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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 151 75 it is the complementary color RGB 65 104 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 151 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 151 75: RGB 195 151 70, RGB 212 169 89, RGB 229 187 108, RGB 246 205 127 and RGB 255 223 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 151 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 151 75: RGB 190 151 75, RGB 173 133 56, RGB 156 115 37, RGB 139 97 18 and RGB 122 79 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

Complementary color

CMYK 64 / 42 / 0 / 29

HEX #4168B4

RGB 65 104 180

HSL 219.65, 0.47%, 0.48%

LAB 44.69, 10.81, -44.49

 

CMYK 0 / 23 / 64 / 24

HEX #C39746

RGB 195 151 70

HSL 38.88, 0.51%, 0.52%

LAB 65.1, 7.7, 47.93

 

CMYK 0 / 20 / 58 / 17

HEX #D4A959

RGB 212 169 89

HSL 39.02, 0.59%, 0.59%

LAB 71.62, 6.59, 46.65

 

CMYK 0 / 18 / 53 / 10

HEX #E5BB6C

RGB 229 187 108

HSL 39.17, 0.7%, 0.66%

LAB 78.04, 5.65, 45.34

 

CMYK 0 / 17 / 48 / 4

HEX #F6CD7F

RGB 246 205 127

HSL 39.33, 0.87%, 0.73%

LAB 84.37, 4.84, 44.04

 

CMYK 0 / 13 / 43 / 0

HEX #FFDF92

RGB 255 223 146

HSL 42.39, 1%, 0.79%

LAB 89.91, 1, 41.74

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 0 / 23 / 68 / 32

HEX #AD8538

RGB 173 133 56

HSL 39.49, 0.51%, 0.45%

LAB 57.98, 7.06, 46.08

 

CMYK 0 / 26 / 76 / 39

HEX #9C7325

RGB 156 115 37

HSL 39.33, 0.62%, 0.38%

LAB 51.22, 8.5, 47.05

 

CMYK 0 / 30 / 87 / 45

HEX #8B6112

RGB 139 97 18

HSL 39.17, 0.77%, 0.31%

LAB 44.35, 10.26, 47.22

 

CMYK 0 / 35 / 100 / 52

HEX #7A4F00

RGB 122 79 0

HSL 38.85, 1%, 0.24%

LAB 37.35, 12.37, 46.19

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 0 / 11 / 61 / 25

HEX #BEA94B

RGB 190 169 75

HSL 49.04, 0.47%, 0.52%

LAB 69.35, -3.81, 50.18

 

CMYK 0 / 1 / 61 / 25

HEX #BEBC4B

RGB 190 188 75

HSL 58.96, 0.47%, 0.52%

LAB 74.46, -13.69, 55.8

 

CMYK 9 / 0 / 61 / 25

HEX #ACBE4B

RGB 172 190 75

HSL 69.39, 0.47%, 0.52%

LAB 73.61, -22.18, 54.48

 

CMYK 19 / 0 / 61 / 25

HEX #99BE4B

RGB 153 190 75

HSL 79.3, 0.47%, 0.52%

LAB 72.3, -29.82, 52.66

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 0 / 20 / 61 / 5

HEX #F1C05F

RGB 241 192 95

HSL 39.86, 0.84%, 0.66%

LAB 80.31, 7, 54.56

 

CMYK 0 / 22 / 59 / 85

HEX #251D0F

RGB 37 29 15

HSL 38.18, 0.42%, 0.1%

LAB 11.32, 1.46, 10.42

 

CMYK 0 / 20 / 60 / 65

HEX #584623

RGB 88 70 35

HSL 39.62, 0.43%, 0.24%

LAB 30.82, 2.84, 23.76

 

CMYK 0 / 21 / 60 / 45

HEX #8B6E37

RGB 139 110 55

HSL 39.29, 0.43%, 0.38%

LAB 48.15, 4.7, 34.55

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 52 / 0 / 61 / 25

HEX #5CBE4B

RGB 92 190 75

HSL 111.13, 0.47%, 0.52%

LAB 69.19, -50.75, 48.32

 

CMYK 46 / 61 / 0 / 25

HEX #674BBE

RGB 103 75 190

HSL 254.61, 0.47%, 0.52%

LAB 40.63, 39.84, -56.71

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 61 / 0 / 22 / 25

HEX #4BBE95

RGB 75 190 149

HSL 158.61, 0.47%, 0.52%

LAB 69.82, -42.28, 11.17

 

CMYK 22 / 61 / 0 / 25

HEX #954BBE

RGB 149 75 190

HSL 278.61, 0.47%, 0.52%

LAB 45.82, 50.44, -48.08

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 52 / 0 / 61 / 25

HEX #5CBE4B

RGB 92 190 75

HSL 111.13, 0.47%, 0.52%

LAB 69.19, -50.75, 48.32

 

CMYK 61 / 39 / 0 / 25

HEX #4B73BE

RGB 75 115 190

HSL 219.13, 0.47%, 0.52%

LAB 48.85, 9.32, -43.63

 

CMYK 9 / 61 / 0 / 25

HEX #AC4BBE

RGB 172 75 190

HSL 290.61, 0.47%, 0.52%

LAB 48.91, 56.14, -42.98

 

CMYK 0 / 21 / 61 / 25

HEX #BE974B

RGB 190 151 75

HSL 39.65, 0.47%, 0.52%

LAB 64.63, 5.88, 44.84

 

CMYK 61 / 0 / 52 / 25

HEX #4BBE5C

RGB 75 190 92

HSL 128.87, 0.47%, 0.52%

LAB 68.82, -52.92, 39.73

 

CMYK 61 / 39 / 0 / 25

HEX #4B73BE

RGB 75 115 190

HSL 219.13, 0.47%, 0.52%

LAB 48.85, 9.32, -43.63

 

CMYK 0 / 61 / 9 / 25

HEX #BE4BAC

RGB 190 75 172

HSL 309.39, 0.47%, 0.52%

LAB 50.64, 57.67, -29.58

 

Description

Color code: RGB 190 151 75 | qconv.com Color code: RGB 190 151 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 151 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 151 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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