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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 43 176 it is the complementary color RGB 65 212 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 43 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 43 176: RGB 195 43 171, RGB 212 61 190, RGB 229 79 209, RGB 246 97 228 and RGB 255 115 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 43 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 43 176: RGB 190 43 176, RGB 173 25 157, RGB 156 7 138, RGB 139 0 119 and RGB 122 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

Complementary color

CMYK 69 / 0 / 63 / 17

HEX #41D44F

RGB 65 212 79

HSL 125.71, 0.63%, 0.54%

LAB 75.31, -64.35, 53.27

 

CMYK 0 / 78 / 12 / 24

HEX #C32BAB

RGB 195 43 171

HSL 309.47, 0.64%, 0.47%

LAB 47.33, 70.17, -34.11

 

CMYK 0 / 71 / 10 / 17

HEX #D43DBE

RGB 212 61 190

HSL 308.74, 0.64%, 0.54%

LAB 53.01, 71.27, -36.11

 

CMYK 0 / 66 / 9 / 10

HEX #E54FD1

RGB 229 79 209

HSL 308, 0.74%, 0.6%

LAB 58.84, 71.73, -37.67

 

CMYK 0 / 61 / 7 / 4

HEX #F661E4

RGB 246 97 228

HSL 307.25, 0.89%, 0.67%

LAB 64.76, 71.78, -38.9

 

CMYK 0 / 55 / 3 / 0

HEX #FF73F7

RGB 255 115 247

HSL 303.43, 1%, 0.73%

LAB 69.64, 69.48, -41.69

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 86 / 9 / 32

HEX #AD199D

RGB 173 25 157

HSL 306.49, 0.75%, 0.39%

LAB 41.24, 67.85, -35.62

 

CMYK 0 / 96 / 12 / 39

HEX #9C078A

RGB 156 7 138

HSL 307.25, 0.91%, 0.32%

LAB 36.09, 64.58, -32.37

 

CMYK 0 / 100 / 14 / 45

HEX #8B0077

RGB 139 0 119

HSL 308.63, 1%, 0.27%

LAB 31.4, 59.62, -28.12

 

CMYK 0 / 100 / 18 / 52

HEX #7A0064

RGB 122 0 100

HSL 310.82, 1%, 0.24%

LAB 26.9, 53.68, -23.21

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 77 / 19 / 25

HEX #BF2B9A

RGB 191 43 154

HSL 315, 0.63%, 0.46%

LAB 45.82, 66.94, -26.39

 

CMYK 0 / 77 / 32 / 25

HEX #BF2B81

RGB 191 43 129

HSL 325.14, 0.63%, 0.46%

LAB 44.79, 63.86, -12.84

 

CMYK 0 / 77 / 46 / 25

HEX #BF2B68

RGB 191 43 104

HSL 335.27, 0.63%, 0.46%

LAB 43.95, 61.31, 1.34

 

CMYK 0 / 77 / 58 / 25

HEX #BF2B50

RGB 191 43 80

HSL 345, 0.63%, 0.46%

LAB 43.34, 59.38, 15.45

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 77 / 7 / 5

HEX #F137DF

RGB 241 55 223

HSL 305.81, 0.87%, 0.58%

LAB 58.75, 83.99, -45.59

 

CMYK 0 / 78 / 8 / 85

HEX #250822

RGB 37 8 34

HSL 306.21, 0.64%, 0.09%

LAB 6.16, 18.87, -10.62

 

CMYK 0 / 77 / 7 / 65

HEX #581452

RGB 88 20 82

HSL 305.29, 0.63%, 0.21%

LAB 20.77, 38.34, -21.38

 

CMYK 0 / 78 / 7 / 45

HEX #8B1F81

RGB 139 31 129

HSL 305.56, 0.64%, 0.33%

LAB 34.09, 54.87, -30.14

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 55 / 77 / 25

HEX #BF552B

RGB 191 85 43

HSL 17.03, 0.63%, 0.46%

LAB 49.19, 40.1, 43.84

 

CMYK 77 / 0 / 25 / 25

HEX #2BBF90

RGB 43 191 144

HSL 160.95, 0.63%, 0.46%

LAB 69.32, -48.85, 13.08

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 7 / 0 / 77 / 25

HEX #B2BF2B

RGB 178 191 43

HSL 65.27, 0.63%, 0.46%

LAB 74.13, -21.99, 67.1

 

CMYK 77 / 7 / 0 / 25

HEX #2BB2BF

RGB 43 178 191

HSL 185.27, 0.63%, 0.46%

LAB 66.61, -30.17, -16.73

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 55 / 77 / 25

HEX #BF552B

RGB 191 85 43

HSL 17.03, 0.63%, 0.46%

LAB 49.19, 40.1, 43.84

 

CMYK 77 / 0 / 71 / 25

HEX #2BBF37

RGB 43 191 55

HSL 124.86, 0.63%, 0.46%

LAB 68.06, -63.36, 55.03

 

CMYK 77 / 22 / 0 / 25

HEX #2B95BF

RGB 43 149 191

HSL 197.03, 0.63%, 0.46%

LAB 57.82, -15.2, -30.2

 

CMYK 0 / 77 / 7 / 25

HEX #BE2BB0

RGB 190 43 176

HSL 305.71, 0.63%, 0.46%

LAB 46.72, 69.83, -38.07

 

CMYK 0 / 32 / 77 / 25

HEX #BF812B

RGB 191 129 43

HSL 34.86, 0.63%, 0.46%

LAB 58.93, 16.6, 53.43

 

CMYK 77 / 0 / 71 / 25

HEX #2BBF37

RGB 43 191 55

HSL 124.86, 0.63%, 0.46%

LAB 68.06, -63.36, 55.03

 

CMYK 77 / 46 / 0 / 25

HEX #2B68BF

RGB 43 104 191

HSL 215.27, 0.63%, 0.46%

LAB 44.48, 11.58, -51.26

 

Description

Color code: RGB 190 43 176 | qconv.com Color code: RGB 190 43 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 43 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 43 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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