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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 198 148 it is the complementary color RGB 67 57 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 198 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 198 148: RGB 193 198 143, RGB 210 216 162, RGB 227 234 181, RGB 244 252 200 and RGB 255 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 198 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 198 148: RGB 188 198 148, RGB 171 180 129, RGB 154 162 110, RGB 137 144 91 and RGB 120 126 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

Complementary color

CMYK 37 / 47 / 0 / 58

HEX #43396B

RGB 67 57 107

HSL 252, 0.3%, 0.32%

LAB 27.24, 17.35, -27.74

 

CMYK 3 / 0 / 28 / 22

HEX #C1C68F

RGB 193 198 143

HSL 65.45, 0.33%, 0.67%

LAB 78.29, -10.64, 27.06

 

CMYK 3 / 0 / 25 / 15

HEX #D2D8A2

RGB 210 216 162

HSL 66.67, 0.41%, 0.74%

LAB 84.7, -10.8, 26.02

 

CMYK 3 / 0 / 23 / 8

HEX #E3EAB5

RGB 227 234 181

HSL 67.92, 0.56%, 0.81%

LAB 91.01, -10.93, 25.02

 

CMYK 3 / 0 / 21 / 1

HEX #F4FCC8

RGB 244 252 200

HSL 69.23, 0.9%, 0.89%

LAB 97.24, -11.05, 24.07

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 5 / 0 / 28 / 29

HEX #ABB481

RGB 171 180 129

HSL 70.59, 0.25%, 0.61%

LAB 71.48, -11.72, 25.03

 

CMYK 5 / 0 / 32 / 36

HEX #9AA26E

RGB 154 162 110

HSL 69.23, 0.22%, 0.53%

LAB 64.83, -11.57, 26.15

 

CMYK 5 / 0 / 37 / 44

HEX #89905B

RGB 137 144 91

HSL 67.92, 0.23%, 0.46%

LAB 58.06, -11.39, 27.34

 

CMYK 5 / 0 / 43 / 51

HEX #787E48

RGB 120 126 72

HSL 66.67, 0.27%, 0.39%

LAB 51.13, -11.14, 28.59

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 9 / 0 / 25 / 23

HEX #B3C594

RGB 179 197 148

HSL 82.04, 0.3%, 0.68%

LAB 77.07, -14.68, 22.6

 

CMYK 13 / 0 / 25 / 23

HEX #ABC594

RGB 171 197 148

HSL 91.84, 0.3%, 0.68%

LAB 76.51, -17.61, 21.74

 

CMYK 17 / 0 / 25 / 23

HEX #A3C594

RGB 163 197 148

HSL 101.63, 0.3%, 0.68%

LAB 75.98, -20.48, 20.92

 

CMYK 21 / 0 / 25 / 23

HEX #9BC594

RGB 155 197 148

HSL 111.43, 0.3%, 0.68%

LAB 75.48, -23.29, 20.15

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 5 / 0 / 25 / 2

HEX #ECF9BA

RGB 236 249 186

HSL 72.38, 0.84%, 0.85%

LAB 95.63, -14.41, 28.89

 

CMYK 4 / 0 / 24 / 82

HEX #2B2D22

RGB 43 45 34

HSL 70.91, 0.14%, 0.15%

LAB 17.95, -3.32, 6.83

 

CMYK 5 / 0 / 25 / 62

HEX #5B6048

RGB 91 96 72

HSL 72.5, 0.14%, 0.33%

LAB 39.68, -6.6, 13.09

 

CMYK 5 / 0 / 25 / 42

HEX #8C936E

RGB 140 147 110

HSL 71.35, 0.15%, 0.5%

LAB 59.5, -9.11, 18.79

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 25 / 0 / 15 / 23

HEX #94C5A8

RGB 148 197 168

HSL 144.49, 0.3%, 0.68%

LAB 75.49, -22.01, 9.37

 

CMYK 5 / 25 / 0 / 23

HEX #BC94C5

RGB 188 148 197

HSL 288.98, 0.3%, 0.68%

LAB 66.45, 23.67, -19.58

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 25 / 5 / 0 / 23

HEX #94BCC5

RGB 148 188 197

HSL 191.02, 0.3%, 0.68%

LAB 73.74, -11.24, -8.92

 

CMYK 0 / 25 / 5 / 23

HEX #C594BC

RGB 197 148 188

HSL 311.02, 0.3%, 0.68%

LAB 67.04, 25, -13.57

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 25 / 0 / 15 / 23

HEX #94C5A8

RGB 148 197 168

HSL 144.49, 0.3%, 0.68%

LAB 75.49, -22.01, 9.37

 

CMYK 20 / 25 / 0 / 23

HEX #9E94C5

RGB 158 148 197

HSL 252.24, 0.3%, 0.68%

LAB 63.74, 13.89, -23.95

 

CMYK 0 / 25 / 10 / 23

HEX #C594B2

RGB 197 148 178

HSL 323.27, 0.3%, 0.68%

LAB 66.72, 23.22, -8.45

 

CMYK 5 / 0 / 25 / 22

HEX #BCC694

RGB 188 198 148

HSL 72, 0.3%, 0.68%

LAB 78, -11.83, 23.97

 

CMYK 25 / 0 / 7 / 23

HEX #94C5B7

RGB 148 197 183

HSL 162.86, 0.3%, 0.68%

LAB 75.85, -18.97, 1.8

 

CMYK 20 / 25 / 0 / 23

HEX #9E94C5

RGB 158 148 197

HSL 252.24, 0.3%, 0.68%

LAB 63.74, 13.89, -23.95

 

CMYK 0 / 25 / 17 / 23

HEX #C594A3

RGB 197 148 163

HSL 341.63, 0.3%, 0.68%

LAB 66.29, 20.72, -0.67

 

Description

Color code: RGB 188 198 148 | qconv.com Color code: RGB 188 198 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 198 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 198 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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