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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188.1 198.8 127 it is the complementary color RGB 66.9 56.2 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188.1 198.8 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188.1 198.8 127 shade: RGB 193.1 198.8 122, RGB 210.1 216.8 141, RGB 227.1 234.8 160, RGB 244.1 252.8 179 and RGB 255 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188.1 198.8 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188.1 198.8 127 shade: RGB 188.1 198.8 127, RGB 171.1 180.8 108, RGB 154.1 162.8 89, RGB 137.1 144.8 70 and RGB 120.1 126.8 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188.1 198.8 127 shade: RGB 188 199 127, RGB 199 190 127, RGB 199 171 127, RGB 199 151 127 and RGB 199 132 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188.1 198.8 127 shade: RGB 188 199 127, RGB 169 199 127, RGB 149 199 127, RGB 130 199 127 and RGB 127 199 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188.1 198.8 127 shade matches the following richer shades: RGB 188 199 127, RGB 198 213 112, RGB 209 228 97 and RGB 219 243 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188.1 198.8 127 shade: RGB 188 199 127, RGB 177 184 142, RGB 167 169 157, RGB 157 154 171 and RGB 146 139 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188.1 198.8 127 shade: RGB 199 170 127, RGB 199 189 127, RGB 189 199 127, RGB 170 199 127 and RGB 151 199 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188.1 198.8 127 shade: RGB 155 169 74, RGB 173 186 98, RGB 188 199 127, RGB 203 211 156 and RGB 218 224 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188.1 198.8 127 shade: RGB 188.1 198.8 127, RGB 127 199 151 and RGB 179 127 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188.1 198.8 127 shade: RGB 188.1 198.8 127, RGB 127 189 199 and RGB 199 127 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188.1 198.8 127 shade: RGB 188.1 198.8 127, RGB 127 199 151, RGB 136 127 199 and RGB 199 127 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188.1 198.8 127 shade: RGB 188.1 198.8 127, RGB 127 199 172, RGB 136 127 199 and RGB 199 127 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

Complementary color

CMYK 48 / 56 / 0 / 50

HEX #423880

RGB 66.9 56.2 128

HSL 248.94, 0.39%, 0.36%

LAB 28.37, 24.42, -39.24

 

CMYK 3 / 0 / 39 / 22

HEX #C1C67A

RGB 193.1 198.8 122

HSL 64.45, 0.41%, 0.63%

LAB 78.18, -13.63, 37.78

 

CMYK 3 / 0 / 35 / 15

HEX #D2D88D

RGB 210.1 216.8 141

HSL 65.3, 0.5%, 0.7%

LAB 84.57, -13.87, 36.63

 

CMYK 3 / 0 / 32 / 8

HEX #E3EAA0

RGB 227.1 234.8 160

HSL 66.18, 0.65%, 0.77%

LAB 90.87, -14.08, 35.52

 

CMYK 3 / 0 / 29 / 1

HEX #F4FCB3

RGB 244.1 252.8 179

HSL 67.07, 0.94%, 0.85%

LAB 97.08, -14.25, 34.45

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 5 / 0 / 45 / 36

HEX #9AA259

RGB 154.1 162.8 89

HSL 67.07, 0.29%, 0.49%

LAB 64.74, -14.51, 37.14

 

CMYK 5 / 0 / 52 / 43

HEX #899046

RGB 137.1 144.8 70

HSL 66.18, 0.35%, 0.42%

LAB 58, -14.15, 38.35

 

CMYK 5 / 0 / 60 / 50

HEX #787E33

RGB 120.1 126.8 51

HSL 65.3, 0.43%, 0.35%

LAB 51.11, -13.66, 39.47

 

CMYK 6 / 0 / 36 / 22

HEX #BCC77F

RGB 188 199 127

HSL 69.17, 0.39%, 0.64%

LAB 77.92, -15.13, 34.82

 

