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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 103 237 it is the complementary color RGB 237 152 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 103 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 103 237 shade: RGB 23 103 232, RGB 40 121 251, RGB 57 139 255, RGB 74 157 255 and RGB 91 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 103 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 1 85 218, RGB 0 67 199, RGB 0 49 180 and RGB 0 31 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 18 44 237, RGB 51 18 237, RGB 110 18 237 and RGB 169 18 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 18 44 237 and RGB 18 18 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 103 237 shade matches the following richer shades: RGB 18 103 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 38 108 217, RGB 59 112 196, RGB 80 117 175 and RGB 100 121 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 103 237 shade: RGB 18 223 237, RGB 18 164 237, RGB 18 106 237, RGB 18 47 237 and RGB 47 18 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 103 237 shade: RGB 12 70 160, RGB 15 86 199, RGB 18 103 237, RGB 56 128 240 and RGB 95 152 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 193 18 237 and RGB 193 237 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 237 18 106 and RGB 106 237 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 193 18 237, RGB 237 149 18 and RGB 62 237 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 103 237 shade: RGB 18 103 237, RGB 237 18 215, RGB 237 149 18 and RGB 18 237 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

Complementary color

CMYK 0 / 36 / 92 / 7

HEX #ED9812

RGB 237 152 18

HSL 36.71, 0.86%, 0.5%

LAB 69.83, 23.36, 72.07

 

CMYK 90 / 56 / 0 / 9

HEX #1767E8

RGB 23 103 232

HSL 217.03, 0.82%, 0.5%

LAB 46.59, 26.46, -71.3

 

CMYK 84 / 52 / 0 / 2

HEX #2879FB

RGB 40 121 251

HSL 216.97, 0.96%, 0.57%

LAB 53.05, 23.27, -71.4

 

CMYK 78 / 45 / 0 / 0

HEX #398BFF

RGB 57 139 255

HSL 215.15, 1%, 0.61%

LAB 58.56, 15.11, -64.68

 

CMYK 71 / 38 / 0 / 0

HEX #4A9DFF

RGB 74 157 255

HSL 212.49, 1%, 0.65%

LAB 63.99, 6.39, -55.97

 

CMYK 64 / 31 / 0 / 0

HEX #5BAFFF

RGB 91 175 255

HSL 209.27, 1%, 0.68%

LAB 69.54, -1.37, -47.15

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 100 / 61 / 0 / 15

HEX #0155DA

RGB 1 85 218

HSL 216.77, 0.99%, 0.43%

LAB 40.52, 31.99, -73.28

 

CMYK 100 / 66 / 0 / 22

HEX #0043C7

RGB 0 67 199

HSL 219.8, 1%, 0.39%

LAB 34.27, 36.34, -72.57

 

CMYK 100 / 73 / 0 / 29

HEX #0031B4

RGB 0 49 180

HSL 223.67, 1%, 0.35%

LAB 28.09, 40.65, -71.56

 

CMYK 100 / 81 / 0 / 37

HEX #001FA1

RGB 0 31 161

HSL 228.45, 1%, 0.32%

LAB 22.14, 44.43, -69.99

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 92 / 81 / 0 / 7

HEX #122CED

RGB 18 44 237

HSL 232.88, 0.86%, 0.5%

LAB 34.08, 62.72, -94.74

 

CMYK 78 / 92 / 0 / 7

HEX #3312ED

RGB 51 18 237

HSL 249.04, 0.86%, 0.5%

LAB 32.37, 72.48, -97.55

 

CMYK 54 / 92 / 0 / 7

HEX #6E12ED

RGB 110 18 237

HSL 265.21, 0.86%, 0.5%

LAB 37.59, 75.67, -88.72

 

CMYK 29 / 92 / 0 / 7

HEX #A912ED

RGB 169 18 237

HSL 281.37, 0.86%, 0.5%

LAB 45.61, 81.79, -75.24

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 92 / 81 / 0 / 7

HEX #122CED

RGB 18 44 237

HSL 232.88, 0.86%, 0.5%

LAB 34.08, 62.72, -94.74

 

CMYK 92 / 92 / 0 / 7

HEX #1212ED

RGB 18 18 237

HSL 240, 0.86%, 0.5%

LAB 31.06, 71.81, -99.77

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 82 / 50 / 0 / 15

HEX #266CD9

RGB 38 108 217

HSL 216.54, 0.7%, 0.5%

LAB 47.17, 18.47, -61.86

 

