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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 160 92 it is the complementary color RGB 65 95 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 160 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 160 92: RGB 195 160 87, RGB 212 178 106, RGB 229 196 125, RGB 246 214 144 and RGB 255 232 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 160 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 160 92: RGB 190 160 92, RGB 173 142 73, RGB 156 124 54, RGB 139 106 35 and RGB 122 88 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

Complementary color

CMYK 60 / 42 / 0 / 36

HEX #415FA3

RGB 65 95 163

HSL 221.63, 0.43%, 0.45%

LAB 41.14, 10.54, -40.13

 

CMYK 0 / 18 / 55 / 24

HEX #C3A057

RGB 195 160 87

HSL 40.56, 0.47%, 0.55%

LAB 67.6, 4.07, 42.47

 

CMYK 0 / 16 / 50 / 17

HEX #D4B26A

RGB 212 178 106

HSL 40.75, 0.55%, 0.62%

LAB 74.11, 3.22, 41.15

 

CMYK 0 / 14 / 45 / 10

HEX #E5C47D

RGB 229 196 125

HSL 40.96, 0.67%, 0.69%

LAB 80.53, 2.49, 39.87

 

CMYK 0 / 13 / 41 / 4

HEX #F6D690

RGB 246 214 144

HSL 41.18, 0.85%, 0.76%

LAB 86.85, 1.86, 38.64

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A3

RGB 255 232 163

HSL 45, 1%, 0.82%

LAB 92.41, -1.75, 36.44

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 0 / 18 / 58 / 32

HEX #AD8E49

RGB 173 142 73

HSL 41.4, 0.41%, 0.48%

LAB 60.53, 3.27, 40.63

 

CMYK 0 / 21 / 65 / 39

HEX #9C7C36

RGB 156 124 54

HSL 41.18, 0.49%, 0.41%

LAB 53.76, 4.36, 41.91

 

CMYK 0 / 24 / 75 / 45

HEX #8B6A23

RGB 139 106 35

HSL 40.96, 0.6%, 0.34%

LAB 46.87, 5.7, 42.95

 

CMYK 0 / 28 / 87 / 52

HEX #7A5810

RGB 122 88 16

HSL 40.75, 0.77%, 0.27%

LAB 39.84, 7.39, 43.23

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 0 / 8 / 52 / 26

HEX #BDAE5A

RGB 189 174 90

HSL 50.91, 0.43%, 0.55%

LAB 70.75, -5.7, 44.6

 

CMYK 1 / 0 / 52 / 26

HEX #BBBD5A

RGB 187 189 90

HSL 61.21, 0.43%, 0.55%

LAB 74.63, -14.3, 49.12

 

CMYK 10 / 0 / 52 / 26

HEX #ABBD5A

RGB 171 189 90

HSL 70.91, 0.43%, 0.55%

LAB 73.41, -20.84, 47.38

 

CMYK 18 / 0 / 52 / 26

HEX #9BBD5A

RGB 155 189 90

HSL 80.61, 0.43%, 0.55%

LAB 72.3, -27.19, 45.79

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 0 / 16 / 51 / 5

HEX #F1CB75

RGB 241 203 117

HSL 41.61, 0.82%, 0.7%

LAB 83.28, 2.97, 47.54

 

CMYK 0 / 16 / 51 / 85

HEX #251F12

RGB 37 31 18

HSL 41.05, 0.35%, 0.11%

LAB 12.07, 0.46, 9.74

 

CMYK 0 / 16 / 51 / 65

HEX #584A2B

RGB 88 74 43

HSL 41.33, 0.34%, 0.26%

LAB 32.14, 1.18, 20.64

 

CMYK 0 / 16 / 52 / 45

HEX #8B7543

RGB 139 117 67

HSL 41.67, 0.35%, 0.4%

LAB 50.24, 1.75, 30.59

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 46 / 0 / 52 / 26

HEX #66BD5A

RGB 102 189 90

HSL 112.73, 0.43%, 0.55%

LAB 69.44, -45.7, 41.68

 

CMYK 38 / 52 / 0 / 26

HEX #765ABD

RGB 118 90 189

HSL 256.97, 0.43%, 0.55%

LAB 45.41, 34.23, -48.35

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 52 / 0 / 16 / 26

HEX #5ABD9E

RGB 90 189 158

HSL 161.21, 0.43%, 0.55%

LAB 70.2, -36.57, 6.88

 

CMYK 16 / 52 / 0 / 26

HEX #9E5ABD

RGB 158 90 189

HSL 281.21, 0.43%, 0.55%

LAB 49.8, 44.81, -41.1

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 46 / 0 / 52 / 26

HEX #66BD5A

RGB 102 189 90

HSL 112.73, 0.43%, 0.55%

LAB 69.44, -45.7, 41.68

 

CMYK 52 / 35 / 0 / 26

HEX #5A7ABD

RGB 90 122 189

HSL 220.61, 0.43%, 0.55%

LAB 51.57, 7.91, -38.7

 

CMYK 6 / 52 / 0 / 26

HEX #B25ABD

RGB 178 90 189

HSL 293.33, 0.43%, 0.55%

LAB 52.34, 50.33, -36.92

 

CMYK 0 / 16 / 52 / 25

HEX #BEA05C

RGB 190 160 92

HSL 41.63, 0.43%, 0.55%

LAB 67.17, 2.38, 39.3

 

CMYK 52 / 0 / 43 / 26

HEX #5ABD6C

RGB 90 189 108

HSL 130.91, 0.43%, 0.55%

LAB 69.22, -46.46, 32.27

 

CMYK 52 / 35 / 0 / 26

HEX #5A7ABD

RGB 90 122 189

HSL 220.61, 0.43%, 0.55%

LAB 51.57, 7.91, -38.7

 

CMYK 0 / 52 / 10 / 26

HEX #BD5AAB

RGB 189 90 171

HSL 310.91, 0.43%, 0.55%

LAB 53.03, 50.28, -25.3

 

Description

Color code: RGB 190 160 92 | qconv.com Color code: RGB 190 160 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 160 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 160 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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