CMYK 0 / 5 / 36 / 22

HEX #C7BE7F

RGB 199 190 127

HSL 52.5, 0.39%, 0.64%

LAB 76.38, -6.19, 32.98

 

CMYK 0 / 14 / 36 / 22

HEX #C7AB7F

RGB 199 171 127

HSL 36.67, 0.39%, 0.64%

LAB 71.42, 3.87, 26.44

 

CMYK 0 / 24 / 36 / 22

HEX #C7977F

RGB 199 151 127

HSL 20, 0.39%, 0.64%

LAB 66.37, 14.74, 19.61

 

CMYK 0 / 34 / 36 / 22

HEX #C7847F

RGB 199 132 127

HSL 4.17, 0.39%, 0.64%

LAB 61.81, 25.16, 13.29

 

CMYK 6 / 0 / 36 / 22

HEX #BCC77F

RGB 188 199 127

HSL 69.17, 0.39%, 0.64%

LAB 77.92, -15.13, 34.82

 

CMYK 15 / 0 / 36 / 22

HEX #A9C77F

RGB 169 199 127

HSL 85, 0.39%, 0.64%

LAB 76.57, -22.38, 32.8

 

CMYK 25 / 0 / 36 / 22

HEX #95C77F

RGB 149 199 127

HSL 101.67, 0.39%, 0.64%

LAB 75.31, -29.64, 30.91

 

CMYK 35 / 0 / 36 / 22

HEX #82C77F

RGB 130 199 127

HSL 117.5, 0.39%, 0.64%

LAB 74.27, -36.05, 29.35

 

CMYK 36 / 0 / 28 / 22

HEX #7FC78F

RGB 127 199 143

HSL 133.33, 0.39%, 0.64%

LAB 74.41, -34.29, 21.09

 

CMYK 6 / 0 / 36 / 22

HEX #BCC77F

RGB 188 199 127

HSL 69.17, 0.39%, 0.64%

LAB 77.92, -15.13, 34.82

 

CMYK 7 / 0 / 47 / 16

HEX #C6D570

RGB 198 213 112

HSL 68.91, 0.55%, 0.64%

LAB 82.25, -19.85, 47.88

 

CMYK 8 / 0 / 57 / 11

HEX #D1E461

RGB 209 228 97

HSL 68.7, 0.71%, 0.64%

LAB 86.95, -24.1, 60.43

 

CMYK 10 / 0 / 66 / 5

HEX #DBF352

RGB 219 243 82

HSL 68.94, 0.87%, 0.64%

LAB 91.58, -28.26, 71.66

 

CMYK 6 / 0 / 36 / 22

HEX #BCC77F

RGB 188 199 127

HSL 69.17, 0.39%, 0.64%

LAB 77.92, -15.13, 34.82

 

CMYK 4 / 0 / 23 / 28

HEX #B1B88E

RGB 177 184 142

HSL 70, 0.23%, 0.64%

LAB 73.27, -9.62, 20.57

 

CMYK 1 / 0 / 7 / 34

HEX #A7A99D

RGB 167 169 157

HSL 70, 0.07%, 0.64%

LAB 68.77, -2.92, 5.94

 

CMYK 8 / 10 / 0 / 33

HEX #9D9AAB

RGB 157 154 171

HSL 250.59, 0.09%, 0.64%

LAB 64.34, 4.46, -8.46

 

CMYK 22 / 25 / 0 / 27

HEX #928BBA

RGB 146 139 186

HSL 248.94, 0.25%, 0.64%

LAB 60, 12.66, -23.58

 

CMYK 0 / 15 / 36 / 22

HEX #C7AA7F

RGB 199 170 127

HSL 35.83, 0.39%, 0.64%

LAB 71.16, 4.41, 26.09

 

CMYK 0 / 5 / 36 / 22

HEX #C7BD7F

RGB 199 189 127

HSL 51.67, 0.39%, 0.64%

LAB 76.11, -5.66, 32.64

 

