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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 210 152 it is the complementary color RGB 67 45 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 210 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 210 152: RGB 193 210 147, RGB 210 228 166, RGB 227 246 185, RGB 244 255 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 210 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 210 152: RGB 188 210 152, RGB 171 192 133, RGB 154 174 114, RGB 137 156 95 and RGB 120 138 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

Complementary color

CMYK 35 / 56 / 0 / 60

HEX #432D67

RGB 67 45 103

HSL 262.76, 0.39%, 0.29%

LAB 23.83, 24.03, -30.59

 

CMYK 8 / 0 / 30 / 18

HEX #C1D293

RGB 193 210 147

HSL 76.19, 0.41%, 0.7%

LAB 81.59, -16.18, 29.39

 

CMYK 8 / 0 / 27 / 11

HEX #D2E4A6

RGB 210 228 166

HSL 77.42, 0.53%, 0.77%

LAB 87.94, -16.25, 28.34

 

CMYK 8 / 0 / 25 / 4

HEX #E3F6B9

RGB 227 246 185

HSL 78.69, 0.77%, 0.85%

LAB 94.2, -16.3, 27.34

 

CMYK 4 / 0 / 20 / 0

HEX #F4FFCC

RGB 244 255 204

HSL 72.94, 1%, 0.9%

LAB 98.08, -11.95, 23.21

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 11 / 0 / 31 / 25

HEX #ABC085

RGB 171 192 133

HSL 81.36, 0.32%, 0.64%

LAB 74.86, -17.31, 27.44

 

CMYK 11 / 0 / 34 / 32

HEX #9AAE72

RGB 154 174 114

HSL 80, 0.27%, 0.56%

LAB 68.28, -17.28, 28.56

 

CMYK 12 / 0 / 39 / 39

HEX #899C5F

RGB 137 156 95

HSL 78.69, 0.24%, 0.49%

LAB 61.59, -17.21, 29.74

 

CMYK 13 / 0 / 45 / 46

HEX #788A4C

RGB 120 138 76

HSL 77.42, 0.29%, 0.42%

LAB 54.75, -17.1, 30.97

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 14 / 0 / 27 / 18

HEX #B3D198

RGB 179 209 152

HSL 91.58, 0.38%, 0.71%

LAB 80.43, -20.11, 25.06

 

CMYK 19 / 0 / 27 / 18

HEX #A9D198

RGB 169 209 152

HSL 102.11, 0.38%, 0.71%

LAB 79.79, -23.66, 24.08

 

CMYK 24 / 0 / 27 / 18

HEX #9FD198

RGB 159 209 152

HSL 112.63, 0.38%, 0.71%

LAB 79.18, -27.11, 23.15

 

CMYK 27 / 0 / 26 / 18

HEX #98D19A

RGB 152 209 154

HSL 122.11, 0.38%, 0.71%

LAB 78.82, -29.12, 21.54

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 17 / 0 / 33 / 98

HEX #050604

RGB 5 6 4

HSL 90, 0.2%, 0.02%

LAB 1.55, -0.54, 0.66

 

CMYK 11 / 0 / 28 / 78

HEX #333929

RGB 51 57 41

HSL 82.5, 0.16%, 0.19%

LAB 22.97, -6.02, 9.15

 

CMYK 10 / 0 / 28 / 58

HEX #616C4E

RGB 97 108 78

HSL 82, 0.16%, 0.36%

LAB 43.97, -9.99, 15.44

 

CMYK 11 / 0 / 28 / 38

HEX #8E9F73

RGB 142 159 115

HSL 83.18, 0.19%, 0.54%

LAB 63.16, -13.98, 21.03

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B8

RGB 152 209 184

HSL 153.68, 0.38%, 0.71%

LAB 79.46, -23.52, 6.51

 

CMYK 1 / 27 / 0 / 18

HEX #CF98D1

RGB 207 152 209

HSL 297.89, 0.38%, 0.71%

LAB 69.7, 30.07, -21.12

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 27 / 10 / 0 / 18

HEX #98BCD1

RGB 152 188 209

HSL 202.11, 0.38%, 0.71%

LAB 74.35, -7.26, -14.51

 

CMYK 0 / 27 / 10 / 18

HEX #D198BC

RGB 209 152 188

HSL 322.11, 0.38%, 0.71%

LAB 69.21, 26.96, -10.18

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B8

RGB 152 209 184

HSL 153.68, 0.38%, 0.71%

LAB 79.46, -23.52, 6.51

 

CMYK 17 / 27 / 0 / 18

HEX #AD98D1

RGB 173 152 209

HSL 262.11, 0.38%, 0.71%

LAB 66.48, 19.1, -26.33

 

CMYK 0 / 27 / 15 / 18

HEX #D198B1

RGB 209 152 177

HSL 333.68, 0.38%, 0.71%

LAB 68.89, 25.13, -4.54

 

CMYK 10 / 0 / 28 / 18

HEX #BCD298

RGB 188 210 152

HSL 82.76, 0.39%, 0.71%

LAB 81.32, -17.33, 26.37

 

CMYK 27 / 0 / 3 / 18

HEX #98D1CA

RGB 152 209 202

HSL 172.63, 0.38%, 0.71%

LAB 79.92, -19.72, -2.45

 

CMYK 17 / 27 / 0 / 18

HEX #AD98D1

RGB 173 152 209

HSL 262.11, 0.38%, 0.71%

LAB 66.48, 19.1, -26.33

 

CMYK 0 / 27 / 24 / 18

HEX #D1989F

RGB 209 152 159

HSL 352.63, 0.38%, 0.71%

LAB 68.4, 22.36, 4.79

 

Description

Color code: RGB 188 210 152 | qconv.com Color code: RGB 188 210 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 210 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 210 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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