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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 166 177 it is the complementary color RGB 67 89 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 166 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 166 177: RGB 193 166 172, RGB 210 184 191, RGB 227 202 210, RGB 244 220 229 and RGB 255 238 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 166 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 166 177: RGB 188 166 177, RGB 171 148 158, RGB 154 130 139, RGB 137 112 120 and RGB 120 94 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

Complementary color

CMYK 25 / 0 / 12 / 65

HEX #43594E

RGB 67 89 78

HSL 150, 0.14%, 0.31%

LAB 35.77, -10.97, 3.64

 

CMYK 0 / 14 / 11 / 24

HEX #C1A6AC

RGB 193 166 172

HSL 346.67, 0.18%, 0.7%

LAB 70.59, 10.84, 0.55

 

CMYK 0 / 12 / 9 / 18

HEX #D2B8BF

RGB 210 184 191

HSL 343.85, 0.22%, 0.77%

LAB 77.13, 10.45, -0.13

 

CMYK 0 / 11 / 7 / 11

HEX #E3CAD2

RGB 227 202 210

HSL 340.8, 0.31%, 0.84%

LAB 83.56, 10.09, -0.78

 

CMYK 0 / 10 / 6 / 4

HEX #F4DCE5

RGB 244 220 229

HSL 337.5, 0.52%, 0.91%

LAB 89.89, 9.75, -1.4

 

CMYK 0 / 7 / 3 / 0

HEX #FFEEF8

RGB 255 238 248

HSL 324.71, 1%, 0.97%

LAB 95.66, 7.43, -2.76

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 13 / 8 / 33

HEX #AB949E

RGB 171 148 158

HSL 333.91, 0.12%, 0.63%

LAB 63.6, 10.3, -2.1

 

CMYK 0 / 16 / 10 / 40

HEX #9A828B

RGB 154 130 139

HSL 337.5, 0.11%, 0.56%

LAB 56.78, 10.73, -1.43

 

CMYK 0 / 18 / 12 / 46

HEX #897078

RGB 137 112 120

HSL 340.8, 0.1%, 0.49%

LAB 49.81, 11.22, -0.72

 

CMYK 0 / 22 / 16 / 53

HEX #785E65

RGB 120 94 101

HSL 343.85, 0.12%, 0.42%

LAB 42.67, 11.78, 0.05

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 12 / 8 / 27

HEX #BBA4AC

RGB 187 164 172

HSL 339.13, 0.14%, 0.69%

LAB 69.54, 9.76, -1.05

 

CMYK 0 / 12 / 10 / 27

HEX #BBA4A8

RGB 187 164 168

HSL 349.57, 0.14%, 0.69%

LAB 69.43, 9.06, 1.01

 

CMYK 0 / 12 / 12 / 27

HEX #BBA4A4

RGB 187 164 164

HSL 0, 0.14%, 0.69%

LAB 69.32, 8.38, 3.07

 

CMYK 0 / 10 / 12 / 27

HEX #BBA8A4

RGB 187 168 164

HSL 10.43, 0.14%, 0.69%

LAB 70.35, 6.19, 4.56

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 12 / 6 / 6

HEX #EFD3E1

RGB 239 211 225

HSL 330, 0.47%, 0.88%

LAB 87.18, 12.06, -3.32

 

CMYK 0 / 11 / 6 / 86

HEX #231F21

RGB 35 31 33

HSL 330, 0.06%, 0.13%

LAB 12.27, 2.38, -0.67

 

CMYK 0 / 12 / 6 / 66

HEX #564C51

RGB 86 76 81

HSL 330, 0.06%, 0.32%

LAB 33.44, 5.18, -1.44

 

CMYK 0 / 12 / 6 / 46

HEX #897981

RGB 137 121 129

HSL 330, 0.06%, 0.51%

LAB 52.48, 7.64, -2.11

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 4 / 12 / 27

HEX #BBB4A4

RGB 187 180 164

HSL 41.74, 0.14%, 0.69%

LAB 73.47, -0.29, 9.04

 

CMYK 12 / 2 / 0 / 27

HEX #A4B8BB

RGB 164 184 187

HSL 187.83, 0.14%, 0.69%

LAB 73.39, -6.23, -3.86

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 6 / 0 / 12 / 27

HEX #AFBBA4

RGB 175 187 164

HSL 91.3, 0.14%, 0.69%

LAB 74.4, -8.38, 10.24

 

CMYK 12 / 6 / 0 / 27

HEX #A4AFBB

RGB 164 175 187

HSL 211.3, 0.14%, 0.69%

LAB 70.97, -1.39, -7.44

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 4 / 12 / 27

HEX #BBB4A4

RGB 187 180 164

HSL 41.74, 0.14%, 0.69%

LAB 73.47, -0.29, 9.04

 

CMYK 12 / 0 / 6 / 27

HEX #A4BBAF

RGB 164 187 175

HSL 148.7, 0.14%, 0.69%

LAB 73.89, -10.21, 3.41

 

CMYK 12 / 9 / 0 / 27

HEX #A4ABBB

RGB 164 171 187

HSL 221.74, 0.14%, 0.69%

LAB 69.9, 0.79, -9.03

 

CMYK 0 / 12 / 6 / 26

HEX #BCA6B1

RGB 188 166 177

HSL 330, 0.14%, 0.69%

LAB 70.27, 9.91, -2.73

 

CMYK 0 / 0 / 12 / 27

HEX #BBBBA4

RGB 187 187 164

HSL 60, 0.14%, 0.69%

LAB 75.32, -4.02, 11.66

 

CMYK 12 / 0 / 6 / 27

HEX #A4BBAF

RGB 164 187 175

HSL 148.7, 0.14%, 0.69%

LAB 73.89, -10.21, 3.41

 

CMYK 12 / 12 / 0 / 27

HEX #A4A4BB

RGB 164 164 187

HSL 240, 0.14%, 0.69%

LAB 68.04, 4.64, -11.8

 

Description

Color code: RGB 188 166 177 | qconv.com Color code: RGB 188 166 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 166 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 166 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 6 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 6% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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