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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 210 243 it is the complementary color RGB 66 45 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 210 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 210 243: RGB 194 210 238, RGB 211 228 255, RGB 228 246 255, RGB 245 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 210 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 210 243: RGB 189 210 243, RGB 172 192 224, RGB 155 174 205, RGB 138 156 186 and RGB 121 138 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

Complementary color

CMYK 0 / 32 / 82 / 74

HEX #422D0C

RGB 66 45 12

HSL 36.67, 0.69%, 0.15%

LAB 20.29, 5.9, 24

 

CMYK 18 / 12 / 0 / 7

HEX #C2D2EE

RGB 194 210 238

HSL 218.18, 0.56%, 0.85%

LAB 83.83, 0.35, -15.57

 

CMYK 17 / 11 / 0 / 0

HEX #D3E4FF

RGB 211 228 255

HSL 216.82, 1%, 0.91%

LAB 90.12, -0.22, -14.98

 

CMYK 11 / 4 / 0 / 0

HEX #E4F6FF

RGB 228 246 255

HSL 200, 1%, 0.95%

LAB 95.84, -4.16, -6.34

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 23 / 14 / 0 / 12

HEX #ACC0E0

RGB 172 192 224

HSL 216.92, 0.46%, 0.78%

LAB 77.19, 0.09, -18.22

 

CMYK 24 / 15 / 0 / 20

HEX #9BAECD

RGB 155 174 205

HSL 217.2, 0.33%, 0.71%

LAB 70.63, 0.27, -17.92

 

CMYK 26 / 16 / 0 / 27

HEX #8A9CBA

RGB 138 156 186

HSL 217.5, 0.26%, 0.64%

LAB 63.94, 0.47, -17.62

 

CMYK 28 / 17 / 0 / 35

HEX #798AA7

RGB 121 138 167

HSL 217.83, 0.21%, 0.56%

LAB 57.11, 0.69, -17.35

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 22 / 17 / 0 / 5

HEX #BECAF3

RGB 190 202 243

HSL 226.42, 0.69%, 0.85%

LAB 81.65, 4.48, -21.55

 

CMYK 22 / 21 / 0 / 5

HEX #BEC1F3

RGB 190 193 243

HSL 236.6, 0.69%, 0.85%

LAB 79.36, 9.33, -25.03

 

CMYK 20 / 22 / 0 / 5

HEX #C3BEF3

RGB 195 190 243

HSL 245.66, 0.69%, 0.85%

LAB 78.98, 12.47, -25.57

 

CMYK 16 / 22 / 0 / 5

HEX #CCBEF3

RGB 204 190 243

HSL 255.85, 0.69%, 0.85%

LAB 79.69, 15.25, -24.43

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 23 / 13 / 0 / 85

HEX #1E2227

RGB 30 34 39

HSL 213.33, 0.13%, 0.14%

LAB 13.03, -0.43, -3.97

 

CMYK 22 / 13 / 0 / 65

HEX #464E5A

RGB 70 78 90

HSL 216, 0.13%, 0.31%

LAB 32.9, -0.22, -8.12

 

CMYK 22 / 13 / 0 / 45

HEX #6E7A8D

RGB 110 122 141

HSL 216.77, 0.12%, 0.49%

LAB 50.87, -0.06, -11.79

 

CMYK 22 / 14 / 0 / 25

HEX #95A6C0

RGB 149 166 192

HSL 216.28, 0.25%, 0.67%

LAB 67.63, -0.23, -15.32

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 5 / 22 / 0 / 5

HEX #E8BEF3

RGB 232 190 243

HSL 287.55, 0.69%, 0.85%

LAB 82.08, 24.13, -20.57

 

CMYK 5 / 0 / 22 / 5

HEX #E8F3BE

RGB 232 243 190

HSL 72.45, 0.69%, 0.85%

LAB 93.87, -12.32, 24.39

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 0 / 22 / 13 / 5

HEX #F3BED3

RGB 243 190 211

HSL 336.23, 0.69%, 0.85%

LAB 82.15, 22.2, -3.2

 

CMYK 13 / 0 / 22 / 5

HEX #D3F3BE

RGB 211 243 190

HSL 96.23, 0.69%, 0.85%

LAB 92.43, -19.71, 22.18

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 5 / 22 / 0 / 5

HEX #E8BEF3

RGB 232 190 243

HSL 287.55, 0.69%, 0.85%

LAB 82.08, 24.13, -20.57

 

CMYK 0 / 9 / 22 / 5

HEX #F3DEBE

RGB 243 222 190

HSL 36.23, 0.69%, 0.85%

LAB 89.4, 2.28, 18.32

 

CMYK 18 / 0 / 22 / 5

HEX #C8F3BE

RGB 200 243 190

HSL 108.68, 0.69%, 0.85%

LAB 91.73, -23.46, 21.1

 

CMYK 22 / 14 / 0 / 5

HEX #BDD2F3

RGB 189 210 243

HSL 216.67, 0.69%, 0.85%

LAB 83.64, -0.08, -18.54

 

CMYK 0 / 22 / 2 / 5

HEX #F3BEED

RGB 243 190 237

HSL 306.79, 0.69%, 0.85%

LAB 82.91, 26.61, -16.02

 

CMYK 0 / 9 / 22 / 5

HEX #F3DEBE

RGB 243 222 190

HSL 36.23, 0.69%, 0.85%

LAB 89.4, 2.28, 18.32

 

CMYK 22 / 0 / 20 / 5

HEX #BEF3C3

RGB 190 243 195

HSL 125.66, 0.69%, 0.85%

LAB 91.23, -25.93, 17.74

 

Description

Color code: RGB 189 210 243 | qconv.com Color code: RGB 189 210 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 210 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 210 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 14 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 14% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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