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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 27 44 it is the complementary color RGB 64 228 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 27 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 191 27 44: RGB 196 27 39, RGB 213 45 58, RGB 230 63 77, RGB 247 81 96 and RGB 255 99 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 27 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 191 27 44: RGB 191 27 44, RGB 174 9 25, RGB 157 0 6, RGB 140 0 0 and RGB 123 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

Complementary color

CMYK 72 / 0 / 7 / 11

HEX #40E4D3

RGB 64 228 211

HSL 173.78, 0.75%, 0.57%

LAB 82.53, -45.02, -3.77

 

CMYK 0 / 86 / 80 / 23

HEX #C41B27

RGB 196 27 39

HSL 355.74, 0.76%, 0.44%

LAB 42.26, 62.82, 39.21

 

CMYK 0 / 79 / 73 / 16

HEX #D52D3A

RGB 213 45 58

HSL 355.36, 0.67%, 0.51%

LAB 47.4, 63.87, 34.85

 

CMYK 0 / 73 / 67 / 10

HEX #E63F4D

RGB 230 63 77

HSL 354.97, 0.77%, 0.57%

LAB 52.86, 64.14, 31.04

 

CMYK 0 / 67 / 61 / 3

HEX #F75160

RGB 247 81 96

HSL 354.58, 0.91%, 0.64%

LAB 58.51, 63.89, 27.78

 

CMYK 0 / 61 / 55 / 0

HEX #FF6373

RGB 255 99 115

HSL 353.85, 1%, 0.69%

LAB 62.86, 60.44, 22.83

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 0 / 95 / 86 / 32

HEX #AE0919

RGB 174 9 25

HSL 354.18, 0.9%, 0.36%

LAB 36.49, 59.44, 39.8

 

CMYK 0 / 100 / 96 / 38

HEX #9D0006

RGB 157 0 6

HSL 357.71, 1%, 0.31%

LAB 32.22, 55.84, 43.76

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 0 / 82 / 86 / 25

HEX #BF231B

RGB 191 35 27

HSL 2.93, 0.75%, 0.43%

LAB 41.78, 59.27, 44.76

 

CMYK 0 / 67 / 86 / 25

HEX #BF3F1B

RGB 191 63 27

HSL 13.17, 0.75%, 0.43%

LAB 45.24, 49.7, 47.69

 

CMYK 0 / 53 / 86 / 25

HEX #BF5A1B

RGB 191 90 27

HSL 23.05, 0.75%, 0.43%

LAB 50.06, 37.07, 51.75

 

CMYK 0 / 39 / 86 / 25

HEX #BF751B

RGB 191 117 27

HSL 32.93, 0.75%, 0.43%

LAB 55.97, 22.67, 56.68

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 0 / 86 / 77 / 5

HEX #F22238

RGB 242 34 56

HSL 353.65, 0.89%, 0.54%

LAB 52.18, 74.14, 42.9

 

CMYK 0 / 87 / 76 / 85

HEX #260509

RGB 38 5 9

HSL 352.73, 0.77%, 0.08%

LAB 4.88, 15.89, 3.91

 

CMYK 0 / 85 / 76 / 65

HEX #590D15

RGB 89 13 21

HSL 353.68, 0.75%, 0.2%

LAB 17.76, 33.99, 16.99

 

CMYK 0 / 86 / 77 / 45

HEX #8C1420

RGB 140 20 32

HSL 354, 0.75%, 0.31%

LAB 29.86, 48.36, 26.64

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 7 / 0 / 86 / 25

HEX #B2BF1B

RGB 178 191 27

HSL 64.76, 0.75%, 0.43%

LAB 74.07, -22.51, 71.13

 

CMYK 86 / 41 / 0 / 25

HEX #1B70BF

RGB 27 112 191

HSL 208.9, 0.75%, 0.43%

LAB 46.42, 4.99, -48.18

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 76 / 0 / 86 / 25

HEX #2EBF1B

RGB 46 191 27

HSL 113.05, 0.75%, 0.43%

LAB 67.96, -64.73, 63.5

 

CMYK 86 / 76 / 0 / 25

HEX #1B2EBF

RGB 27 46 191

HSL 233.05, 0.75%, 0.43%

LAB 29.28, 47.24, -76.09

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 7 / 0 / 86 / 25

HEX #B2BF1B

RGB 178 191 27

HSL 64.76, 0.75%, 0.43%

LAB 74.07, -22.51, 71.13

 

CMYK 86 / 0 / 10 / 25

HEX #1BBFAC

RGB 27 191 172

HSL 173.05, 0.75%, 0.43%

LAB 69.81, -43.09, -1.52

 

CMYK 79 / 86 / 0 / 25

HEX #291BBF

RGB 41 27 191

HSL 245.12, 0.75%, 0.43%

LAB 26.78, 57.1, -80.22

 

CMYK 0 / 86 / 77 / 25

HEX #BF1B2C

RGB 191 27 44

HSL 353.78, 0.75%, 0.43%

LAB 41.28, 61.62, 34.99

 

CMYK 33 / 0 / 86 / 25

HEX #80BF1B

RGB 128 191 27

HSL 83.05, 0.75%, 0.43%

LAB 70.82, -42.61, 67.1

 

CMYK 86 / 0 / 10 / 25

HEX #1BBFAC

RGB 27 191 172

HSL 173.05, 0.75%, 0.43%

LAB 69.81, -43.09, -1.52

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BBF

RGB 90 27 191

HSL 263.05, 0.75%, 0.43%

LAB 31.16, 60.87, -72.84

 

Description

Color code: RGB 191 27 44 | qconv.com Color code: RGB 191 27 44 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 27 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 27 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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