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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191 138 228 it is the complementary color RGB 64 117 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191 138 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 191 138 228: RGB 196 138 223, RGB 213 156 242, RGB 230 174 255, RGB 247 192 255 and RGB 255 210 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191 138 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 191 138 228: RGB 191 138 228, RGB 174 120 209, RGB 157 102 190, RGB 140 84 171 and RGB 123 66 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

Complementary color

CMYK 45 / 0 / 77 / 54

HEX #40751B

RGB 64 117 27

HSL 95.33, 0.63%, 0.28%

LAB 44.08, -33.85, 41.47

 

CMYK 12 / 38 / 0 / 13

HEX #C48ADF

RGB 196 138 223

HSL 280.94, 0.57%, 0.71%

LAB 65.94, 37.03, -34.76

 

CMYK 12 / 36 / 0 / 5

HEX #D59CF2

RGB 213 156 242

HSL 279.77, 0.77%, 0.78%

LAB 72.45, 36.3, -34.95

 

CMYK 10 / 32 / 0 / 0

HEX #E6AEFF

RGB 230 174 255

HSL 281.48, 1%, 0.84%

LAB 78.65, 34.41, -32.27

 

CMYK 3 / 25 / 0 / 0

HEX #F7C0FF

RGB 247 192 255

HSL 292.38, 1%, 0.88%

LAB 84.33, 30.13, -23.44

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 17 / 43 / 0 / 18

HEX #AE78D1

RGB 174 120 209

HSL 276.4, 0.49%, 0.65%

LAB 59.01, 37.39, -37.91

 

CMYK 17 / 46 / 0 / 25

HEX #9D66BE

RGB 157 102 190

HSL 277.5, 0.4%, 0.57%

LAB 52.27, 38.21, -37.79

 

CMYK 18 / 51 / 0 / 33

HEX #8C54AB

RGB 140 84 171

HSL 278.62, 0.34%, 0.5%

LAB 45.44, 39.06, -37.64

 

CMYK 19 / 57 / 0 / 40

HEX #7B4298

RGB 123 66 152

HSL 279.77, 0.39%, 0.43%

LAB 38.51, 39.89, -37.42

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 10 / 39 / 0 / 11

HEX #CE8AE4

RGB 206 138 228

HSL 285.33, 0.63%, 0.72%

LAB 67.2, 41.05, -35.47

 

CMYK 3 / 39 / 0 / 11

HEX #DD8AE4

RGB 221 138 228

HSL 295.33, 0.63%, 0.72%

LAB 68.86, 45.54, -32.77

 

CMYK 0 / 39 / 3 / 11

HEX #E48ADD

RGB 228 138 221

HSL 304.67, 0.63%, 0.72%

LAB 69.39, 46.39, -28.02

 

CMYK 0 / 39 / 10 / 11

HEX #E48ACE

RGB 228 138 206

HSL 314.67, 0.63%, 0.72%

LAB 68.84, 43.82, -20.54

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 17 / 38 / 0 / 91

HEX #140F18

RGB 20 15 24

HSL 273.33, 0.23%, 0.08%

LAB 5.03, 3.91, -4.76

 

CMYK 16 / 40 / 0 / 71

HEX #3F2D4B

RGB 63 45 75

HSL 276, 0.25%, 0.24%

LAB 21.73, 14.95, -15.43

 

CMYK 16 / 40 / 0 / 51

HEX #6A4C7E

RGB 106 76 126

HSL 276, 0.25%, 0.4%

LAB 37.37, 22.82, -23.48

 

CMYK 16 / 40 / 0 / 31

HEX #946BB1

RGB 148 107 177

HSL 275.14, 0.31%, 0.56%

LAB 51.82, 29.75, -31.06

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 0 / 39 / 31 / 11

HEX #E48A9E

RGB 228 138 158

HSL 346.67, 0.63%, 0.72%

LAB 67.38, 36.7, 4.16

 

CMYK 39 / 0 / 32 / 11

HEX #8AE49B

RGB 138 228 155

HSL 131.33, 0.63%, 0.72%

LAB 83.58, -42.01, 27.39

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 0 / 16 / 39 / 11

HEX #E4BF8A

RGB 228 191 138

HSL 35.33, 0.63%, 0.72%

LAB 79.38, 6.07, 31.66

 

CMYK 39 / 0 / 16 / 11

HEX #8AE4BF

RGB 138 228 191

HSL 155.33, 0.63%, 0.72%

LAB 84.3, -35.2, 9.65

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 0 / 39 / 31 / 11

HEX #E48A9E

RGB 228 138 158

HSL 346.67, 0.63%, 0.72%

LAB 67.38, 36.7, 4.16

 

CMYK 23 / 0 / 39 / 11

HEX #B0E48A

RGB 176 228 138

HSL 94.67, 0.63%, 0.72%

LAB 85.28, -32.28, 38.61

 

CMYK 39 / 0 / 8 / 11

HEX #8AE4D1

RGB 138 228 209

HSL 167.33, 0.63%, 0.72%

LAB 84.74, -31.3, 0.79

 

CMYK 16 / 39 / 0 / 11

HEX #BF8AE4

RGB 191 138 228

HSL 275.33, 0.63%, 0.72%

LAB 65.64, 36.6, -38.03

 

CMYK 0 / 36 / 39 / 11

HEX #E4928A

RGB 228 146 138

HSL 5.33, 0.63%, 0.72%

LAB 68.67, 30.05, 17.18

 

CMYK 23 / 0 / 39 / 11

HEX #B0E48A

RGB 176 228 138

HSL 94.67, 0.63%, 0.72%

LAB 85.28, -32.28, 38.61

 

CMYK 39 / 3 / 0 / 11

HEX #8ADDE4

RGB 138 221 228

HSL 184.67, 0.63%, 0.72%

LAB 83.29, -23.45, -11.39

 

Description

Color code: RGB 191 138 228 | qconv.com Color code: RGB 191 138 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 138 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 138 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 39 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 39% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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