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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 88 153 it is the complementary color RGB 66 167 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 88 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 88 153: RGB 194 88 148, RGB 211 106 167, RGB 228 124 186, RGB 245 142 205 and RGB 255 160 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 88 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 88 153: RGB 189 88 153, RGB 172 70 134, RGB 155 52 115, RGB 138 34 96 and RGB 121 16 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

Complementary color

CMYK 60 / 0 / 39 / 35

HEX #42A766

RGB 66 167 102

HSL 141.39, 0.43%, 0.46%

LAB 61.44, -44.23, 25.11

 

CMYK 0 / 55 / 24 / 24

HEX #C25894

RGB 194 88 148

HSL 326.04, 0.46%, 0.55%

LAB 52.49, 49.25, -12.56

 

CMYK 0 / 50 / 21 / 17

HEX #D36AA7

RGB 211 106 167

HSL 325.14, 0.54%, 0.62%

LAB 58.93, 48.57, -13.71

 

CMYK 0 / 46 / 18 / 11

HEX #E47CBA

RGB 228 124 186

HSL 324.23, 0.66%, 0.69%

LAB 65.32, 47.83, -14.68

 

CMYK 0 / 42 / 16 / 4

HEX #F58ECD

RGB 245 142 205

HSL 323.3, 0.84%, 0.76%

LAB 71.67, 47.07, -15.52

 

CMYK 0 / 37 / 12 / 0

HEX #FFA0E0

RGB 255 160 224

HSL 319.58, 1%, 0.81%

LAB 77.15, 44.06, -17.56

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 59 / 22 / 33

HEX #AC4686

RGB 172 70 134

HSL 322.35, 0.42%, 0.47%

LAB 45.46, 48.94, -15.16

 

CMYK 0 / 66 / 26 / 39

HEX #9B3473

RGB 155 52 115

HSL 323.3, 0.5%, 0.41%

LAB 39.01, 49.18, -13.56

 

CMYK 0 / 75 / 30 / 46

HEX #8A2260

RGB 138 34 96

HSL 324.23, 0.6%, 0.34%

LAB 32.68, 48.86, -11.42

 

CMYK 0 / 87 / 36 / 53

HEX #79104D

RGB 121 16 77

HSL 325.14, 0.77%, 0.27%

LAB 26.65, 47.46, -8.39

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 54 / 28 / 26

HEX #BC5788

RGB 188 87 136

HSL 330.89, 0.43%, 0.54%

LAB 51.02, 46.14, -7.74

 

CMYK 0 / 54 / 37 / 26

HEX #BC5777

RGB 188 87 119

HSL 340.99, 0.43%, 0.54%

LAB 50.5, 43.97, 1.65

 

CMYK 0 / 54 / 46 / 26

HEX #BC5766

RGB 188 87 102

HSL 351.09, 0.43%, 0.54%

LAB 50.06, 42.1, 11.21

 

CMYK 0 / 53 / 54 / 26

HEX #BC5857

RGB 188 88 87

HSL 0.59, 0.43%, 0.54%

LAB 49.93, 40.19, 19.98

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 53 / 19 / 6

HEX #F070C2

RGB 240 112 194

HSL 321.56, 0.81%, 0.69%

LAB 64.97, 58.53, -19.57

 

CMYK 0 / 53 / 19 / 86

HEX #24111D

RGB 36 17 29

HSL 322.11, 0.36%, 0.1%

LAB 7.81, 12.15, -4.29

 

CMYK 0 / 53 / 20 / 66

HEX #572946

RGB 87 41 70

HSL 322.17, 0.36%, 0.25%

LAB 23.85, 25.41, -8.52

 

CMYK 0 / 54 / 19 / 46

HEX #8A4070

RGB 138 64 112

HSL 321.08, 0.37%, 0.4%

LAB 38.27, 37.71, -13.07

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 24 / 54 / 26

HEX #BC8E57

RGB 188 142 87

HSL 32.67, 0.43%, 0.54%

LAB 62.28, 10.92, 35.84

 

CMYK 54 / 0 / 3 / 26

HEX #57BCB7

RGB 87 188 183

HSL 177.03, 0.43%, 0.54%

LAB 70.46, -30.52, -6.44

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 19 / 0 / 54 / 26

HEX #98BC57

RGB 152 188 87

HSL 81.39, 0.43%, 0.54%

LAB 71.78, -28.17, 46.56

 

CMYK 54 / 19 / 0 / 26

HEX #5798BC

RGB 87 152 188

HSL 201.39, 0.43%, 0.54%

LAB 59.99, -10.49, -25.04

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 24 / 54 / 26

HEX #BC8E57

RGB 188 142 87

HSL 32.67, 0.43%, 0.54%

LAB 62.28, 10.92, 35.84

 

CMYK 54 / 0 / 35 / 26

HEX #57BC7A

RGB 87 188 122

HSL 140.79, 0.43%, 0.54%

LAB 69.04, -44.37, 24.68

 

CMYK 54 / 30 / 0 / 26

HEX #5784BC

RGB 87 132 188

HSL 213.27, 0.43%, 0.54%

LAB 54.2, 0.94, -34.02

 

CMYK 0 / 53 / 19 / 26

HEX #BD5899

RGB 189 88 153

HSL 321.39, 0.43%, 0.54%

LAB 51.95, 48.4, -16.4

 

CMYK 0 / 8 / 54 / 26

HEX #BCAD57

RGB 188 173 87

HSL 51.09, 0.43%, 0.54%

LAB 70.36, -5.85, 45.58

 

CMYK 54 / 0 / 35 / 26

HEX #57BC7A

RGB 87 188 122

HSL 140.79, 0.43%, 0.54%

LAB 69.04, -44.37, 24.68

 

CMYK 54 / 46 / 0 / 26

HEX #5766BC

RGB 87 102 188

HSL 231.09, 0.43%, 0.54%

LAB 45.85, 19.24, -47.21

 

Description

Color code: RGB 189 88 153 | qconv.com Color code: RGB 189 88 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 88 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 88 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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