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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 57 73 it is the complementary color RGB 66 198 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 57 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 57 73: RGB 194 57 68, RGB 211 75 87, RGB 228 93 106, RGB 245 111 125 and RGB 255 129 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 57 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 57 73: RGB 189 57 73, RGB 172 39 54, RGB 155 21 35, RGB 138 3 16 and RGB 121 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

Complementary color

CMYK 67 / 0 / 8 / 22

HEX #42C6B6

RGB 66 198 182

HSL 172.73, 0.54%, 0.52%

LAB 72.84, -39.19, -2.45

 

CMYK 0 / 71 / 65 / 24

HEX #C23944

RGB 194 57 68

HSL 355.18, 0.55%, 0.49%

LAB 45.38, 54.75, 25.61

 

CMYK 0 / 64 / 59 / 17

HEX #D34B57

RGB 211 75 87

HSL 354.71, 0.61%, 0.56%

LAB 51.35, 54.26, 22.53

 

CMYK 0 / 59 / 54 / 11

HEX #E45D6A

RGB 228 93 106

HSL 354.22, 0.71%, 0.63%

LAB 57.43, 53.49, 19.97

 

CMYK 0 / 55 / 49 / 4

HEX #F56F7D

RGB 245 111 125

HSL 353.73, 0.87%, 0.7%

LAB 63.56, 52.58, 17.8

 

CMYK 0 / 49 / 44 / 0

HEX #FF8190

RGB 255 129 144

HSL 352.86, 1%, 0.75%

LAB 68.73, 49.21, 14.44

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 0 / 77 / 69 / 33

HEX #AC2736

RGB 172 39 54

HSL 353.23, 0.63%, 0.41%

LAB 38.7, 53.47, 24.94

 

CMYK 0 / 86 / 77 / 39

HEX #9B1523

RGB 155 21 35

HSL 353.73, 0.76%, 0.35%

LAB 33.19, 52.58, 29.37

 

CMYK 0 / 98 / 88 / 46

HEX #8A0310

RGB 138 3 16

HSL 354.22, 0.96%, 0.28%

LAB 28.13, 50.51, 34.29

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 0 / 68 / 70 / 26

HEX #BC3C38

RGB 188 60 56

HSL 1.82, 0.54%, 0.48%

LAB 44.53, 50.98, 31.49

 

CMYK 0 / 56 / 70 / 26

HEX #BC5238

RGB 188 82 56

HSL 11.82, 0.54%, 0.48%

LAB 48.27, 41.03, 35.85

 

CMYK 0 / 45 / 70 / 26

HEX #BC6838

RGB 188 104 56

HSL 21.82, 0.54%, 0.48%

LAB 52.82, 29.63, 40.97

 

CMYK 0 / 33 / 70 / 26

HEX #BC7E38

RGB 188 126 56

HSL 31.82, 0.54%, 0.48%

LAB 57.94, 17.56, 46.55

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 0 / 70 / 61 / 6

HEX #F0485D

RGB 240 72 93

HSL 352.5, 0.85%, 0.61%

LAB 56.04, 64.9, 26.08

 

CMYK 0 / 69 / 61 / 86

HEX #240B0E

RGB 36 11 14

HSL 352.8, 0.53%, 0.09%

LAB 5.84, 12.69, 3.03

 

CMYK 0 / 70 / 61 / 66

HEX #571A22

RGB 87 26 34

HSL 352.13, 0.54%, 0.22%

LAB 19.56, 28.79, 10.1

 

CMYK 0 / 70 / 62 / 46

HEX #8A2A35

RGB 138 42 53

HSL 353.13, 0.53%, 0.35%

LAB 32.52, 41.37, 16.34

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 5 / 0 / 70 / 26

HEX #B3BC38

RGB 179 188 56

HSL 64.09, 0.54%, 0.48%

LAB 73.44, -19.49, 62.13

 

CMYK 70 / 33 / 0 / 26

HEX #387EBC

RGB 56 126 188

HSL 208.18, 0.54%, 0.48%

LAB 51.14, -1.39, -38.91

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 61 / 0 / 70 / 26

HEX #49BC38

RGB 73 188 56

HSL 112.27, 0.54%, 0.48%

LAB 67.78, -56.71, 54.56

 

CMYK 70 / 61 / 0 / 26

HEX #3849BC

RGB 56 73 188

HSL 232.27, 0.54%, 0.48%

LAB 36.44, 32.19, -62.51

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 5 / 0 / 70 / 26

HEX #B3BC38

RGB 179 188 56

HSL 64.09, 0.54%, 0.48%

LAB 73.44, -19.49, 62.13

 

CMYK 70 / 0 / 10 / 26

HEX #38BCAA

RGB 56 188 170

HSL 171.82, 0.54%, 0.48%

LAB 69.26, -39.35, -1.17

 

CMYK 65 / 70 / 0 / 26

HEX #4138BC

RGB 65 56 188

HSL 244.09, 0.54%, 0.48%

LAB 33.1, 43.79, -67.95

 

CMYK 0 / 70 / 61 / 26

HEX #BD3949

RGB 189 57 73

HSL 352.73, 0.54%, 0.48%

LAB 44.56, 53.48, 21.33

 

CMYK 26 / 0 / 70 / 26

HEX #8CBC38

RGB 140 188 56

HSL 81.82, 0.54%, 0.48%

LAB 70.75, -35.35, 58.56

 

CMYK 70 / 0 / 10 / 26

HEX #38BCAA

RGB 56 188 170

HSL 171.82, 0.54%, 0.48%

LAB 69.26, -39.35, -1.17

 

CMYK 45 / 70 / 0 / 26

HEX #6838BC

RGB 104 56 188

HSL 261.82, 0.54%, 0.48%

LAB 36.75, 49.86, -61.84

 

Description

Color code: RGB 189 57 73 | qconv.com Color code: RGB 189 57 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 57 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 57 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 61 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 61% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - Grupo GAV
Link: http://www.grupogav.com.mx

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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