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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 144 174 it is the complementary color RGB 66 111 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 144 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 144 174: RGB 194 144 169, RGB 211 162 188, RGB 228 180 207, RGB 245 198 226 and RGB 255 216 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 144 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 144 174: RGB 189 144 174, RGB 172 126 155, RGB 155 108 136, RGB 138 90 117 and RGB 121 72 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

Complementary color

CMYK 41 / 0 / 27 / 56

HEX #426F51

RGB 66 111 81

HSL 140, 0.25%, 0.35%

LAB 42.95, -22.72, 11.94

 

CMYK 0 / 26 / 13 / 24

HEX #C290A9

RGB 194 144 169

HSL 330, 0.29%, 0.66%

LAB 65.18, 22.82, -5.7

 

CMYK 0 / 23 / 11 / 17

HEX #D3A2BC

RGB 211 162 188

HSL 328.16, 0.36%, 0.73%

LAB 71.77, 22.21, -6.35

 

CMYK 0 / 21 / 9 / 11

HEX #E4B4CF

RGB 228 180 207

HSL 326.25, 0.47%, 0.8%

LAB 78.25, 21.65, -6.97

 

CMYK 0 / 19 / 8 / 4

HEX #F5C6E2

RGB 245 198 226

HSL 324.26, 0.7%, 0.87%

LAB 84.63, 21.13, -7.55

 

CMYK 0 / 15 / 4 / 0

HEX #FFD8F5

RGB 255 216 245

HSL 315.38, 1%, 0.92%

LAB 90.31, 18.31, -9.09

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 27 / 10 / 33

HEX #AC7E9B

RGB 172 126 155

HSL 322.17, 0.22%, 0.58%

LAB 58.09, 22.54, -8.52

 

CMYK 0 / 30 / 12 / 39

HEX #9B6C88

RGB 155 108 136

HSL 324.26, 0.19%, 0.52%

LAB 51.23, 23.23, -7.87

 

CMYK 0 / 35 / 15 / 46

HEX #8A5A75

RGB 138 90 117

HSL 326.25, 0.21%, 0.45%

LAB 44.23, 24, -7.16

 

CMYK 0 / 40 / 19 / 53

HEX #794862

RGB 121 72 98

HSL 328.16, 0.25%, 0.38%

LAB 37.08, 24.84, -6.33

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 24 / 12 / 26

HEX #BC8FA5

RGB 188 143 165

HSL 330.67, 0.25%, 0.65%

LAB 64.2, 20.53, -4.97

 

CMYK 0 / 24 / 16 / 26

HEX #BC8F9E

RGB 188 143 158

HSL 340, 0.25%, 0.65%

LAB 64, 19.36, -1.31

 

CMYK 0 / 24 / 20 / 26

HEX #BC8F96

RGB 188 143 150

HSL 350.67, 0.25%, 0.65%

LAB 63.79, 18.08, 2.9

 

CMYK 0 / 24 / 24 / 26

HEX #BC8F8F

RGB 188 143 143

HSL 0, 0.25%, 0.65%

LAB 63.61, 17.02, 6.6

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 24 / 8 / 6

HEX #F0B7DD

RGB 240 183 221

HSL 320, 0.66%, 0.83%

LAB 80.52, 26.54, -11.03

 

CMYK 0 / 25 / 8 / 86

HEX #241B21

RGB 36 27 33

HSL 320, 0.14%, 0.12%

LAB 11.06, 5.77, -2.45

 

CMYK 0 / 24 / 8 / 66

HEX #574250

RGB 87 66 80

HSL 320, 0.14%, 0.3%

LAB 30.64, 11.74, -4.91

 

CMYK 0 / 24 / 8 / 46

HEX #8A697F

RGB 138 105 127

HSL 320, 0.14%, 0.48%

LAB 48.31, 17.01, -7.1

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 11 / 24 / 26

HEX #BCA78F

RGB 188 167 143

HSL 32, 0.25%, 0.65%

LAB 69.69, 3.82, 15.21

 

CMYK 24 / 0 / 2 / 26

HEX #8FBCB9

RGB 143 188 185

HSL 176, 0.25%, 0.65%

LAB 73.09, -15.47, -3.36

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 8 / 0 / 24 / 26

HEX #ADBC8F

RGB 173 188 143

HSL 80, 0.25%, 0.65%

LAB 74.08, -13.05, 21.1

 

CMYK 24 / 8 / 0 / 26

HEX #8FADBC

RGB 143 173 188

HSL 200, 0.25%, 0.65%

LAB 69.01, -6.85, -11.07

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 11 / 24 / 26

HEX #BCA78F

RGB 188 167 143

HSL 32, 0.25%, 0.65%

LAB 69.69, 3.82, 15.21

 

CMYK 24 / 0 / 16 / 26

HEX #8FBC9E

RGB 143 188 158

HSL 140, 0.25%, 0.65%

LAB 72.41, -21.06, 10.37

 

CMYK 24 / 13 / 0 / 26

HEX #8FA4BC

RGB 143 164 188

HSL 212, 0.25%, 0.65%

LAB 66.54, -1.94, -14.78

 

CMYK 0 / 24 / 8 / 26

HEX #BD90AE

RGB 189 144 174

HSL 320, 0.25%, 0.65%

LAB 64.82, 21.91, -9.12

 

CMYK 0 / 4 / 24 / 26

HEX #BCB48F

RGB 188 180 143

HSL 49.33, 0.25%, 0.65%

LAB 73.1, -3.16, 19.93

 

CMYK 24 / 0 / 16 / 26

HEX #8FBC9E

RGB 143 188 158

HSL 140, 0.25%, 0.65%

LAB 72.41, -21.06, 10.37

 

CMYK 24 / 20 / 0 / 26

HEX #8F96BC

RGB 143 150 188

HSL 230.67, 0.25%, 0.65%

LAB 62.75, 5.9, -20.53

 

Description

Color code: RGB 189 144 174 | qconv.com Color code: RGB 189 144 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 144 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 144 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 8 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 8% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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