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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 76 57 it is the complementary color RGB 67 179 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 76 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 76 57: RGB 193 76 52, RGB 210 94 71, RGB 227 112 90, RGB 244 130 109 and RGB 255 148 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 76 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 76 57: RGB 188 76 57, RGB 171 58 38, RGB 154 40 19, RGB 137 22 0 and RGB 120 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

Complementary color

CMYK 66 / 10 / 0 / 22

HEX #43B3C6

RGB 67 179 198

HSL 188.7, 0.53%, 0.52%

LAB 67.66, -25.44, -18.96

 

CMYK 0 / 61 / 73 / 24

HEX #C14C34

RGB 193 76 52

HSL 10.21, 0.58%, 0.48%

LAB 47.95, 45.55, 37.91

 

CMYK 0 / 55 / 66 / 18

HEX #D25E47

RGB 210 94 71

HSL 9.93, 0.61%, 0.55%

LAB 54.2, 44.23, 35.33

 

CMYK 0 / 51 / 60 / 11

HEX #E3705A

RGB 227 112 90

HSL 9.64, 0.71%, 0.62%

LAB 60.48, 42.91, 33.04

 

CMYK 0 / 47 / 55 / 4

HEX #F4826D

RGB 244 130 109

HSL 9.33, 0.86%, 0.69%

LAB 66.75, 41.63, 31.02

 

CMYK 0 / 42 / 50 / 0

HEX #FF9480

RGB 255 148 128

HSL 9.45, 1%, 0.75%

LAB 72.23, 38.19, 28.07

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 0 / 66 / 78 / 33

HEX #AB3A26

RGB 171 58 38

HSL 9.02, 0.64%, 0.41%

LAB 40.93, 45.18, 36.88

 

CMYK 0 / 74 / 88 / 40

HEX #9A2813

RGB 154 40 19

HSL 9.33, 0.78%, 0.34%

LAB 34.87, 46.05, 39.81

 

CMYK 0 / 84 / 100 / 46

HEX #891600

RGB 137 22 0

HSL 9.64, 1%, 0.27%

LAB 29.14, 46.13, 41.97

 

CMYK 0 / 97 / 100 / 53

HEX #780400

RGB 120 4 0

HSL 2, 1%, 0.24%

LAB 23.93, 45.05, 35.87

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 0 / 49 / 70 / 27

HEX #BB6039

RGB 187 96 57

HSL 18, 0.53%, 0.48%

LAB 50.95, 33.54, 38.31

 

CMYK 0 / 37 / 70 / 27

HEX #BB7639

RGB 187 118 57

HSL 28.15, 0.53%, 0.48%

LAB 55.9, 21.61, 43.82

 

CMYK 0 / 26 / 70 / 27

HEX #BB8B39

RGB 187 139 57

HSL 37.85, 0.53%, 0.48%

LAB 61.07, 9.99, 49.37

 

CMYK 0 / 14 / 70 / 27

HEX #BBA139

RGB 187 161 57

HSL 48, 0.53%, 0.48%

LAB 66.79, -1.98, 55.3

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 0 / 59 / 70 / 6

HEX #EF6148

RGB 239 97 72

HSL 8.98, 0.84%, 0.61%

LAB 59.31, 53.29, 41.93

 

CMYK 0 / 60 / 69 / 86

HEX #230E0B

RGB 35 14 11

HSL 7.5, 0.52%, 0.09%

LAB 6.28, 10.15, 5.07

 

CMYK 0 / 59 / 70 / 66

HEX #56231A

RGB 86 35 26

HSL 9, 0.54%, 0.22%

LAB 21.04, 22.9, 17.43

 

CMYK 0 / 60 / 69 / 46

HEX #89372A

RGB 137 55 42

HSL 8.21, 0.53%, 0.35%

LAB 34.43, 34.15, 25.63

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 23 / 0 / 70 / 27

HEX #90BB39

RGB 144 187 57

HSL 79.85, 0.53%, 0.48%

LAB 70.71, -33.27, 58.22

 

CMYK 70 / 51 / 0 / 27

HEX #395CBB

RGB 57 92 187

HSL 223.85, 0.53%, 0.48%

LAB 41.39, 19.68, -53.88

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 70 / 0 / 60 / 27

HEX #39BB4A

RGB 57 187 74

HSL 127.85, 0.53%, 0.48%

LAB 67.21, -57.85, 46.23

 

CMYK 60 / 70 / 0 / 27

HEX #4A39BB

RGB 74 57 187

HSL 247.85, 0.53%, 0.48%

LAB 33.92, 44.13, -65.99

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 23 / 0 / 70 / 27

HEX #90BB39

RGB 144 187 57

HSL 79.85, 0.53%, 0.48%

LAB 70.71, -33.27, 58.22

 

CMYK 70 / 10 / 0 / 27

HEX #39A9BB

RGB 57 169 187

HSL 188.31, 0.53%, 0.48%

LAB 64.03, -25.24, -18.4

 

CMYK 47 / 70 / 0 / 27

HEX #6439BB

RGB 100 57 187

HSL 259.85, 0.53%, 0.48%

LAB 36.41, 48.36, -61.82

 

CMYK 0 / 60 / 70 / 26

HEX #BC4C39

RGB 188 76 57

HSL 8.7, 0.53%, 0.48%

LAB 47.18, 43.98, 34.02

 

CMYK 44 / 0 / 70 / 27

HEX #69BB39

RGB 105 187 57

HSL 97.85, 0.53%, 0.48%

LAB 68.63, -47.31, 55.43

 

CMYK 70 / 10 / 0 / 27

HEX #39A9BB

RGB 57 169 187

HSL 188.31, 0.53%, 0.48%

LAB 64.03, -25.24, -18.4

 

CMYK 26 / 70 / 0 / 27

HEX #8B39BB

RGB 139 57 187

HSL 277.85, 0.53%, 0.48%

LAB 41.22, 56.01, -53.79

 

Description

Color code: RGB 188 76 57 | qconv.com Color code: RGB 188 76 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 76 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 76 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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