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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 109 68 it is the complementary color RGB 237 146 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 109 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 18 109 68: RGB 23 109 63, RGB 40 127 82, RGB 57 145 101, RGB 74 163 120 and RGB 91 181 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 109 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 18 109 68: RGB 18 109 68, RGB 1 91 49, RGB 0 73 30, RGB 0 55 11 and RGB 0 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

Complementary color

CMYK 0 / 38 / 21 / 7

HEX #ED92BB

RGB 237 146 187

HSL 332.97, 0.72%, 0.75%

LAB 70.97, 39.67, -6.67

 

CMYK 79 / 0 / 42 / 57

HEX #176D3F

RGB 23 109 63

HSL 147.91, 0.65%, 0.26%

LAB 40.37, -36.25, 18.78

 

CMYK 69 / 0 / 35 / 50

HEX #287F52

RGB 40 127 82

HSL 148.97, 0.52%, 0.33%

LAB 47.29, -36.84, 17.14

 

CMYK 61 / 0 / 30 / 43

HEX #399165

RGB 57 145 101

HSL 150, 0.44%, 0.4%

LAB 54.09, -37.04, 15.7

 

CMYK 55 / 0 / 26 / 36

HEX #4AA378

RGB 74 163 120

HSL 151.01, 0.38%, 0.46%

LAB 60.79, -37.04, 14.41

 

CMYK 50 / 0 / 23 / 29

HEX #5BB58B

RGB 91 181 139

HSL 152, 0.38%, 0.53%

LAB 67.38, -36.92, 13.25

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 99 / 0 / 46 / 64

HEX #015B31

RGB 1 91 49

HSL 152, 0.98%, 0.18%

LAB 33.37, -34.54, 17.73

 

CMYK 100 / 0 / 59 / 71

HEX #00491E

RGB 0 73 30

HSL 144.66, 1%, 0.14%

LAB 26.33, -31.47, 19.96

 

CMYK 100 / 0 / 80 / 78

HEX #00370B

RGB 0 55 11

HSL 132, 1%, 0.11%

LAB 19.04, -27.7, 21.77

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 84 / 0 / 25 / 57

HEX #116D52

RGB 17 109 82

HSL 162.39, 0.73%, 0.25%

LAB 40.68, -32.53, 7.93

 

CMYK 84 / 0 / 11 / 57

HEX #116D61

RGB 17 109 97

HSL 172.17, 0.73%, 0.25%

LAB 41.09, -28.26, -0.55

 

CMYK 84 / 3 / 0 / 57

HEX #116A6D

RGB 17 106 109

HSL 181.96, 0.73%, 0.25%

LAB 40.46, -22.92, -8.77

 

CMYK 84 / 17 / 0 / 57

HEX #115B6D

RGB 17 91 109

HSL 191.74, 0.73%, 0.25%

LAB 35.41, -14.72, -16.44

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 84 / 0 / 38 / 37

HEX #1AA064

RGB 26 160 100

HSL 153.13, 0.72%, 0.36%

LAB 58.3, -48.3, 21.86

 

CMYK 83 / 0 / 37 / 17

HEX #23D384

RGB 35 211 132

HSL 153.07, 0.72%, 0.48%

LAB 75.21, -59.85, 27.51

 

CMYK 86 / 0 / 43 / 97

HEX #010704

RGB 1 7 4

HSL 150, 0.75%, 0.02%

LAB 1.51, -1.99, 0.58

 

CMYK 83 / 0 / 38 / 77

HEX #0A3A24

RGB 10 58 36

HSL 152.5, 0.71%, 0.13%

LAB 20.9, -22, 9.25

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 84 / 61 / 0 / 57

HEX #112A6D

RGB 17 42 109

HSL 223.7, 0.73%, 0.25%

LAB 19.55, 18.01, -41.59

 

CMYK 0 / 72 / 84 / 57

HEX #6D1E11

RGB 109 30 17

HSL 8.48, 0.73%, 0.25%

LAB 24.39, 34.22, 27.99

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 39 / 84 / 0 / 57

HEX #42116D

RGB 66 17 109

HSL 271.96, 0.73%, 0.25%

LAB 18.64, 40.59, -42.89

 

CMYK 0 / 39 / 84 / 57

HEX #6D4211

RGB 109 66 17

HSL 31.96, 0.73%, 0.25%

LAB 32.23, 14.43, 35.46

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 84 / 61 / 0 / 57

HEX #112A6D

RGB 17 42 109

HSL 223.7, 0.73%, 0.25%

LAB 19.55, 18.01, -41.59

 

CMYK 0 / 84 / 45 / 57

HEX #6D113C

RGB 109 17 60

HSL 331.96, 0.73%, 0.25%

LAB 23.6, 42.07, -1.67

 

CMYK 0 / 22 / 84 / 57

HEX #6D5511

RGB 109 85 17

HSL 44.35, 0.73%, 0.25%

LAB 37.46, 2.87, 40.2

 

CMYK 83 / 0 / 38 / 57

HEX #126D44

RGB 18 109 68

HSL 152.97, 0.72%, 0.25%

LAB 40.38, -35.85, 15.86

 

CMYK 82 / 84 / 0 / 57

HEX #14116D

RGB 20 17 109

HSL 241.96, 0.73%, 0.25%

LAB 13.55, 34.89, -51.45

 

CMYK 0 / 84 / 45 / 57

HEX #6D113C

RGB 109 17 60

HSL 331.96, 0.73%, 0.25%

LAB 23.6, 42.07, -1.67

 

CMYK 3 / 0 / 84 / 57

HEX #6A6D11

RGB 106 109 17

HSL 61.96, 0.73%, 0.25%

LAB 44.29, -12.49, 46.11

 

Description

Color code: RGB 18 109 68 | qconv.com Color code: RGB 18 109 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 109 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 109 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 38 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 38% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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