CMYK 5 / 0 / 36 / 22

HEX #BDC77F

RGB 189 199 127

HSL 68.33, 0.39%, 0.64%

LAB 77.99, -14.75, 34.93

 

CMYK 15 / 0 / 36 / 22

HEX #AAC77F

RGB 170 199 127

HSL 84.17, 0.39%, 0.64%

LAB 76.63, -22.01, 32.9

 

CMYK 24 / 0 / 36 / 22

HEX #97C77F

RGB 151 199 127

HSL 100, 0.39%, 0.64%

LAB 75.43, -28.94, 31.09

 

CMYK 8 / 0 / 56 / 34

HEX #9BA94A

RGB 155 169 74

HSL 68.84, 0.39%, 0.48%

LAB 66.4, -18.78, 46.52

 

CMYK 7 / 0 / 47 / 27

HEX #ADBA62

RGB 173 186 98

HSL 68.86, 0.39%, 0.56%

LAB 72.82, -17.75, 42.82

 

CMYK 6 / 0 / 36 / 22

HEX #BCC77F

RGB 188 199 127

HSL 69.17, 0.39%, 0.64%

LAB 77.92, -15.13, 34.82

 

CMYK 4 / 0 / 26 / 17

HEX #CBD39C

RGB 203 211 156

HSL 68.73, 0.38%, 0.72%

LAB 82.75, -11.71, 26.4

 

CMYK 3 / 0 / 18 / 12

HEX #DAE0B8

RGB 218 224 184

HSL 69, 0.39%, 0.8%

LAB 87.81, -8.72, 18.94

 

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

CMYK 36 / 0 / 24 / 22

HEX #7FC797

RGB 127 199 151

HSL 140, 0.39%, 0.64%

LAB 74.57, -32.81, 17.05

 

CMYK 10 / 36 / 0 / 22

HEX #B37FC7

RGB 179 127 199

HSL 283.33, 0.39%, 0.64%

LAB 60.68, 32.87, -29.62

 

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

CMYK 36 / 5 / 0 / 22

HEX #7FBDC7

RGB 127 189 199

HSL 188.33, 0.39%, 0.64%

LAB 72.91, -17.31, -11.36

 

CMYK 0 / 36 / 5 / 22

HEX #C77FBD

RGB 199 127 189

HSL 308.33, 0.39%, 0.64%

LAB 62.5, 37.34, -20.98

 

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

CMYK 36 / 0 / 24 / 22

HEX #7FC797

RGB 127 199 151

HSL 140, 0.39%, 0.64%

LAB 74.57, -32.81, 17.05

 

CMYK 32 / 36 / 0 / 22

HEX #887FC7

RGB 136 127 199

HSL 247.5, 0.39%, 0.64%

LAB 56.62, 19.88, -36.25

 

CMYK 0 / 36 / 12 / 22

HEX #C77FAF

RGB 199 127 175

HSL 320, 0.39%, 0.64%

LAB 62.01, 34.91, -13.78

 

CMYK 5 / 0 / 36 / 22

HEX #BCC67F

RGB 188.1 198.8 127

HSL 68.94, 0.39%, 0.64%

LAB 77.87, -14.99, 34.76

 

CMYK 36 / 0 / 14 / 22

HEX #7FC7AC

RGB 127 199 172

HSL 157.5, 0.39%, 0.64%

LAB 75.04, -28.57, 6.42

 

CMYK 32 / 36 / 0 / 22

HEX #887FC7

RGB 136 127 199

HSL 247.5, 0.39%, 0.64%

LAB 56.62, 19.88, -36.25

 

CMYK 0 / 36 / 23 / 22

HEX #C77F99

RGB 199 127 153

HSL 338.33, 0.39%, 0.64%

LAB 61.33, 31.43, -2.25

 

Description

Color code: RGB 188.1 198.8 127 | qconv.com Color code: RGB 188.1 198.8 127 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188.1 red, 198.8 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188.1 198.8 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 36 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 36% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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