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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 95 32 it is the complementary color RGB 66 160 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 95 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 95 32: RGB 194 95 27, RGB 211 113 46, RGB 228 131 65, RGB 245 149 84 and RGB 255 167 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 95 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 95 32: RGB 189 95 32, RGB 172 77 13, RGB 155 59 0, RGB 138 41 0 and RGB 121 23 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

Complementary color

CMYK 70 / 28 / 0 / 13

HEX #42A0DF

RGB 66 160 223

HSL 204.08, 0.71%, 0.57%

LAB 63.03, -7.43, -39.92

 

CMYK 0 / 51 / 86 / 24

HEX #C25F1B

RGB 194 95 27

HSL 24.43, 0.76%, 0.43%

LAB 51.53, 35.7, 53.17

 

CMYK 0 / 46 / 78 / 17

HEX #D3712E

RGB 211 113 46

HSL 24.36, 0.65%, 0.5%

LAB 57.9, 33.81, 52.07

 

CMYK 0 / 43 / 71 / 11

HEX #E48341

RGB 228 131 65

HSL 24.29, 0.75%, 0.57%

LAB 64.25, 32.09, 50.51

 

CMYK 0 / 39 / 66 / 4

HEX #F59554

RGB 245 149 84

HSL 24.22, 0.89%, 0.65%

LAB 70.56, 30.54, 48.84

 

CMYK 0 / 35 / 60 / 0

HEX #FFA767

RGB 255 167 103

HSL 25.26, 1%, 0.7%

LAB 75.99, 26.37, 46.01

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 0 / 55 / 92 / 33

HEX #AC4D0D

RGB 172 77 13

HSL 24.15, 0.86%, 0.36%

LAB 44.39, 35.81, 50.79

 

CMYK 0 / 62 / 100 / 39

HEX #9B3B00

RGB 155 59 0

HSL 22.84, 1%, 0.3%

LAB 38.02, 37.87, 49.2

 

CMYK 0 / 70 / 100 / 46

HEX #8A2900

RGB 138 41 0

HSL 17.83, 1%, 0.27%

LAB 31.78, 39.71, 44

 

CMYK 0 / 81 / 100 / 53

HEX #791700

RGB 121 23 0

HSL 11.4, 1%, 0.24%

LAB 25.8, 40.7, 37.74

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 0 / 36 / 83 / 27

HEX #BB781F

RGB 187 120 31

HSL 34.23, 0.72%, 0.43%

LAB 56.18, 19.39, 55.31

 

CMYK 0 / 22 / 83 / 27

HEX #BB911F

RGB 187 145 31

HSL 43.85, 0.72%, 0.43%

LAB 62.44, 5.59, 60.69

 

CMYK 0 / 9 / 83 / 27

HEX #BBAB1F

RGB 187 171 31

HSL 53.85, 0.72%, 0.43%

LAB 69.32, -8.34, 66.54

 

CMYK 5 / 0 / 83 / 27

HEX #B1BB1F

RGB 177 187 31

HSL 63.85, 0.72%, 0.43%

LAB 72.88, -20.85, 69.22

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 0 / 50 / 83 / 6

HEX #F07929

RGB 240 121 41

HSL 24.12, 0.87%, 0.55%

LAB 63.64, 41.08, 60.91

 

CMYK 0 / 50 / 83 / 86

HEX #241206

RGB 36 18 6

HSL 24, 0.71%, 0.08%

LAB 7.41, 7.78, 8.79

 

CMYK 0 / 49 / 83 / 66

HEX #572C0F

RGB 87 44 15

HSL 24.17, 0.71%, 0.2%

LAB 23.21, 17.3, 26.6

 

CMYK 0 / 50 / 83 / 46

HEX #8A4517

RGB 138 69 23

HSL 24, 0.71%, 0.32%

LAB 37.34, 26.14, 39.07

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 50 / 0 / 83 / 27

HEX #5EBB1F

RGB 94 187 31

HSL 95.77, 0.72%, 0.43%

LAB 68.03, -52.3, 63.12

 

CMYK 83 / 83 / 0 / 27

HEX #1F1FBB

RGB 31 31 187

HSL 240, 0.72%, 0.43%

LAB 26.33, 53.78, -78.62

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 83 / 0 / 50 / 27

HEX #1FBB5E

RGB 31 187 94

HSL 144.23, 0.72%, 0.43%

LAB 67.01, -58.64, 36.29

 

CMYK 50 / 83 / 0 / 27

HEX #5E1FBB

RGB 94 31 187

HSL 264.23, 0.72%, 0.43%

LAB 31.69, 58.99, -69.59

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 50 / 0 / 83 / 27

HEX #5EBB1F

RGB 94 187 31

HSL 95.77, 0.72%, 0.43%

LAB 68.03, -52.3, 63.12

 

CMYK 83 / 33 / 0 / 27

HEX #1F7DBB

RGB 31 125 187

HSL 203.85, 0.72%, 0.43%

LAB 50.15, -4.16, -39.94

 

CMYK 33 / 83 / 0 / 27

HEX #7D1FBB

RGB 125 31 187

HSL 276.15, 0.72%, 0.43%

LAB 35.84, 63.22, -62.61

 

CMYK 0 / 50 / 83 / 26

HEX #BD5F20

RGB 189 95 32

HSL 24.08, 0.71%, 0.43%

LAB 50.81, 33.82, 50.3

 

CMYK 75 / 0 / 83 / 27

HEX #2FBB1F

RGB 47 187 31

HSL 113.85, 0.72%, 0.43%

LAB 66.71, -63.17, 61.42

 

CMYK 83 / 33 / 0 / 27

HEX #1F7DBB

RGB 31 125 187

HSL 203.85, 0.72%, 0.43%

LAB 50.15, -4.16, -39.94

 

CMYK 9 / 83 / 0 / 27

HEX #AB1FBB

RGB 171 31 187

HSL 293.85, 0.72%, 0.43%

LAB 43.1, 70.88, -50.51

 

Description

Color code: RGB 189 95 32 | qconv.com Color code: RGB 189 95 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 83 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 83% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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