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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 133 45 it is the complementary color RGB 65 122 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 133 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 133 45: RGB 195 133 40, RGB 212 151 59, RGB 229 169 78, RGB 246 187 97 and RGB 255 205 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 133 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 133 45: RGB 190 133 45, RGB 173 115 26, RGB 156 97 7, RGB 139 79 0 and RGB 122 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

Complementary color

CMYK 69 / 42 / 0 / 18

HEX #417AD2

RGB 65 122 210

HSL 216.41, 0.62%, 0.54%

LAB 51.49, 10.26, -50.89

 

CMYK 0 / 32 / 79 / 24

HEX #C38528

RGB 195 133 40

HSL 36, 0.66%, 0.46%

LAB 60.36, 16.03, 56.13

 

CMYK 0 / 29 / 72 / 17

HEX #D4973B

RGB 212 151 59

HSL 36.08, 0.64%, 0.53%

LAB 66.86, 14.42, 55.37

 

CMYK 0 / 26 / 66 / 10

HEX #E5A94E

RGB 229 169 78

HSL 36.16, 0.74%, 0.6%

LAB 73.27, 13.02, 54.24

 

CMYK 0 / 24 / 61 / 4

HEX #F6BB61

RGB 246 187 97

HSL 36.24, 0.89%, 0.67%

LAB 79.61, 11.82, 52.96

 

CMYK 0 / 20 / 55 / 0

HEX #FFCD74

RGB 255 205 116

HSL 38.42, 1%, 0.73%

LAB 85.09, 7.53, 50.52

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 0 / 34 / 85 / 32

HEX #AD731A

RGB 173 115 26

HSL 36.33, 0.74%, 0.39%

LAB 53.19, 15.81, 53.75

 

CMYK 0 / 38 / 96 / 39

HEX #9C6107

RGB 156 97 7

HSL 36.24, 0.91%, 0.32%

LAB 46.49, 17.91, 52.71

 

CMYK 0 / 43 / 100 / 45

HEX #8B4F00

RGB 139 79 0

HSL 34.1, 1%, 0.27%

LAB 39.72, 20.35, 48.87

 

CMYK 0 / 50 / 100 / 52

HEX #7A3D00

RGB 122 61 0

HSL 30, 1%, 0.24%

LAB 32.86, 22.99, 43.33

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 0 / 18 / 77 / 25

HEX #BE9C2C

RGB 190 156 44

HSL 46.03, 0.62%, 0.46%

LAB 65.68, 1.41, 59.38

 

CMYK 0 / 5 / 77 / 25

HEX #BEB42C

RGB 190 180 44

HSL 55.89, 0.62%, 0.46%

LAB 72.08, -11.26, 65.29

 

CMYK 8 / 0 / 77 / 25

HEX #AFBE2C

RGB 175 190 44

HSL 66.16, 0.62%, 0.46%

LAB 73.63, -22.73, 66.26

 

CMYK 21 / 0 / 77 / 25

HEX #97BE2C

RGB 151 190 44

HSL 76.03, 0.62%, 0.46%

LAB 71.95, -32.61, 64.11

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 0 / 30 / 76 / 5

HEX #F1A939

RGB 241 169 57

HSL 36.52, 0.87%, 0.58%

LAB 74.43, 17.06, 64.73

 

CMYK 0 / 30 / 76 / 85

HEX #251A09

RGB 37 26 9

HSL 36.43, 0.61%, 0.09%

LAB 10.2, 2.91, 11.6

 

CMYK 0 / 30 / 76 / 65

HEX #583E15

RGB 88 62 21

HSL 36.72, 0.61%, 0.21%

LAB 28.31, 6.78, 28.72

 

CMYK 0 / 30 / 76 / 45

HEX #8B6121

RGB 139 97 33

HSL 36.23, 0.62%, 0.34%

LAB 44.44, 10.84, 41.43

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 62 / 0 / 77 / 25

HEX #49BE2C

RGB 73 190 44

HSL 108.08, 0.62%, 0.46%

LAB 68.33, -58.31, 59.39

 

CMYK 62 / 77 / 0 / 25

HEX #492CBE

RGB 73 44 190

HSL 251.92, 0.62%, 0.46%

LAB 31.66, 51.81, -71.48

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 77 / 0 / 31 / 25

HEX #2CBE83

RGB 44 190 131

HSL 155.75, 0.62%, 0.46%

LAB 68.75, -51.27, 19.31

 

CMYK 31 / 77 / 0 / 25

HEX #832CBE

RGB 131 44 190

HSL 275.75, 0.62%, 0.46%

LAB 38.45, 60.46, -60.09

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 62 / 0 / 77 / 25

HEX #49BE2C

RGB 73 190 44

HSL 108.08, 0.62%, 0.46%

LAB 68.33, -58.31, 59.39

 

CMYK 77 / 46 / 0 / 25

HEX #2C66BE

RGB 44 102 190

HSL 216.16, 0.62%, 0.46%

LAB 43.88, 12.6, -51.65

 

CMYK 16 / 77 / 0 / 25

HEX #A02CBE

RGB 160 44 190

HSL 287.67, 0.62%, 0.46%

LAB 42.75, 65.8, -52.92

 

CMYK 0 / 30 / 76 / 25

HEX #BE852D

RGB 190 133 45

HSL 36.41, 0.62%, 0.46%

LAB 59.81, 14.03, 53.42

 

CMYK 77 / 0 / 69 / 25

HEX #2CBE3B

RGB 44 190 59

HSL 126.16, 0.62%, 0.46%

LAB 67.78, -62.54, 53.2

 

CMYK 77 / 46 / 0 / 25

HEX #2C66BE

RGB 44 102 190

HSL 216.16, 0.62%, 0.46%

LAB 43.88, 12.6, -51.65

 

CMYK 0 / 77 / 8 / 25

HEX #BE2CAF

RGB 190 44 175

HSL 306.16, 0.62%, 0.46%

LAB 46.77, 69.4, -37.41

 

Description

Color code: RGB 190 133 45 | qconv.com Color code: RGB 190 133 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 133 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 133 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 76% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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