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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 169 142 it is the complementary color RGB 66 86 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 169 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 169 142: RGB 194 169 137, RGB 211 187 156, RGB 228 205 175, RGB 245 223 194 and RGB 255 241 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 169 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 169 142: RGB 189 169 142, RGB 172 151 123, RGB 155 133 104, RGB 138 115 85 and RGB 121 97 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

Complementary color

CMYK 42 / 24 / 0 / 56

HEX #425671

RGB 66 86 113

HSL 214.47, 0.26%, 0.35%

LAB 36, -0.04, -17.86

 

CMYK 0 / 13 / 29 / 24

HEX #C2A989

RGB 194 169 137

HSL 33.68, 0.32%, 0.65%

LAB 70.63, 4.24, 19.88

 

CMYK 0 / 11 / 26 / 17

HEX #D3BB9C

RGB 211 187 156

HSL 33.82, 0.38%, 0.72%

LAB 77.15, 3.8, 18.84

 

CMYK 0 / 10 / 23 / 11

HEX #E4CDAF

RGB 228 205 175

HSL 33.96, 0.5%, 0.79%

LAB 83.57, 3.41, 17.87

 

CMYK 0 / 9 / 21 / 4

HEX #F5DFC2

RGB 245 223 194

HSL 34.12, 0.72%, 0.86%

LAB 89.9, 3.07, 16.96

 

CMYK 0 / 5 / 16 / 0

HEX #FFF1D5

RGB 255 241 213

HSL 40, 1%, 0.92%

LAB 95.57, 0.26, 15.22

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 0 / 12 / 28 / 33

HEX #AC977B

RGB 172 151 123

HSL 34.29, 0.23%, 0.58%

LAB 63.62, 3.4, 17.63

 

CMYK 0 / 14 / 33 / 39

HEX #9B8568

RGB 155 133 104

HSL 34.12, 0.2%, 0.51%

LAB 56.82, 3.89, 18.75

 

CMYK 0 / 17 / 38 / 46

HEX #8A7355

RGB 138 115 85

HSL 33.96, 0.24%, 0.44%

LAB 49.88, 4.49, 19.97

 

CMYK 0 / 20 / 45 / 53

HEX #796142

RGB 121 97 66

HSL 33.82, 0.29%, 0.37%

LAB 42.77, 5.22, 21.32

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 0 / 6 / 24 / 26

HEX #BCB08E

RGB 188 176 142

HSL 44.35, 0.26%, 0.65%

LAB 72.02, -1.17, 18.99

 

CMYK 0 / 2 / 24 / 26

HEX #BCB88E

RGB 188 184 142

HSL 54.78, 0.26%, 0.65%

LAB 74.14, -5.42, 21.9

 

CMYK 2 / 0 / 24 / 26

HEX #B9BC8E

RGB 185 188 142

HSL 63.91, 0.26%, 0.65%

LAB 74.97, -8.66, 22.99

 

CMYK 5 / 0 / 24 / 26

HEX #B2BC8E

RGB 178 188 142

HSL 73.04, 0.26%, 0.65%

LAB 74.43, -11.32, 22.17

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 0 / 10 / 25 / 6

HEX #F0D7B4

RGB 240 215 180

HSL 35, 0.67%, 0.82%

LAB 87.2, 3.39, 20.45

 

CMYK 0 / 11 / 25 / 86

HEX #24201B

RGB 36 32 27

HSL 33.33, 0.14%, 0.12%

LAB 12.53, 0.82, 4.09

 

CMYK 0 / 10 / 25 / 66

HEX #574E41

RGB 87 78 65

HSL 35.45, 0.14%, 0.3%

LAB 33.68, 1.34, 9.06

 

CMYK 0 / 11 / 25 / 46

HEX #8A7B68

RGB 138 123 104

HSL 33.53, 0.14%, 0.47%

LAB 52.47, 2.56, 12.5

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 19 / 0 / 24 / 26

HEX #99BC8E

RGB 153 188 142

HSL 105.65, 0.26%, 0.65%

LAB 72.69, -20.51, 19.5

 

CMYK 20 / 24 / 0 / 26

HEX #968EBC

RGB 150 142 188

HSL 250.43, 0.26%, 0.65%

LAB 61.19, 12.68, -22.86

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 24 / 0 / 11 / 26

HEX #8EBCA8

RGB 142 188 168

HSL 153.91, 0.26%, 0.65%

LAB 72.59, -19.4, 5.18

 

CMYK 11 / 24 / 0 / 26

HEX #A88EBC

RGB 168 142 188

HSL 273.91, 0.26%, 0.65%

LAB 62.76, 18.55, -20.31

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 19 / 0 / 24 / 26

HEX #99BC8E

RGB 153 188 142

HSL 105.65, 0.26%, 0.65%

LAB 72.69, -20.51, 19.5

 

CMYK 24 / 14 / 0 / 26

HEX #8EA2BC

RGB 142 162 188

HSL 213.91, 0.26%, 0.65%

LAB 65.92, -1.15, -15.71

 

CMYK 5 / 24 / 0 / 26

HEX #B28EBC

RGB 178 142 188

HSL 286.96, 0.26%, 0.65%

LAB 63.71, 21.88, -18.79

 

CMYK 0 / 11 / 25 / 26

HEX #BDA98E

RGB 189 169 142

HSL 34.47, 0.26%, 0.65%

LAB 70.28, 2.98, 16.59

 

CMYK 24 / 0 / 23 / 26

HEX #8EBC91

RGB 142 188 145

HSL 123.91, 0.26%, 0.65%

LAB 72.07, -23.81, 16.92

 

CMYK 24 / 14 / 0 / 26

HEX #8EA2BC

RGB 142 162 188

HSL 213.91, 0.26%, 0.65%

LAB 65.92, -1.15, -15.71

 

CMYK 0 / 24 / 2 / 26

HEX #BC8EB9

RGB 188 142 185

HSL 303.91, 0.26%, 0.65%

LAB 64.6, 24.69, -15.66

 

Description

Color code: RGB 189 169 142 | qconv.com Color code: RGB 189 169 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 169 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 169 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 25 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 25% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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