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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 255 45 it is the complementary color RGB 67 0 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 255 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 255 45: RGB 193 255 40, RGB 210 255 59, RGB 227 255 78, RGB 244 255 97 and RGB 255 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 255 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 255 45: RGB 188 255 45, RGB 171 237 26, RGB 154 219 7, RGB 137 201 0 and RGB 120 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

Complementary color

CMYK 68 / 100 / 0 / 18

HEX #4300D2

RGB 67 0 210

HSL 259.14, 1%, 0.41%

LAB 29.02, 69.67, -87.58

 

CMYK 24 / 0 / 84 / 0

HEX #C1FF28

RGB 193 255 40

HSL 77.3, 1%, 0.58%

LAB 93.02, -45.48, 84.75

 

CMYK 18 / 0 / 77 / 0

HEX #D2FF3B

RGB 210 255 59

HSL 73.78, 1%, 0.62%

LAB 94.11, -38.38, 81.48

 

CMYK 11 / 0 / 69 / 0

HEX #E3FF4E

RGB 227 255 78

HSL 69.49, 1%, 0.65%

LAB 95.33, -30.9, 77.05

 

CMYK 4 / 0 / 62 / 0

HEX #F4FF61

RGB 244 255 97

HSL 64.18, 1%, 0.69%

LAB 96.66, -23.12, 71.73

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 28 / 0 / 89 / 7

HEX #ABED1A

RGB 171 237 26

HSL 78.77, 0.85%, 0.52%

LAB 86.65, -46.34, 81.47

 

CMYK 30 / 0 / 97 / 14

HEX #9ADB07

RGB 154 219 7

HSL 78.4, 0.94%, 0.44%

LAB 80.49, -45.31, 78.37

 

CMYK 32 / 0 / 100 / 21

HEX #89C900

RGB 137 201 0

HSL 79.1, 1%, 0.39%

LAB 74.25, -44.08, 73.82

 

CMYK 34 / 0 / 100 / 28

HEX #78B700

RGB 120 183 0

HSL 80.66, 1%, 0.36%

LAB 67.92, -42.73, 68.55

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 40 / 0 / 82 / 0

HEX #99FF2D

RGB 153 255 45

HSL 89.14, 1%, 0.59%

LAB 91, -59.28, 81.12

 

CMYK 53 / 0 / 82 / 0

HEX #77FF2D

RGB 119 255 45

HSL 98.86, 1%, 0.59%

LAB 89.69, -69.23, 79.46

 

CMYK 67 / 0 / 82 / 0

HEX #54FF2D

RGB 84 255 45

HSL 108.86, 1%, 0.59%

LAB 88.73, -77.07, 78.24

 

CMYK 81 / 0 / 82 / 0

HEX #31FF2D

RGB 49 255 45

HSL 118.86, 1%, 0.59%

LAB 88.14, -82.17, 77.49

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 25 / 0 / 82 / 80

HEX #263309

RGB 38 51 9

HSL 78.57, 0.7%, 0.12%

LAB 19.22, -13.04, 23.25

 

CMYK 26 / 0 / 82 / 60

HEX #4B6612

RGB 75 102 18

HSL 79.29, 0.7%, 0.24%

LAB 39.65, -22.95, 40.71

 

CMYK 26 / 0 / 82 / 40

HEX #71991B

RGB 113 153 27

HSL 79.05, 0.7%, 0.35%

LAB 58.39, -31.4, 55.89

 

CMYK 26 / 0 / 82 / 20

HEX #96CC24

RGB 150 204 36

HSL 79.29, 0.7%, 0.47%

LAB 75.94, -39.68, 69.93

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 82 / 0 / 40 / 0

HEX #2DFF99

RGB 45 255 153

HSL 150.86, 1%, 0.59%

LAB 89.1, -70.4, 35.33

 

CMYK 7 / 82 / 0 / 0

HEX #ED2DFF

RGB 237 45 255

HSL 294.86, 1%, 0.59%

LAB 59.07, 90.33, -63.01

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 82 / 26 / 0 / 0

HEX #2DBCFF

RGB 45 188 255

HSL 199.14, 1%, 0.59%

LAB 72.06, -14.1, -43.29

 

CMYK 0 / 82 / 26 / 0

HEX #FF2DBC

RGB 255 45 188

HSL 319.14, 1%, 0.59%

LAB 58.76, 84.74, -25.45

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 82 / 0 / 40 / 0

HEX #2DFF99

RGB 45 255 153

HSL 150.86, 1%, 0.59%

LAB 89.1, -70.4, 35.33

 

CMYK 56 / 82 / 0 / 0

HEX #702DFF

RGB 112 45 255

HSL 259.14, 1%, 0.59%

LAB 42.06, 72.92, -91.45

 

CMYK 0 / 82 / 43 / 0

HEX #FF2D92

RGB 255 45 146

HSL 331.14, 1%, 0.59%

LAB 57.28, 80.54, -3.16

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 82 / 0 / 15 / 0

HEX #2DFFD8

RGB 45 255 216

HSL 168.86, 1%, 0.59%

LAB 90.34, -56.79, 4.97

 

CMYK 56 / 82 / 0 / 0

HEX #702DFF

RGB 112 45 255

HSL 259.14, 1%, 0.59%

LAB 42.06, 72.92, -91.45

 

CMYK 0 / 82 / 67 / 0

HEX #FF2D54

RGB 255 45 84

HSL 348.86, 1%, 0.59%

LAB 55.86, 76.38, 31.7

 

Description

Color code: RGB 188 255 45 | qconv.com Color code: RGB 188 255 45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 255 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 255 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 82% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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