CMYK 70 / 43 / 0 / 23

HEX #3B70C4

RGB 59 112 196

HSL 216.79, 0.54%, 0.5%

LAB 47.63, 10.52, -49.08

 

CMYK 54 / 33 / 0 / 31

HEX #5075AF

RGB 80 117 175

HSL 216.63, 0.37%, 0.5%

LAB 48.91, 4.15, -34.84

 

CMYK 35 / 22 / 0 / 39

HEX #64799B

RGB 100 121 155

HSL 217.09, 0.22%, 0.5%

LAB 50.39, 1, -20.79

 

CMYK 92 / 6 / 0 / 7

HEX #12DFED

RGB 18 223 237

HSL 183.84, 0.86%, 0.5%

LAB 81.3, -38.8, -19.45

 

CMYK 92 / 31 / 0 / 7

HEX #12A4ED

RGB 18 164 237

HSL 200, 0.86%, 0.5%

LAB 63.99, -8.93, -46.19

 

CMYK 92 / 55 / 0 / 7

HEX #126AED

RGB 18 106 237

HSL 215.89, 0.86%, 0.5%

LAB 47.69, 26.25, -72.32

 

CMYK 92 / 80 / 0 / 7

HEX #122FED

RGB 18 47 237

HSL 232.05, 0.86%, 0.5%

LAB 34.55, 61.32, -93.95

 

CMYK 80 / 92 / 0 / 7

HEX #2F12ED

RGB 47 18 237

HSL 247.95, 0.86%, 0.5%

LAB 32.15, 72.37, -97.92

 

CMYK 93 / 56 / 0 / 37

HEX #0C46A0

RGB 12 70 160

HSL 216.49, 0.86%, 0.34%

LAB 31.8, 19.19, -53.47

 

CMYK 92 / 57 / 0 / 22

HEX #0F56C7

RGB 15 86 199

HSL 216.85, 0.86%, 0.42%

LAB 39.38, 24.31, -64.19

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 77 / 47 / 0 / 6

HEX #3880F0

RGB 56 128 240

HSL 216.52, 0.86%, 0.58%

LAB 54.63, 16.27, -62.72

 

CMYK 61 / 37 / 0 / 5

HEX #5F98F3

RGB 95 152 243

HSL 216.89, 0.86%, 0.66%

LAB 62.81, 8.59, -51.23

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 19 / 0 / 92 / 7

HEX #C1ED12

RGB 193 237 18

HSL 72.05, 0.86%, 0.5%

LAB 87.94, -38.09, 84.13

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 0 / 92 / 55 / 7

HEX #ED126A

RGB 237 18 106

HSL 335.89, 0.86%, 0.5%

LAB 51.24, 77.68, 11.72

 

CMYK 55 / 0 / 92 / 7

HEX #6AED12

RGB 106 237 18

HSL 95.89, 0.86%, 0.5%

LAB 83.8, -67.27, 79.06

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 19 / 92 / 0 / 7

HEX #C112ED

RGB 193 18 237

HSL 287.95, 0.86%, 0.5%

LAB 49.36, 85, -68.98

 

CMYK 0 / 37 / 92 / 7

HEX #ED9512

RGB 237 149 18

HSL 35.89, 0.86%, 0.5%

LAB 69.14, 24.95, 71.58

 

CMYK 74 / 0 / 92 / 7

HEX #3EED12

RGB 62 237 18

HSL 107.95, 0.86%, 0.5%

LAB 82.72, -76.31, 77.73

 

CMYK 92 / 57 / 0 / 7

HEX #1267ED

RGB 18 103 237

HSL 216.71, 0.86%, 0.5%

LAB 46.9, 28.17, -73.6

 

CMYK 0 / 92 / 9 / 7

HEX #ED12D7

RGB 237 18 215

HSL 306.03, 0.86%, 0.5%

LAB 55.42, 88.66, -46.37

 

CMYK 0 / 37 / 92 / 7

HEX #ED9512

RGB 237 149 18

HSL 35.89, 0.86%, 0.5%

LAB 69.14, 24.95, 71.58

 

CMYK 92 / 0 / 83 / 7

HEX #12ED28

RGB 18 237 40

HSL 126.03, 0.86%, 0.5%

LAB 82.3, -79.83, 73.26

 

Description

Color code: RGB 18 103 237 | qconv.com Color code: RGB 18 103 237 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 103 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 103 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 57 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 57% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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