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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 201 207 it is the complementary color RGB 66 54 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 201 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 201 207: RGB 194 201 202, RGB 211 219 221, RGB 228 237 240, RGB 245 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 201 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 201 207: RGB 189 201 207, RGB 172 183 188, RGB 155 165 169, RGB 138 147 150 and RGB 121 129 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

Complementary color

CMYK 0 / 18 / 27 / 74

HEX #423630

RGB 66 54 48

HSL 20, 0.16%, 0.22%

LAB 23.7, 4.21, 5.76

 

CMYK 4 / 0 / 0 / 21

HEX #C2C9CA

RGB 194 201 202

HSL 187.5, 0.07%, 0.78%

LAB 80.46, -2.2, -1.34

 

CMYK 5 / 1 / 0 / 13

HEX #D3DBDD

RGB 211 219 221

HSL 192, 0.13%, 0.85%

LAB 86.87, -2.31, -1.93

 

CMYK 5 / 1 / 0 / 6

HEX #E4EDF0

RGB 228 237 240

HSL 195, 0.29%, 0.92%

LAB 93.17, -2.42, -2.5

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 9 / 3 / 0 / 26

HEX #ACB7BC

RGB 172 183 188

HSL 198.75, 0.11%, 0.71%

LAB 73.72, -2.81, -3.86

 

CMYK 8 / 2 / 0 / 34

HEX #9BA5A9

RGB 155 165 169

HSL 197.14, 0.08%, 0.64%

LAB 67.08, -2.72, -3.29

 

CMYK 8 / 2 / 0 / 41

HEX #8A9396

RGB 138 147 150

HSL 195, 0.05%, 0.56%

LAB 60.31, -2.62, -2.71

 

CMYK 8 / 2 / 0 / 49

HEX #798183

RGB 121 129 131

HSL 192, 0.04%, 0.49%

LAB 53.39, -2.53, -2.11

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 9 / 4 / 0 / 19

HEX #BDC6CF

RGB 189 198 207

HSL 210, 0.16%, 0.78%

LAB 79.45, -1.32, -5.56

 

CMYK 9 / 6 / 0 / 19

HEX #BDC3CF

RGB 189 195 207

HSL 220, 0.16%, 0.78%

LAB 78.67, 0.27, -6.72

 

CMYK 9 / 7 / 0 / 19

HEX #BDC0CF

RGB 189 192 207

HSL 230, 0.16%, 0.78%

LAB 77.89, 1.87, -7.87

 

CMYK 9 / 9 / 0 / 19

HEX #BDBDCF

RGB 189 189 207

HSL 240, 0.16%, 0.78%

LAB 77.11, 3.48, -9.03

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 9 / 4 / 0 / 79

HEX #313436

RGB 49 52 54

HSL 204, 0.05%, 0.2%

LAB 21.49, -0.8, -1.71

 

CMYK 9 / 3 / 0 / 59

HEX #606669

RGB 96 102 105

HSL 200, 0.04%, 0.39%

LAB 42.78, -1.65, -2.49

 

CMYK 9 / 3 / 0 / 39

HEX #8E979C

RGB 142 151 156

HSL 201.43, 0.07%, 0.58%

LAB 61.9, -2.2, -3.75

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 4 / 9 / 0 / 19

HEX #C7BDCF

RGB 199 189 207

HSL 273.33, 0.16%, 0.78%

LAB 77.9, 6.84, -7.77

 

CMYK 0 / 0 / 9 / 19

HEX #CFCEBD

RGB 207 206 189

HSL 56.67, 0.16%, 0.78%

LAB 82.42, -2.62, 8.57

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 0 / 9 / 3 / 19

HEX #CFBDC9

RGB 207 189 201

HSL 320, 0.16%, 0.78%

LAB 78.39, 8.46, -3.73

 

CMYK 3 / 0 / 9 / 19

HEX #C9CFBD

RGB 201 207 189

HSL 80, 0.16%, 0.78%

LAB 82.23, -5.26, 8.23

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 4 / 9 / 0 / 19

HEX #C7BDCF

RGB 199 189 207

HSL 273.33, 0.16%, 0.78%

LAB 77.9, 6.84, -7.77

 

CMYK 0 / 6 / 9 / 19

HEX #CFC3BD

RGB 207 195 189

HSL 20, 0.16%, 0.78%

LAB 79.6, 3.16, 4.51

 

CMYK 4 / 0 / 9 / 19

HEX #C6CFBD

RGB 198 207 189

HSL 90, 0.16%, 0.78%

LAB 82, -6.31, 7.88

 

CMYK 9 / 3 / 0 / 19

HEX #BDC9CF

RGB 189 201 207

HSL 200, 0.16%, 0.78%

LAB 80.23, -2.91, -4.4

 

CMYK 1 / 9 / 0 / 19

HEX #CCBDCF

RGB 204 189 207

HSL 290, 0.16%, 0.78%

LAB 78.31, 8.54, -7.12

 

CMYK 0 / 6 / 9 / 19

HEX #CFC3BD

RGB 207 195 189

HSL 20, 0.16%, 0.78%

LAB 79.6, 3.16, 4.51

 

CMYK 7 / 0 / 9 / 19

HEX #C0CFBD

RGB 192 207 189

HSL 110, 0.16%, 0.78%

LAB 81.57, -8.4, 7.2

 

Description

Color code: RGB 189 201 207 | qconv.com Color code: RGB 189 201 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 201 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 201 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 3 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 3% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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