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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 161 246 it is the complementary color RGB 66 94 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 161 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 161 246: RGB 194 161 241, RGB 211 179 255, RGB 228 197 255, RGB 245 215 255 and RGB 255 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 161 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 161 246: RGB 189 161 246, RGB 172 143 227, RGB 155 125 208, RGB 138 107 189 and RGB 121 89 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

Complementary color

CMYK 30 / 0 / 90 / 63

HEX #425E09

RGB 66 94 9

HSL 79.76, 0.83%, 0.2%

LAB 36.33, -23.24, 40.25

 

CMYK 20 / 33 / 0 / 5

HEX #C2A1F1

RGB 194 161 241

HSL 264.75, 0.74%, 0.79%

LAB 71.76, 27.66, -35.61

 

CMYK 17 / 30 / 0 / 0

HEX #D3B3FF

RGB 211 179 255

HSL 265.26, 1%, 0.85%

LAB 78.06, 25.95, -33.32

 

CMYK 11 / 23 / 0 / 0

HEX #E4C5FF

RGB 228 197 255

HSL 272.07, 1%, 0.89%

LAB 83.78, 21.47, -24.42

 

CMYK 4 / 16 / 0 / 0

HEX #F5D7FF

RGB 245 215 255

HSL 285, 1%, 0.92%

LAB 89.5, 17.35, -15.64

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 24 / 37 / 0 / 11

HEX #AC8FE3

RGB 172 143 227

HSL 260.71, 0.6%, 0.73%

LAB 64.93, 28.02, -38.71

 

CMYK 25 / 40 / 0 / 18

HEX #9B7DD0

RGB 155 125 208

HSL 261.69, 0.47%, 0.65%

LAB 58.22, 28.79, -38.72

 

CMYK 27 / 43 / 0 / 26

HEX #8A6BBD

RGB 138 107 189

HSL 262.68, 0.38%, 0.58%

LAB 51.37, 29.63, -38.77

 

CMYK 29 / 48 / 0 / 33

HEX #7959AA

RGB 121 89 170

HSL 263.7, 0.32%, 0.51%

LAB 44.39, 30.56, -38.84

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 18 / 35 / 0 / 4

HEX #CAA1F6

RGB 202 161 246

HSL 268.94, 0.83%, 0.8%

LAB 72.69, 31.14, -36.83

 

CMYK 12 / 35 / 0 / 4

HEX #D8A1F6

RGB 216 161 246

HSL 278.82, 0.83%, 0.8%

LAB 74.02, 35.32, -34.66

 

CMYK 7 / 35 / 0 / 4

HEX #E6A1F6

RGB 230 161 246

HSL 288.71, 0.83%, 0.8%

LAB 75.43, 39.56, -32.37

 

CMYK 1 / 35 / 0 / 4

HEX #F4A1F6

RGB 244 161 246

HSL 298.59, 0.83%, 0.8%

LAB 76.91, 43.84, -29.98

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 24 / 36 / 0 / 84

HEX #201B2A

RGB 32 27 42

HSL 260, 0.22%, 0.14%

LAB 10.98, 6.44, -9.24

 

CMYK 24 / 34 / 0 / 64

HEX #473D5D

RGB 71 61 93

HSL 258.75, 0.21%, 0.3%

LAB 28.03, 11.97, -17.47

 

CMYK 23 / 35 / 0 / 44

HEX #6F5E90

RGB 111 94 144

HSL 260.4, 0.21%, 0.47%

LAB 43.36, 17.86, -25.07

 

CMYK 23 / 34 / 0 / 24

HEX #9680C3

RGB 150 128 195

HSL 259.7, 0.36%, 0.63%

LAB 57.91, 22.43, -31.89

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 0 / 35 / 18 / 4

HEX #F6A1CA

RGB 246 161 202

HSL 331.06, 0.83%, 0.8%

LAB 75.67, 37.14, -7.87

 

CMYK 32 / 0 / 35 / 4

HEX #A8F6A1

RGB 168 246 161

HSL 115.06, 0.83%, 0.8%

LAB 90.23, -39.9, 33.51

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 0 / 24 / 35 / 4

HEX #F6BCA1

RGB 246 188 161

HSL 19.06, 0.83%, 0.8%

LAB 80.81, 17.32, 21.74

 

CMYK 35 / 0 / 24 / 4

HEX #A1F6BC

RGB 161 246 188

HSL 139.06, 0.83%, 0.8%

LAB 90.38, -37.54, 19.92

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 0 / 35 / 18 / 4

HEX #F6A1CA

RGB 246 161 202

HSL 331.06, 0.83%, 0.8%

LAB 75.67, 37.14, -7.87

 

CMYK 11 / 0 / 35 / 4

HEX #DBF6A1

RGB 219 246 161

HSL 79.06, 0.83%, 0.8%

LAB 93.25, -22.41, 38.05

 

CMYK 35 / 0 / 17 / 4

HEX #A1F6CD

RGB 161 246 205

HSL 151.06, 0.83%, 0.8%

LAB 90.73, -34.32, 11.65

 

CMYK 23 / 35 / 0 / 4

HEX #BDA1F6

RGB 189 161 246

HSL 259.76, 0.83%, 0.8%

LAB 71.53, 27.33, -38.73

 

CMYK 0 / 35 / 28 / 4

HEX #F6A1B1

RGB 246 161 177

HSL 348.71, 0.83%, 0.8%

LAB 74.99, 33.58, 4.85

 

CMYK 11 / 0 / 35 / 4

HEX #DBF6A1

RGB 219 246 161

HSL 79.06, 0.83%, 0.8%

LAB 93.25, -22.41, 38.05

 

CMYK 35 / 0 / 7 / 4

HEX #A1F6E6

RGB 161 246 230

HSL 168.71, 0.83%, 0.8%

LAB 91.33, -29.13, -0.46

 

Description

Color code: RGB 189 161 246 | qconv.com Color code: RGB 189 161 246 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 161 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 161 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 35 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 35% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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