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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 219 178 it is the complementary color RGB 65 36 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 219 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 219 178: RGB 195 219 173, RGB 212 237 192, RGB 229 255 211, RGB 246 255 230 and RGB 255 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 219 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 219 178: RGB 190 219 178, RGB 173 201 159, RGB 156 183 140, RGB 139 165 121 and RGB 122 147 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

Complementary color

CMYK 16 / 53 / 0 / 70

HEX #41244D

RGB 65 36 77

HSL 282.44, 0.36%, 0.22%

LAB 19.73, 22.08, -19.9

 

CMYK 11 / 0 / 21 / 14

HEX #C3DBAD

RGB 195 219 173

HSL 91.3, 0.39%, 0.77%

LAB 84.63, -16.13, 20.01

 

CMYK 11 / 0 / 19 / 7

HEX #D4EDC0

RGB 212 237 192

HSL 93.33, 0.56%, 0.84%

LAB 90.95, -16.11, 19.1

 

CMYK 10 / 0 / 17 / 0

HEX #E5FFD3

RGB 229 255 211

HSL 95.45, 1%, 0.91%

LAB 97.18, -16.09, 18.23

 

CMYK 4 / 0 / 10 / 0

HEX #F6FFE6

RGB 246 255 230

HSL 81.6, 1%, 0.95%

LAB 98.76, -7.24, 10.92

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 14 / 0 / 21 / 21

HEX #ADC99F

RGB 173 201 159

HSL 100, 0.28%, 0.71%

LAB 77.97, -17.15, 17.92

 

CMYK 15 / 0 / 23 / 28

HEX #9CB78C

RGB 156 183 140

HSL 97.67, 0.23%, 0.63%

LAB 71.44, -17.22, 18.88

 

CMYK 16 / 0 / 27 / 35

HEX #8BA579

RGB 139 165 121

HSL 95.45, 0.2%, 0.56%

LAB 64.79, -17.31, 19.91

 

CMYK 17 / 0 / 31 / 42

HEX #7A9366

RGB 122 147 102

HSL 93.33, 0.18%, 0.49%

LAB 58, -17.39, 21

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 16 / 0 / 19 / 14

HEX #B8DBB2

RGB 184 219 178

HSL 111.22, 0.36%, 0.78%

LAB 84, -19.15, 16.4

 

CMYK 19 / 0 / 18 / 14

HEX #B2DBB4

RGB 178 219 180

HSL 122.93, 0.36%, 0.78%

LAB 83.66, -20.83, 14.82

 

CMYK 19 / 0 / 15 / 14

HEX #B2DBBA

RGB 178 219 186

HSL 131.71, 0.36%, 0.78%

LAB 83.8, -19.76, 11.84

 

CMYK 19 / 0 / 12 / 14

HEX #B2DBC1

RGB 178 219 193

HSL 141.95, 0.36%, 0.78%

LAB 83.95, -18.48, 8.37

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 13 / 0 / 20 / 94

HEX #0D0F0C

RGB 13 15 12

HSL 100, 0.11%, 0.05%

LAB 4.1, -1.15, 1.14

 

CMYK 14 / 0 / 18 / 74

HEX #394236

RGB 57 66 54

HSL 105, 0.1%, 0.24%

LAB 26.83, -6.42, 6.08

 

CMYK 13 / 0 / 19 / 54

HEX #66755F

RGB 102 117 95

HSL 100.91, 0.1%, 0.42%

LAB 47.46, -10.07, 10.3

 

CMYK 13 / 0 / 18 / 34

HEX #92A889

RGB 146 168 137

HSL 102.58, 0.15%, 0.6%

LAB 66.46, -13.6, 13.49

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 19 / 0 / 2 / 14

HEX #B2DBD7

RGB 178 219 215

HSL 174.15, 0.36%, 0.78%

LAB 84.5, -14.14, -2.48

 

CMYK 0 / 19 / 6 / 14

HEX #DBB2CE

RGB 219 178 206

HSL 319.02, 0.36%, 0.78%

LAB 76.89, 19.44, -8.53

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 19 / 13 / 0 / 14

HEX #B2BEDB

RGB 178 190 219

HSL 222.44, 0.36%, 0.78%

LAB 76.92, 1.9, -15.89

 

CMYK 0 / 19 / 13 / 14

HEX #DBB2BE

RGB 219 178 190

HSL 342.44, 0.36%, 0.78%

LAB 76.45, 16.73, -0.48

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 19 / 0 / 2 / 14

HEX #B2DBD7

RGB 178 219 215

HSL 174.15, 0.36%, 0.78%

LAB 84.5, -14.14, -2.48

 

CMYK 6 / 19 / 0 / 14

HEX #CEB2DB

RGB 206 178 219

HSL 280.98, 0.36%, 0.78%

LAB 76.12, 17.47, -16.88

 

CMYK 0 / 19 / 17 / 14

HEX #DBB2B6

RGB 219 178 182

HSL 354.15, 0.36%, 0.78%

LAB 76.24, 15.45, 3.57

 

CMYK 13 / 0 / 19 / 14

HEX #BEDBB2

RGB 190 219 178

HSL 102.44, 0.36%, 0.78%

LAB 84.39, -17.08, 17.01

 

CMYK 19 / 4 / 0 / 14

HEX #B2D3DB

RGB 178 211 219

HSL 191.71, 0.36%, 0.78%

LAB 82.47, -9.2, -7.6

 

CMYK 6 / 19 / 0 / 14

HEX #CEB2DB

RGB 206 178 219

HSL 280.98, 0.36%, 0.78%

LAB 76.12, 17.47, -16.88

 

CMYK 0 / 15 / 19 / 14

HEX #DBBAB2

RGB 219 186 178

HSL 11.71, 0.36%, 0.78%

LAB 78.11, 10.54, 8.43

 

Description

Color code: RGB 190 219 178 | qconv.com Color code: RGB 190 219 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 219 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 219 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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