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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 169 162 it is the complementary color RGB 65 86 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 169 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 169 162: RGB 195 169 157, RGB 212 187 176, RGB 229 205 195, RGB 246 223 214 and RGB 255 241 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 169 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 169 162: RGB 190 169 162, RGB 173 151 143, RGB 156 133 124, RGB 139 115 105 and RGB 122 97 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

Complementary color

CMYK 30 / 8 / 0 / 64

HEX #41565D

RGB 65 86 93

HSL 195, 0.18%, 0.31%

LAB 35.14, -6.14, -6.68

 

CMYK 0 / 13 / 19 / 24

HEX #C3A99D

RGB 195 169 157

HSL 18.95, 0.24%, 0.69%

LAB 71.15, 7.51, 9.66

 

CMYK 0 / 12 / 17 / 17

HEX #D4BBB0

RGB 212 187 176

HSL 18.33, 0.3%, 0.76%

LAB 77.68, 7.12, 8.82

 

CMYK 0 / 10 / 15 / 10

HEX #E5CDC3

RGB 229 205 195

HSL 17.65, 0.4%, 0.83%

LAB 84.1, 6.76, 8.02

 

CMYK 0 / 9 / 13 / 4

HEX #F6DFD6

RGB 246 223 214

HSL 16.88, 0.64%, 0.9%

LAB 90.42, 6.44, 7.26

 

CMYK 0 / 5 / 9 / 0

HEX #FFF1E9

RGB 255 241 233

HSL 21.82, 1%, 0.96%

LAB 96.02, 3.38, 5.53

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 0 / 13 / 17 / 32

HEX #AD978F

RGB 173 151 143

HSL 16, 0.15%, 0.62%

LAB 64.16, 6.81, 7.2

 

CMYK 0 / 15 / 21 / 39

HEX #9C857C

RGB 156 133 124

HSL 16.88, 0.14%, 0.55%

LAB 57.36, 7.24, 8.08

 

CMYK 0 / 17 / 24 / 45

HEX #8B7369

RGB 139 115 105

HSL 17.65, 0.14%, 0.48%

LAB 50.42, 7.74, 9.04

 

CMYK 0 / 20 / 30 / 52

HEX #7A6156

RGB 122 97 86

HSL 18.33, 0.17%, 0.41%

LAB 43.3, 8.34, 10.1

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 0 / 9 / 15 / 25

HEX #BEADA1

RGB 190 173 161

HSL 24.83, 0.18%, 0.69%

LAB 71.83, 4.1, 8.37

 

CMYK 0 / 6 / 15 / 25

HEX #BEB2A1

RGB 190 178 161

HSL 35.17, 0.18%, 0.69%

LAB 73.13, 1.4, 10.22

 

CMYK 0 / 4 / 15 / 25

HEX #BEB7A1

RGB 190 183 161

HSL 45.52, 0.18%, 0.69%

LAB 74.44, -1.27, 12.07

 

CMYK 0 / 2 / 15 / 25

HEX #BEBBA1

RGB 190 187 161

HSL 53.79, 0.18%, 0.69%

LAB 75.49, -3.39, 13.56

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 0 / 11 / 15 / 5

HEX #F1D6CD

RGB 241 214 205

HSL 15, 0.56%, 0.87%

LAB 87.58, 7.92, 7.85

NCS® S1010-Y80R

CMYK 0 / 11 / 14 / 85

HEX #252120

RGB 37 33 32

HSL 12, 0.07%, 0.14%

LAB 13.14, 1.67, 1.36

 

CMYK 0 / 11 / 15 / 65

HEX #584E4B

RGB 88 78 75

HSL 13.85, 0.08%, 0.32%

LAB 34.05, 3.57, 3.28

 

CMYK 0 / 11 / 14 / 45

HEX #8B7C77

RGB 139 124 119

HSL 15, 0.08%, 0.51%

LAB 53.21, 4.85, 4.81

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 7 / 0 / 15 / 25

HEX #B1BEA1

RGB 177 190 161

HSL 86.9, 0.18%, 0.69%

LAB 75.29, -9.74, 13.14

 

CMYK 15 / 13 / 0 / 25

HEX #A1A5BE

RGB 161 165 190

HSL 231.72, 0.18%, 0.69%

LAB 68.17, 3.74, -13.3

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 15 / 0 / 12 / 25

HEX #A1BEA8

RGB 161 190 168

HSL 134.48, 0.18%, 0.69%

LAB 74.34, -14.13, 7.84

 

CMYK 12 / 15 / 0 / 25

HEX #A8A1BE

RGB 168 161 190

HSL 254.48, 0.18%, 0.69%

LAB 67.67, 8.28, -13.99

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 7 / 0 / 15 / 25

HEX #B1BEA1

RGB 177 190 161

HSL 86.9, 0.18%, 0.69%

LAB 75.29, -9.74, 13.14

 

CMYK 15 / 4 / 0 / 25

HEX #A1B7BE

RGB 161 183 190

HSL 194.48, 0.18%, 0.69%

LAB 73, -6.05, -6.1

 

CMYK 8 / 15 / 0 / 25

HEX #AEA1BE

RGB 174 161 190

HSL 266.9, 0.18%, 0.69%

LAB 68.17, 10.3, -13.19

 

CMYK 0 / 11 / 15 / 25

HEX #BEA9A2

RGB 190 169 162

HSL 15, 0.18%, 0.69%

LAB 70.82, 6.43, 6.38

 

CMYK 12 / 0 / 15 / 25

HEX #A8BEA1

RGB 168 190 161

HSL 105.52, 0.18%, 0.69%

LAB 74.65, -12.96, 12.14

 

CMYK 15 / 4 / 0 / 25

HEX #A1B7BE

RGB 161 183 190

HSL 194.48, 0.18%, 0.69%

LAB 73, -6.05, -6.1

 

CMYK 4 / 15 / 0 / 25

HEX #B7A1BE

RGB 183 161 190

HSL 285.52, 0.18%, 0.69%

LAB 68.95, 13.36, -11.95

 

Description

Color code: RGB 190 169 162 | qconv.com Color code: RGB 190 169 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 169 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 169 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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