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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 35 255 it is the complementary color RGB 66 220 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 35 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 35 255: RGB 194 35 250, RGB 211 53 255, RGB 228 71 255, RGB 245 89 255 and RGB 255 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 35 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 35 255: RGB 189 35 255, RGB 172 17 236, RGB 155 0 217, RGB 138 0 198 and RGB 121 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

Complementary color

CMYK 70 / 0 / 100 / 14

HEX #42DC00

RGB 66 220 0

HSL 102, 1%, 0.43%

LAB 77.49, -70.9, 75.25

 

CMYK 22 / 86 / 0 / 2

HEX #C223FA

RGB 194 35 250

HSL 284.37, 0.96%, 0.56%

LAB 51.35, 84.71, -73.03

 

CMYK 17 / 79 / 0 / 0

HEX #D335FF

RGB 211 53 255

HSL 286.93, 1%, 0.6%

LAB 55.7, 84.04, -68.64

 

CMYK 11 / 72 / 0 / 0

HEX #E447FF

RGB 228 71 255

HSL 291.2, 1%, 0.64%

LAB 60.09, 81.76, -61.45

 

CMYK 4 / 65 / 0 / 0

HEX #F559FF

RGB 245 89 255

HSL 296.39, 1%, 0.67%

LAB 64.79, 78.98, -53.82

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 27 / 93 / 0 / 7

HEX #AC11EC

RGB 172 17 236

HSL 282.47, 0.87%, 0.5%

LAB 45.94, 82.11, -74.11

 

CMYK 29 / 100 / 0 / 15

HEX #9B00D9

RGB 155 0 217

HSL 282.86, 1%, 0.43%

LAB 41.18, 78.28, -71.17

 

CMYK 30 / 100 / 0 / 22

HEX #8A00C6

RGB 138 0 198

HSL 281.82, 1%, 0.39%

LAB 36.89, 72.71, -67.28

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 12 / 86 / 0 / 0

HEX #E123FF

RGB 225 35 255

HSL 291.82, 1%, 0.57%

LAB 56.52, 90.26, -67.22

 

CMYK 0 / 86 / 3 / 0

HEX #FF23F7

RGB 255 35 247

HSL 302.18, 1%, 0.57%

LAB 60.94, 94, -55.42

 

CMYK 0 / 86 / 17 / 0

HEX #FF23D3

RGB 255 35 211

HSL 312, 1%, 0.57%

LAB 59.13, 89.26, -38.05

 

CMYK 0 / 86 / 32 / 0

HEX #FF23AE

RGB 255 35 174

HSL 322.09, 1%, 0.57%

LAB 57.58, 85.08, -19.15

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 25 / 86 / 0 / 80

HEX #260733

RGB 38 7 51

HSL 282.27, 0.76%, 0.11%

LAB 7.25, 24.42, -21.69

 

CMYK 25 / 86 / 0 / 60

HEX #4C0E66

RGB 76 14 102

HSL 282.27, 0.76%, 0.23%

LAB 19.27, 41.81, -37.22

 

CMYK 26 / 86 / 0 / 40

HEX #711599

RGB 113 21 153

HSL 281.82, 0.76%, 0.34%

LAB 30.27, 57.03, -51.35

 

CMYK 26 / 86 / 0 / 20

HEX #971CCC

RGB 151 28 204

HSL 281.93, 0.76%, 0.45%

LAB 40.85, 71.33, -64.23

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 0 / 86 / 78 / 0

HEX #FF2339

RGB 255 35 57

HSL 354, 1%, 0.57%

LAB 54.82, 77.32, 45.92

 

CMYK 86 / 0 / 60 / 0

HEX #23FF65

RGB 35 255 101

HSL 138, 1%, 0.57%

LAB 88.36, -78.91, 58.58

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 0 / 26 / 86 / 0

HEX #FFBD23

RGB 255 189 35

HSL 42, 1%, 0.57%

LAB 80.61, 11.86, 77.58

 

CMYK 86 / 0 / 26 / 0

HEX #23FFBD

RGB 35 255 189

HSL 162, 1%, 0.57%

LAB 89.65, -63.86, 17.9

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 0 / 86 / 78 / 0

HEX #FF2339

RGB 255 35 57

HSL 354, 1%, 0.57%

LAB 54.82, 77.32, 45.92

 

CMYK 60 / 0 / 86 / 0

HEX #65FF23

RGB 101 255 35

HSL 102, 1%, 0.57%

LAB 89.11, -73.97, 80.85

 

CMYK 86 / 0 / 9 / 0

HEX #23FFE9

RGB 35 255 233

HSL 174, 1%, 0.57%

LAB 90.67, -53.06, -3.37

 

CMYK 26 / 86 / 0 / 0

HEX #BD23FF

RGB 189 35 255

HSL 282, 1%, 0.57%

LAB 50.97, 84.9, -76.47

 

CMYK 0 / 69 / 86 / 0

HEX #FF4F23

RGB 255 79 35

HSL 12, 1%, 0.57%

LAB 58.95, 64.72, 60.28

 

CMYK 60 / 0 / 86 / 0

HEX #65FF23

RGB 101 255 35

HSL 102, 1%, 0.57%

LAB 89.11, -73.97, 80.85

 

CMYK 86 / 17 / 0 / 0

HEX #23D3FF

RGB 35 211 255

HSL 192, 1%, 0.57%

LAB 78.56, -26.63, -33.2

 

Description

Color code: RGB 189 35 255 | qconv.com Color code: RGB 189 35 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 35 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 35 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 86 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 86% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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