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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 218 169 it is the complementary color RGB 67 37 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 218 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 218 169: RGB 193 218 164, RGB 210 236 183, RGB 227 254 202, RGB 244 255 221 and RGB 255 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 218 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 218 169: RGB 188 218 169, RGB 171 200 150, RGB 154 182 131, RGB 137 164 112 and RGB 120 146 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

Complementary color

CMYK 22 / 57 / 0 / 66

HEX #432556

RGB 67 37 86

HSL 276.73, 0.4%, 0.24%

LAB 20.78, 24.4, -24.26

 

CMYK 11 / 0 / 25 / 15

HEX #C1DAA4

RGB 193 218 164

HSL 87.78, 0.42%, 0.75%

LAB 84.05, -17.73, 23.89

 

CMYK 11 / 0 / 22 / 7

HEX #D2ECB7

RGB 210 236 183

HSL 89.43, 0.58%, 0.82%

LAB 90.37, -17.71, 22.92

 

CMYK 11 / 0 / 20 / 0

HEX #E3FECA

RGB 227 254 202

HSL 91.15, 0.96%, 0.89%

LAB 96.61, -17.69, 22

 

CMYK 4 / 0 / 13 / 0

HEX #F4FFDD

RGB 244 255 221

HSL 79.41, 1%, 0.93%

LAB 98.42, -9.37, 15.03

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 15 / 0 / 25 / 22

HEX #ABC896

RGB 171 200 150

HSL 94.8, 0.31%, 0.69%

LAB 77.38, -18.81, 21.87

 

CMYK 15 / 0 / 28 / 29

HEX #9AB683

RGB 154 182 131

HSL 92.94, 0.26%, 0.61%

LAB 70.85, -18.88, 22.9

 

CMYK 16 / 0 / 32 / 36

HEX #89A470

RGB 137 164 112

HSL 91.15, 0.22%, 0.54%

LAB 64.19, -18.95, 23.99

 

CMYK 18 / 0 / 36 / 43

HEX #78925D

RGB 120 146 93

HSL 89.43, 0.22%, 0.47%

LAB 57.41, -19.01, 25.16

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 17 / 0 / 22 / 15

HEX #B4DAA9

RGB 180 218 169

HSL 106.53, 0.4%, 0.76%

LAB 83.29, -21.53, 20.09

 

CMYK 21 / 0 / 22 / 15

HEX #ACDAA9

RGB 172 218 169

HSL 116.33, 0.4%, 0.76%

LAB 82.8, -24.25, 19.33

 

CMYK 22 / 0 / 20 / 15

HEX #A9DAAE

RGB 169 218 174

HSL 126.12, 0.4%, 0.76%

LAB 82.72, -24.39, 16.57

 

CMYK 22 / 0 / 17 / 15

HEX #A9DAB6

RGB 169 218 182

HSL 135.92, 0.4%, 0.76%

LAB 82.89, -22.95, 12.6

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 14 / 0 / 21 / 95

HEX #0C0E0B

RGB 12 14 11

HSL 100, 0.12%, 0.05%

LAB 3.76, -1.09, 1.09

 

CMYK 14 / 0 / 23 / 75

HEX #384132

RGB 56 65 50

HSL 96, 0.13%, 0.23%

LAB 26.31, -7.05, 7.94

 

CMYK 14 / 0 / 22 / 55

HEX #64745A

RGB 100 116 90

HSL 96.92, 0.13%, 0.4%

LAB 46.89, -11.21, 12.43

 

CMYK 14 / 0 / 23 / 35

HEX #90A781

RGB 144 167 129

HSL 96.32, 0.18%, 0.58%

LAB 65.87, -15.18, 17.05

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 22 / 0 / 5 / 15

HEX #A9DAD0

RGB 169 218 208

HSL 167.76, 0.4%, 0.76%

LAB 83.51, -17.86, -0.28

 

CMYK 0 / 22 / 5 / 15

HEX #DAA9D0

RGB 218 169 208

HSL 312.24, 0.4%, 0.76%

LAB 74.72, 24.32, -12.88

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 22 / 14 / 0 / 15

HEX #A9BCDA

RGB 169 188 218

HSL 216.73, 0.4%, 0.76%

LAB 75.74, -0.04, -17.19

 

CMYK 0 / 22 / 14 / 15

HEX #DAA9BC

RGB 218 169 188

HSL 336.73, 0.4%, 0.76%

LAB 74.13, 20.9, -2.79

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 22 / 0 / 5 / 15

HEX #A9DAD0

RGB 169 218 208

HSL 167.76, 0.4%, 0.76%

LAB 83.51, -17.86, -0.28

 

CMYK 9 / 22 / 0 / 15

HEX #C6A9DA

RGB 198 169 218

HSL 275.51, 0.4%, 0.76%

LAB 73.18, 19.57, -20.85

 

CMYK 0 / 22 / 18 / 15

HEX #DAA9B3

RGB 218 169 179

HSL 347.76, 0.4%, 0.76%

LAB 73.89, 19.47, 1.79

 

CMYK 14 / 0 / 22 / 15

HEX #BCDAA9

RGB 188 218 169

HSL 96.73, 0.4%, 0.76%

LAB 83.81, -18.74, 20.89

 

CMYK 22 / 2 / 0 / 15

HEX #A9D5DA

RGB 169 213 218

HSL 186.12, 0.4%, 0.76%

LAB 82.42, -13.19, -7.2

 

CMYK 9 / 22 / 0 / 15

HEX #C6A9DA

RGB 198 169 218

HSL 275.51, 0.4%, 0.76%

LAB 73.18, 19.57, -20.85

 

CMYK 0 / 20 / 22 / 15

HEX #DAAEA9

RGB 218 174 169

HSL 6.12, 0.4%, 0.76%

LAB 74.85, 15.26, 8.65

 

Description

Color code: RGB 188 218 169 | qconv.com Color code: RGB 188 218 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 218 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 218 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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