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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 37 / 0 / 5 it is the complementary color CMYK 0 / 37 / 92 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 37 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 37 / 0 / 5: CMYK 58 / 35 / 0 / 7, CMYK 55 / 33 / 0 / 0, CMYK 48 / 26 / 0 / 0, CMYK 41 / 19 / 0 / 0 and CMYK 35 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 37 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 37 / 0 / 5: CMYK 61 / 37 / 0 / 5, CMYK 65 / 39 / 0 / 13, CMYK 71 / 43 / 0 / 20, CMYK 77 / 46 / 0 / 27 and CMYK 84 / 51 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

Complementary color

CMYK 0 / 37 / 92 / 37

HEX #A1660D

RGB 161 102 13

HSL 36.08, 0.85%, 0.34%

LAB 48.4, 17.43, 53.04

 

CMYK 58 / 35 / 0 / 7

HEX #6399ED

RGB 99 153 237

HSL 216.52, 0.79%, 0.66%

LAB 62.97, 6.81, -47.66

 

CMYK 55 / 33 / 0 / 0

HEX #74ABFF

RGB 116 171 255

HSL 216.26, 1%, 0.73%

LAB 69.51, 5.53, -47.13

 

CMYK 48 / 26 / 0 / 0

HEX #85BDFF

RGB 133 189 255

HSL 212.46, 1%, 0.76%

LAB 75.2, -0.78, -38.17

 

CMYK 41 / 19 / 0 / 0

HEX #96CFFF

RGB 150 207 255

HSL 207.43, 1%, 0.79%

LAB 80.92, -6.38, -29.27

 

CMYK 35 / 12 / 0 / 0

HEX #A7E1FF

RGB 167 225 255

HSL 200.45, 1%, 0.83%

LAB 86.65, -11.36, -20.47

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 65 / 39 / 0 / 13

HEX #4D87DF

RGB 77 135 223

HSL 216.16, 0.7%, 0.59%

LAB 56.32, 8.82, -50.49

 

CMYK 71 / 43 / 0 / 20

HEX #3C75CC

RGB 60 117 204

HSL 216.25, 0.59%, 0.52%

LAB 49.55, 10.45, -50.59

 

CMYK 77 / 46 / 0 / 27

HEX #2B63B9

RGB 43 99 185

HSL 216.34, 0.62%, 0.45%

LAB 42.67, 12.5, -50.68

 

CMYK 84 / 51 / 0 / 35

HEX #1A51A6

RGB 26 81 166

HSL 216.43, 0.73%, 0.38%

LAB 35.71, 15.12, -50.72

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 61 / 47 / 0 / 5

HEX #5E80F1

RGB 94 128 241

HSL 226.12, 0.84%, 0.66%

LAB 56.26, 22.08, -60.58

 

CMYK 61 / 57 / 0 / 5

HEX #5E68F1

RGB 94 104 241

HSL 235.92, 0.84%, 0.66%

LAB 50.25, 36.67, -70.27

 

CMYK 55 / 61 / 0 / 5

HEX #6D5EF1

RGB 109 94 241

HSL 246.12, 0.84%, 0.66%

LAB 49.02, 45.11, -72.23

 

CMYK 45 / 61 / 0 / 5

HEX #855EF1

RGB 133 94 241

HSL 255.92, 0.84%, 0.66%

LAB 51.09, 49.57, -68.77

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 61 / 37 / 0 / 85

HEX #0F1826

RGB 15 24 38

HSL 216.52, 0.43%, 0.1%

LAB 8.08, 0.93, -10.9

 

CMYK 61 / 37 / 0 / 65

HEX #233859

RGB 35 56 89

HSL 216.67, 0.44%, 0.24%

LAB 23.36, 2.95, -22.37

 

CMYK 61 / 36 / 0 / 45

HEX #36598C

RGB 54 89 140

HSL 215.58, 0.44%, 0.38%

LAB 37.52, 3.98, -32.1

 

CMYK 61 / 37 / 0 / 25

HEX #4A79BF

RGB 74 121 191

HSL 215.9, 0.48%, 0.52%

LAB 50.56, 5.79, -41.5

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 12 / 61 / 0 / 5

HEX #D45EF1

RGB 212 94 241

HSL 288.16, 0.84%, 0.66%

LAB 60.21, 67, -53.64

 

CMYK 12 / 0 / 61 / 5

HEX #D4F15E

RGB 212 241 94

HSL 71.84, 0.84%, 0.66%

LAB 90.65, -29.29, 65.82

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 0 / 61 / 37 / 5

HEX #F15E99

RGB 241 94 153

HSL 335.92, 0.84%, 0.66%

LAB 60.79, 61.66, -2.37

 

CMYK 37 / 0 / 61 / 5

HEX #99F15E

RGB 153 241 94

HSL 95.92, 0.84%, 0.66%

LAB 87.24, -50.69, 61.1

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 12 / 61 / 0 / 5

HEX #D45EF1

RGB 212 94 241

HSL 288.16, 0.84%, 0.66%

LAB 60.21, 67, -53.64

 

CMYK 0 / 24 / 61 / 5

HEX #F1B75E

RGB 241 183 94

HSL 36.33, 0.84%, 0.66%

LAB 78.1, 11.65, 52.51

 

CMYK 49 / 0 / 61 / 5

HEX #7CF15E

RGB 124 241 94

HSL 107.76, 0.84%, 0.66%

LAB 86.01, -59.5, 59.39

 

CMYK 61 / 37 / 0 / 5

HEX #5E99F2

RGB 94 153 242

HSL 216.08, 0.85%, 0.66%

LAB 62.99, 7.49, -50.4

 

CMYK 0 / 61 / 6 / 5

HEX #F15EE3

RGB 241 94 227

HSL 305.71, 0.84%, 0.66%

LAB 63.55, 71.59, -40.29

 

CMYK 0 / 24 / 61 / 5

HEX #F1B75E

RGB 241 183 94

HSL 36.33, 0.84%, 0.66%

LAB 78.1, 11.65, 52.51

 

CMYK 61 / 0 / 55 / 5

HEX #5EF16D

RGB 94 241 109

HSL 126.12, 0.84%, 0.66%

LAB 85.2, -65.18, 51.62

 

Description

Color code: CMYK 61 / 37 / 0 / 5 | qconv.com Color code: CMYK 61 / 37 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 153 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 153 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 37 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 37% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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