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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 48 77 it is the complementary color RGB 66 207 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 48 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 48 77: RGB 194 48 72, RGB 211 66 91, RGB 228 84 110, RGB 245 102 129 and RGB 255 120 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 48 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 48 77: RGB 189 48 77, RGB 172 30 58, RGB 155 12 39, RGB 138 0 20 and RGB 121 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

Complementary color

CMYK 68 / 0 / 14 / 19

HEX #42CFB2

RGB 66 207 178

HSL 167.66, 0.59%, 0.54%

LAB 75.45, -44.2, 3.52

 

CMYK 0 / 75 / 63 / 24

HEX #C23048

RGB 194 48 72

HSL 350.14, 0.6%, 0.47%

LAB 44.31, 58.16, 21.8

 

CMYK 0 / 69 / 57 / 17

HEX #D3425B

RGB 211 66 91

HSL 349.66, 0.62%, 0.54%

LAB 50.1, 58.16, 18.47

 

CMYK 0 / 63 / 52 / 11

HEX #E4546E

RGB 228 84 110

HSL 349.17, 0.73%, 0.61%

LAB 56.05, 57.72, 15.74

 

CMYK 0 / 58 / 47 / 4

HEX #F56681

RGB 245 102 129

HSL 348.67, 0.88%, 0.68%

LAB 62.08, 57.05, 13.46

 

CMYK 0 / 53 / 42 / 0

HEX #FF7894

RGB 255 120 148

HSL 347.56, 1%, 0.74%

LAB 67.15, 53.92, 9.95

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 0 / 83 / 66 / 33

HEX #AC1E3A

RGB 172 30 58

HSL 348.17, 0.7%, 0.4%

LAB 37.85, 56.29, 21.36

 

CMYK 0 / 92 / 75 / 39

HEX #9B0C27

RGB 155 12 39

HSL 348.67, 0.86%, 0.33%

LAB 32.65, 54.45, 26.25

 

CMYK 0 / 100 / 86 / 46

HEX #8A0014

RGB 138 0 20

HSL 351.3, 1%, 0.27%

LAB 27.99, 51.12, 31.9

 

CMYK 0 / 100 / 99 / 53

HEX #790001

RGB 121 0 1

HSL 359.5, 1%, 0.24%

LAB 23.89, 46.17, 35.5

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 0 / 74 / 70 / 27

HEX #BA3037

RGB 186 48 55

HSL 356.96, 0.59%, 0.46%

LAB 42.5, 54.8, 29.58

 

CMYK 0 / 66 / 74 / 27

HEX #BA4030

RGB 186 64 48

HSL 6.96, 0.59%, 0.46%

LAB 44.69, 48.25, 36.17

 

CMYK 0 / 53 / 74 / 27

HEX #BA5730

RGB 186 87 48

HSL 16.96, 0.59%, 0.46%

LAB 48.85, 37.36, 40.7

 

CMYK 0 / 41 / 74 / 27

HEX #BA6E30

RGB 186 110 48

HSL 26.96, 0.59%, 0.46%

LAB 53.82, 25.12, 45.93

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 0 / 75 / 59 / 6

HEX #F03D62

RGB 240 61 98

HSL 347.6, 0.86%, 0.59%

LAB 54.81, 68.89, 21.51

 

CMYK 0 / 75 / 58 / 86

HEX #24090F

RGB 36 9 15

HSL 346.67, 0.6%, 0.09%

LAB 5.46, 13.71, 1.97

 

CMYK 0 / 75 / 60 / 66

HEX #571623

RGB 87 22 35

HSL 348, 0.6%, 0.21%

LAB 18.89, 30.76, 8.49

 

CMYK 0 / 75 / 59 / 46

HEX #8A2338

RGB 138 35 56

HSL 347.77, 0.6%, 0.34%

LAB 31.56, 44.42, 13.11

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 0 / 1 / 74 / 27

HEX #BAB830

RGB 186 184 48

HSL 59.13, 0.59%, 0.46%

LAB 72.85, -14.87, 64.57

 

CMYK 74 / 28 / 0 / 27

HEX #3085BA

RGB 48 133 186

HSL 203.04, 0.59%, 0.46%

LAB 52.89, -7.35, -35.03

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 58 / 0 / 74 / 27

HEX #4EBA30

RGB 78 186 48

HSL 106.96, 0.59%, 0.46%

LAB 67.24, -55.4, 57.02

 

CMYK 74 / 58 / 0 / 27

HEX #304EBA

RGB 48 78 186

HSL 226.96, 0.59%, 0.46%

LAB 37.16, 27.21, -60.18

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 0 / 1 / 74 / 27

HEX #BAB830

RGB 186 184 48

HSL 59.13, 0.59%, 0.46%

LAB 72.85, -14.87, 64.57

 

CMYK 74 / 0 / 16 / 27

HEX #30BA9C

RGB 48 186 156

HSL 166.96, 0.59%, 0.46%

LAB 68.13, -43.21, 4.85

 

CMYK 74 / 73 / 0 / 27

HEX #3032BA

RGB 48 50 186

HSL 239.13, 0.59%, 0.46%

LAB 30.53, 44.73, -71.04

 

CMYK 0 / 75 / 59 / 26

HEX #BD304D

RGB 189 48 77

HSL 347.66, 0.59%, 0.46%

LAB 43.46, 57, 17.42

 

CMYK 21 / 0 / 74 / 27

HEX #93BA30

RGB 147 186 48

HSL 76.96, 0.59%, 0.46%

LAB 70.55, -32.15, 61.38

 

CMYK 74 / 0 / 16 / 27

HEX #30BA9C

RGB 48 186 156

HSL 166.96, 0.59%, 0.46%

LAB 68.13, -43.21, 4.85

 

CMYK 53 / 74 / 0 / 27

HEX #5730BA

RGB 87 48 186

HSL 256.96, 0.59%, 0.46%

LAB 33.32, 50.53, -66.34

 

Description

Color code: RGB 189 48 77 | qconv.com Color code: RGB 189 48 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 48 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 48 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 59 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 59% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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