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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 227 109 it is the complementary color RGB 66 28 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 227 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 227 109: RGB 194 227 104, RGB 211 245 123, RGB 228 255 142, RGB 245 255 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 227 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 227 109: RGB 189 227 109, RGB 172 209 90, RGB 155 191 71, RGB 138 173 52 and RGB 121 155 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

Complementary color

CMYK 55 / 81 / 0 / 43

HEX #421C92

RGB 66 28 146

HSL 259.32, 0.68%, 0.34%

LAB 23.88, 45.84, -57.76

 

CMYK 15 / 0 / 54 / 11

HEX #C2E368

RGB 194 227 104

HSL 76.1, 0.69%, 0.65%

LAB 85.71, -28.9, 55.64

 

CMYK 14 / 0 / 50 / 4

HEX #D3F57B

RGB 211 245 123

HSL 76.72, 0.86%, 0.72%

LAB 91.95, -29.12, 54.59

 

CMYK 11 / 0 / 44 / 0

HEX #E4FF8E

RGB 228 255 142

HSL 74.34, 1%, 0.78%

LAB 95.98, -25.55, 50.88

 

CMYK 4 / 0 / 37 / 0

HEX #F5FFA1

RGB 245 255 161

HSL 66.38, 1%, 0.82%

LAB 97.43, -17.14, 43.83

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 18 / 0 / 57 / 18

HEX #ACD15A

RGB 172 209 90

HSL 78.66, 0.56%, 0.59%

LAB 79.1, -30.13, 53.98

 

CMYK 19 / 0 / 63 / 25

HEX #9BBF47

RGB 155 191 71

HSL 78, 0.48%, 0.51%

LAB 72.68, -29.83, 54.85

 

CMYK 20 / 0 / 70 / 32

HEX #8AAD34

RGB 138 173 52

HSL 77.36, 0.54%, 0.44%

LAB 66.17, -29.4, 55.4

 

CMYK 22 / 0 / 79 / 39

HEX #799B21

RGB 121 155 33

HSL 76.72, 0.65%, 0.37%

LAB 59.54, -28.81, 55.33

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 25 / 0 / 52 / 11

HEX #AAE36D

RGB 170 227 109

HSL 88.98, 0.68%, 0.66%

LAB 84.27, -37.36, 51.29

 

CMYK 34 / 0 / 52 / 11

HEX #96E36D

RGB 150 227 109

HSL 99.15, 0.68%, 0.66%

LAB 83.19, -44.29, 49.74

 

CMYK 43 / 0 / 52 / 11

HEX #82E36D

RGB 130 227 109

HSL 109.32, 0.68%, 0.66%

LAB 82.26, -50.63, 48.4

 

CMYK 51 / 0 / 52 / 11

HEX #6FE36D

RGB 111 227 109

HSL 118.98, 0.68%, 0.66%

LAB 81.52, -55.98, 47.33

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 17 / 0 / 52 / 91

HEX #13170B

RGB 19 23 11

HSL 80, 0.35%, 0.07%

LAB 7, -4.16, 5.89

 

CMYK 16 / 0 / 51 / 71

HEX #3E4A24

RGB 62 74 36

HSL 78.95, 0.35%, 0.22%

LAB 29.54, -12.05, 21.02

 

CMYK 17 / 0 / 52 / 51

HEX #687D3C

RGB 104 125 60

HSL 79.38, 0.35%, 0.36%

LAB 49.42, -18.82, 32.65

 

CMYK 16 / 0 / 52 / 31

HEX #93B055

RGB 147 176 85

HSL 79.12, 0.37%, 0.51%

LAB 67.95, -24.5, 42.91

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 52 / 0 / 25 / 11

HEX #6DE3AA

RGB 109 227 170

HSL 151.02, 0.68%, 0.66%

LAB 82.43, -46.37, 17.85

 

CMYK 4 / 52 / 0 / 11

HEX #D96DE3

RGB 217 109 227

HSL 294.92, 0.68%, 0.66%

LAB 62.71, 58.78, -41.85

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 52 / 17 / 0 / 11

HEX #6DBDE3

RGB 109 189 227

HSL 199.32, 0.68%, 0.66%

LAB 73.02, -14.17, -26.52

 

CMYK 0 / 52 / 17 / 11

HEX #E36DBD

RGB 227 109 189

HSL 319.32, 0.68%, 0.66%

LAB 62.46, 55.32, -20.73

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 52 / 0 / 25 / 11

HEX #6DE3AA

RGB 109 227 170

HSL 151.02, 0.68%, 0.66%

LAB 82.43, -46.37, 17.85

 

CMYK 36 / 52 / 0 / 11

HEX #926DE3

RGB 146 109 227

HSL 258.81, 0.68%, 0.66%

LAB 54.65, 40.33, -55.12

 

CMYK 0 / 52 / 27 / 11

HEX #E36DA6

RGB 227 109 166

HSL 331.02, 0.68%, 0.66%

LAB 61.67, 52.08, -8.78

 

CMYK 17 / 0 / 52 / 11

HEX #BDE36D

RGB 189 227 109

HSL 79.32, 0.68%, 0.66%

LAB 85.43, -30.34, 52.95

 

CMYK 52 / 0 / 10 / 11

HEX #6DE3CD

RGB 109 227 205

HSL 168.81, 0.68%, 0.66%

LAB 83.23, -38.61, 0.57

 

CMYK 36 / 52 / 0 / 11

HEX #926DE3

RGB 146 109 227

HSL 258.81, 0.68%, 0.66%

LAB 54.65, 40.33, -55.12

 

CMYK 0 / 52 / 43 / 11

HEX #E36D82

RGB 227 109 130

HSL 349.32, 0.68%, 0.66%

LAB 60.68, 47.83, 10.51

 

Description

Color code: RGB 189 227 109 | qconv.com Color code: RGB 189 227 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 227 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 227 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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