 9 117

HSL 310.53, 0.88%, 0.29%

LAB 31.93, 58.23, -25.99

 

CMYK 0 / 100 / 20 / 52

HEX #7B0062

RGB 123 0 98

HSL 312.2, 1%, 0.24%

LAB 27, 53.61, -21.73

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 67 / 19 / 25

HEX #BF3F9B

RGB 191 63 155

HSL 316.88, 0.5%, 0.5%

LAB 48.26, 60.33, -23.22

 

CMYK 0 / 67 / 30 / 25

HEX #BF3F85

RGB 191 63 133

HSL 327.19, 0.5%, 0.5%

LAB 47.4, 57.42, -11.33

 

CMYK 0 / 67 / 41 / 25

HEX #BF3F70

RGB 191 63 112

HSL 337.03, 0.5%, 0.5%

LAB 46.71, 55.04, 0.43

 

CMYK 0 / 67 / 52 / 25

HEX #BF3F5B

RGB 191 63 91

HSL 346.88, 0.5%, 0.5%

LAB 46.16, 53.08, 12.52

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 67 / 9 / 5

HEX #F250DC

RGB 242 80 220

HSL 308.15, 0.86%, 0.63%

LAB 61.47, 76.09, -39.62

 

CMYK 0 / 66 / 8 / 85

HEX #260D23

RGB 38 13 35

HSL 307.2, 0.49%, 0.1%

LAB 7.42, 16.97, -9.44

 

CMYK 0 / 67 / 9 / 65

HEX #591D51

RGB 89 29 81

HSL 308, 0.51%, 0.23%

LAB 22.29, 34.53, -18.3

 

CMYK 0 / 67 / 9 / 45

HEX #8C2E80

RGB 140 46 128

HSL 307.66, 0.51%, 0.36%

LAB 36.15, 49.48, -26.27

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 46 / 67 / 25

HEX #BF683F

RGB 191 104 63

HSL 19.22, 0.5%, 0.5%

LAB 53.32, 31.26, 37.96

 

CMYK 67 / 0 / 19 / 25

HEX #3FBF9B

RGB 63 191 155

HSL 163.13, 0.5%, 0.5%

LAB 69.95, -43.45, 8.05

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 8 / 0 / 67 / 25

HEX #B0BF3F

RGB 176 191 63

HSL 67.03, 0.5%, 0.5%

LAB 74.09, -21.84, 60.05

 

CMYK 67 / 8 / 0 / 25

HEX #3FB0BF

RGB 63 176 191

HSL 187.03, 0.5%, 0.5%

LAB 66.42, -26.66, -16.98

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 46 / 67 / 25

HEX #BF683F

RGB 191 104 63

HSL 19.22, 0.5%, 0.5%

LAB 53.32, 31.26, 37.96

 

CMYK 67 / 0 / 59 / 25

HEX #3FBF4E

RGB 63 191 78

HSL 127.03, 0.5%, 0.5%

LAB 68.66, -57.64, 46.11

 

CMYK 67 / 21 / 0 / 25

HEX #3F96BF

RGB 63 150 191

HSL 199.22, 0.5%, 0.5%

LAB 58.63, -13.02, -28.9

 

CMYK 0 / 67 / 9 / 25

HEX #BF3FAE

RGB 191 63 174

HSL 307.97, 0.5%, 0.5%

LAB 49.11, 63.15, -33.12

 

CMYK 0 / 26 / 67 / 25

HEX #BF8E3F

RGB 191 142 63

HSL 37.03, 0.5%, 0.5%

LAB 62.32, 10.44, 48.06

 

CMYK 67 / 0 / 59 / 25

HEX #3FBF4E

RGB 63 191 78

HSL 127.03, 0.5%, 0.5%

LAB 68.66, -57.64, 46.11

 

CMYK 67 / 41 / 0 / 25

HEX #3F70BF

RGB 63 112 191

HSL 217.03, 0.5%, 0.5%

LAB 47.5, 9.35, -46.39

 

Description

Color code: RGB 191 63 174 | qconv.com Color code: RGB 191 63 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 63 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 63 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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