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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 76 124 it is the complementary color RGB 237 179 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 76 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 18 76 124: RGB 23 76 119, RGB 40 94 138, RGB 57 112 157, RGB 74 130 176 and RGB 91 148 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 76 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 18 76 124: RGB 18 76 124, RGB 1 58 105, RGB 0 40 86, RGB 0 22 67 and RGB 0 4 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

Complementary color

CMYK 0 / 24 / 45 / 7

HEX #EDB383

RGB 237 179 131

HSL 27.17, 0.75%, 0.72%

LAB 77.21, 15.24, 32.65

 

CMYK 81 / 36 / 0 / 53

HEX #174C77

RGB 23 76 119

HSL 206.88, 0.68%, 0.28%

LAB 31.07, -0.9, -29.44

 

CMYK 71 / 32 / 0 / 46

HEX #285E8A

RGB 40 94 138

HSL 206.94, 0.55%, 0.35%

LAB 38.36, -2.56, -29.61

 

CMYK 64 / 29 / 0 / 38

HEX #39709D

RGB 57 112 157

HSL 207, 0.47%, 0.42%

LAB 45.49, -3.72, -29.75

 

CMYK 58 / 26 / 0 / 31

HEX #4A82B0

RGB 74 130 176

HSL 207.06, 0.41%, 0.49%

LAB 52.46, -4.57, -29.9

 

CMYK 53 / 24 / 0 / 24

HEX #5B94C3

RGB 91 148 195

HSL 207.12, 0.46%, 0.56%

LAB 59.29, -5.22, -30.05

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 99 / 45 / 0 / 59

HEX #013A69

RGB 1 58 105

HSL 207.12, 0.98%, 0.21%

LAB 23.84, 3.26, -32.08

 

CMYK 100 / 53 / 0 / 66

HEX #002856

RGB 0 40 86

HSL 212.09, 1%, 0.17%

LAB 16.45, 7.59, -31.49

 

CMYK 100 / 67 / 0 / 74

HEX #001643

RGB 0 22 67

HSL 220.3, 1%, 0.13%

LAB 8.82, 12.61, -30.83

 

CMYK 100 / 92 / 0 / 81

HEX #000430

RGB 0 4 48

HSL 235, 1%, 0.09%

LAB 2.71, 11.94, -26.94

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 86 / 53 / 0 / 51

HEX #113A7C

RGB 17 58 124

HSL 217.01, 0.76%, 0.28%

LAB 25.56, 12.85, -41.4

 

CMYK 86 / 67 / 0 / 51

HEX #11297C

RGB 17 41 124

HSL 226.54, 0.76%, 0.28%

LAB 20.67, 24.95, -49.37

 

CMYK 86 / 81 / 0 / 51

HEX #11177C

RGB 17 23 124

HSL 236.64, 0.76%, 0.28%

LAB 16.44, 36.6, -56.36

 

CMYK 76 / 86 / 0 / 51

HEX #1E117C

RGB 30 17 124

HSL 247.29, 0.76%, 0.28%

LAB 16.17, 40.53, -56.79

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 86 / 39 / 0 / 31

HEX #196BAF

RGB 25 107 175

HSL 207.2, 0.75%, 0.39%

LAB 43.97, 1.72, -42.79

 

CMYK 85 / 38 / 0 / 11

HEX #218BE2

RGB 33 139 226

HSL 207.05, 0.77%, 0.51%

LAB 56.37, 2.28, -52.17

 

CMYK 86 / 41 / 0 / 91

HEX #030D16

RGB 3 13 22

HSL 208.42, 0.76%, 0.05%

LAB 3.3, -0.85, -5.93

 

CMYK 85 / 38 / 0 / 71

HEX #0B2D49

RGB 11 45 73

HSL 207.1, 0.74%, 0.16%

LAB 17.59, -0.62, -20.85

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 30 / 86 / 0 / 51

HEX #57117C

RGB 87 17 124

HSL 279.25, 0.76%, 0.28%

LAB 23.28, 47.69, -44.84

 

CMYK 4 / 0 / 86 / 51

HEX #777C11

RGB 119 124 17

HSL 62.8, 0.76%, 0.28%

LAB 49.95, -14.57, 51.41

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 0 / 86 / 39 / 51

HEX #7C114C

RGB 124 17 76

HSL 326.92, 0.76%, 0.28%

LAB 27.32, 47.88, -6.66

 

CMYK 39 / 0 / 86 / 51

HEX #4C7C11

RGB 76 124 17

HSL 86.92, 0.76%, 0.28%

LAB 46.96, -33.1, 47.65

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 30 / 86 / 0 / 51

HEX #57117C

RGB 87 17 124

HSL 279.25, 0.76%, 0.28%

LAB 23.28, 47.69, -44.84

 

CMYK 0 / 47 / 86 / 51

HEX #7C4211

RGB 124 66 17

HSL 27.48, 0.76%, 0.28%

LAB 34.44, 21.44, 38.28

 

CMYK 56 / 0 / 86 / 51

HEX #377C11

RGB 55 124 17

HSL 98.69, 0.76%, 0.28%

LAB 46, -40.32, 46.43

 

CMYK 85 / 39 / 0 / 51

HEX #124C7C

RGB 18 76 124

HSL 207.17, 0.75%, 0.28%

LAB 31.24, 0.57, -32.3

 

CMYK 4 / 86 / 0 / 51

HEX #77117C

RGB 119 17 124

HSL 297.2, 0.76%, 0.28%

LAB 28.85, 53.61, -35.57

 

CMYK 0 / 47 / 86 / 51

HEX #7C4211

RGB 124 66 17

HSL 27.48, 0.76%, 0.28%

LAB 34.44, 21.44, 38.28

 

CMYK 81 / 0 / 86 / 51

HEX #177C11

RGB 23 124 17

HSL 116.64, 0.76%, 0.28%

LAB 45.13, -47.52, 45.32

 

Description

Color code: RGB 18 76 124 | qconv.com Color code: RGB 18 76 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 76 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 76 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 39 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 39% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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