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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 115 242 it is the complementary color RGB 67 140 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 115 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 188 115 242: RGB 193 115 237, RGB 210 133 255, RGB 227 151 255, RGB 244 169 255 and RGB 255 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 115 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 188 115 242: RGB 188 115 242, RGB 171 97 223, RGB 154 79 204, RGB 137 61 185 and RGB 120 43 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

Complementary color

CMYK 52 / 0 / 91 / 45

HEX #438C0D

RGB 67 140 13

HSL 94.49, 0.83%, 0.3%

LAB 51.81, -43.11, 52.63

 

CMYK 19 / 51 / 0 / 7

HEX #C173ED

RGB 193 115 237

HSL 278.36, 0.77%, 0.69%

LAB 61.41, 51.4, -49.66

 

CMYK 18 / 48 / 0 / 0

HEX #D285FF

RGB 210 133 255

HSL 277.87, 1%, 0.76%

LAB 67.8, 50.39, -49.34

 

CMYK 11 / 41 / 0 / 0

HEX #E397FF

RGB 227 151 255

HSL 283.85, 1%, 0.8%

LAB 73.34, 45.72, -40.51

 

CMYK 4 / 34 / 0 / 0

HEX #F4A9FF

RGB 244 169 255

HSL 292.33, 1%, 0.83%

LAB 78.94, 41.32, -31.7

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 23 / 57 / 0 / 13

HEX #AB61DF

RGB 171 97 223

HSL 275.24, 0.66%, 0.63%

LAB 54.59, 52.02, -52.82

 

CMYK 25 / 61 / 0 / 20

HEX #9A4FCC

RGB 154 79 204

HSL 276, 0.55%, 0.55%

LAB 48.03, 52.76, -52.6

 

CMYK 26 / 67 / 0 / 27

HEX #893DB9

RGB 137 61 185

HSL 276.77, 0.5%, 0.48%

LAB 41.47, 53.33, -52.23

 

CMYK 28 / 74 / 0 / 35

HEX #782BA6

RGB 120 43 166

HSL 277.56, 0.59%, 0.41%

LAB 34.95, 53.51, -51.59

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 14 / 52 / 0 / 5

HEX #D073F1

RGB 208 115 241

HSL 284.29, 0.82%, 0.7%

LAB 63.36, 56.15, -48.67

 

CMYK 5 / 52 / 0 / 5

HEX #E573F1

RGB 229 115 241

HSL 294.29, 0.82%, 0.7%

LAB 65.96, 61.66, -44.4

 

CMYK 0 / 52 / 3 / 5

HEX #F173E9

RGB 241 115 233

HSL 303.81, 0.82%, 0.7%

LAB 67.16, 63.48, -37.98

 

CMYK 0 / 52 / 12 / 5

HEX #F173D4

RGB 241 115 212

HSL 313.81, 0.82%, 0.7%

LAB 66.3, 60.11, -27.63

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 21 / 53 / 0 / 85

HEX #1E1226

RGB 30 18 38

HSL 276, 0.36%, 0.11%

LAB 7.67, 11.15, -11.43

 

CMYK 22 / 53 / 0 / 65

HEX #452A59

RGB 69 42 89

HSL 274.47, 0.36%, 0.26%

LAB 22.45, 22.67, -23.59

 

CMYK 22 / 52 / 0 / 45

HEX #6D438C

RGB 109 67 140

HSL 274.52, 0.35%, 0.41%

LAB 36.29, 32.55, -33.75

 

CMYK 23 / 52 / 0 / 25

HEX #945BBF

RGB 148 91 191

HSL 274.2, 0.44%, 0.55%

LAB 48.93, 42, -43.71

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 0 / 52 / 40 / 5

HEX #F17390

RGB 241 115 144

HSL 346.19, 0.82%, 0.7%

LAB 64.14, 51.18, 7.67

 

CMYK 52 / 0 / 44 / 5

HEX #73F188

RGB 115 241 136

HSL 130, 0.82%, 0.7%

LAB 86.17, -56.65, 40.18

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 0 / 23 / 52 / 5

HEX #F1BA73

RGB 241 186 115

HSL 33.81, 0.82%, 0.7%

LAB 79.07, 11.67, 43.37

 

CMYK 52 / 0 / 23 / 5

HEX #73F1BA

RGB 115 241 186

HSL 153.81, 0.82%, 0.7%

LAB 87.05, -47.69, 16.02

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 0 / 52 / 40 / 5

HEX #F17390

RGB 241 115 144

HSL 346.19, 0.82%, 0.7%

LAB 64.14, 51.18, 7.67

 

CMYK 29 / 0 / 52 / 5

HEX #AAF173

RGB 170 241 115

HSL 93.81, 0.82%, 0.7%

LAB 88.3, -42.94, 53.32

 

CMYK 52 / 0 / 12 / 5

HEX #73F1D4

RGB 115 241 212

HSL 166.19, 0.82%, 0.7%

LAB 87.63, -41.98, 3.32

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F2

RGB 188 115 242

HSL 274.49, 0.83%, 0.7%

LAB 61.1, 51.2, -52.95

 

CMYK 0 / 49 / 52 / 5

HEX #F17B73

RGB 241 123 115

HSL 3.81, 0.82%, 0.7%

LAB 65.05, 44.51, 25.38

 

CMYK 29 / 0 / 52 / 5

HEX #AAF173

RGB 170 241 115

HSL 93.81, 0.82%, 0.7%

LAB 88.3, -42.94, 53.32

 

CMYK 52 / 3 / 0 / 5

HEX #73E9F1

RGB 115 233 241

HSL 183.81, 0.82%, 0.7%

LAB 86.14, -31.11, -14.09

 

Description

Color code: RGB 188 115 242 | qconv.com Color code: RGB 188 115 242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 115 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 115 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 52 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 52% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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