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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171.1 180.8 108 it is the complementary color RGB 83.9 74.2 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171.1 180.8 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171.1 180.8 108 shade: RGB 176.1 180.8 103, RGB 193.1 198.8 122, RGB 210.1 216.8 141, RGB 227.1 234.8 160 and RGB 244.1 252.8 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171.1 180.8 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171.1 180.8 108 shade: RGB 171.1 180.8 108, RGB 154.1 162.8 89, RGB 137.1 144.8 70, RGB 120.1 126.8 51 and RGB 103.1 108.8 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171.1 180.8 108 shade: RGB 171 181 109, RGB 181 171 109, RGB 181 152 109, RGB 181 132 109 and RGB 181 113 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171.1 180.8 108 shade: RGB 171 181 109, RGB 152 181 109, RGB 132 181 109, RGB 113 181 109 and RGB 109 181 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171.1 180.8 108 shade matches the following richer shades: RGB 171 181 109, RGB 184 199 91, RGB 197 217 73, RGB 210 234 55 and RGB 223 252 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171.1 180.8 108 shade: RGB 171 181 109, RGB 158 163 126, RGB 145 146 144, RGB 132 128 162 and RGB 119 110 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171.1 180.8 108 shade: RGB 181 151 109, RGB 181 170 109, RGB 173 181 109, RGB 153 181 109 and RGB 134 181 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171.1 180.8 108 shade: RGB 129 138 69, RGB 154 165 83, RGB 171 181 109, RGB 187 195 136 and RGB 203 209 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171.1 180.8 108 shade: RGB 171.1 180.8 108, RGB 109 181 132 and RGB 161 109 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171.1 180.8 108 shade: RGB 171.1 180.8 108, RGB 109 173 181 and RGB 181 109 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171.1 180.8 108 shade: RGB 171.1 180.8 108, RGB 109 181 132, RGB 117 109 181 and RGB 181 109 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171.1 180.8 108 shade: RGB 171.1 180.8 108, RGB 109 181 153, RGB 117 109 181 and RGB 181 109 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

Complementary color

CMYK 43 / 50 / 0 / 42

HEX #534A93

RGB 83.9 74.2 147

HSL 247.99, 0.33%, 0.43%

LAB 35.81, 23.08, -38.94

 

CMYK 3 / 0 / 43 / 29

HEX #B0B467

RGB 176.1 180.8 103

HSL 63.62, 0.34%, 0.56%

LAB 71.68, -13.32, 38.97

 

CMYK 3 / 0 / 39 / 22

HEX #C1C67A

RGB 193.1 198.8 122

HSL 64.45, 0.41%, 0.63%

LAB 78.18, -13.63, 37.78

 

CMYK 3 / 0 / 35 / 15

HEX #D2D88D

RGB 210.1 216.8 141

HSL 65.3, 0.5%, 0.7%

LAB 84.57, -13.87, 36.63

 

CMYK 3 / 0 / 32 / 8

HEX #E3EAA0

RGB 227.1 234.8 160

HSL 66.18, 0.65%, 0.77%

LAB 90.87, -14.08, 35.52

 

CMYK 3 / 0 / 29 / 1

HEX #F4FCB3

RGB 244.1 252.8 179

HSL 67.07, 0.94%, 0.85%

LAB 97.08, -14.25, 34.45

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 5 / 0 / 45 / 36

HEX #9AA259

RGB 154.1 162.8 89

HSL 67.07, 0.29%, 0.49%

LAB 64.74, -14.51, 37.14

 

CMYK 5 / 0 / 52 / 43

HEX #899046

RGB 137.1 144.8 70

HSL 66.18, 0.35%, 0.42%

LAB 58, -14.15, 38.35

 

CMYK 5 / 0 / 60 / 50

HEX #787E33

RGB 120.1 126.8 51

HSL 65.3, 0.43%, 0.35%

LAB 51.11, -13.66, 39.47

 

CMYK 5 / 0 / 71 / 57

HEX #676C20

RGB 103.1 108.8 32

HSL 64.45, 0.55%, 0.28%

LAB 44.07, -12.98, 40.28

 

CMYK 6 / 0 / 40 / 29

HEX #ABB56D

RGB 171 181 109

HSL 68.33, 0.33%, 0.57%

LAB 71.43, -14.81, 35.49

 

CMYK 0 / 6 / 40 / 29

HEX #B5AB6D

RGB 181 171 109

HSL 51.67, 0.33%, 0.57%

LAB 69.51, -5.54, 33.21

 

CMYK 0 / 16 / 40 / 29

HEX #B5986D

RGB 181 152 109

HSL 35.83, 0.33%, 0.57%

LAB 64.47, 4.72, 26.65

 

CMYK 0 / 27 / 40 / 29

HEX #B5846D

RGB 181 132 109

HSL 19.17, 0.33%, 0.57%

LAB 59.37, 15.81, 19.82

 

CMYK 0 / 38 / 40 / 29

HEX #B5716D

RGB 181 113 109

HSL 3.33, 0.33%, 0.57%

LAB 54.8, 26.41, 13.55

 

CMYK 6 / 0 / 40 / 29

HEX #ABB56D

RGB 171 181 109

HSL 68.33, 0.33%, 0.57%

LAB 71.43, -14.81, 35.49

 

CMYK 16 / 0 / 40 / 29

HEX #98B56D

RGB 152 181 109

HSL 84.17, 0.33%, 0.57%

LAB 70.05, -22.25, 33.46

 

CMYK 27 / 0 / 40 / 29

HEX #84B56D

RGB 132 181 109

HSL 100.83, 0.33%, 0.57%

LAB 68.79, -29.66, 31.59

 

CMYK 38 / 0 / 40 / 29

HEX #71B56D

RGB 113 181 109

HSL 116.67, 0.33%, 0.57%

LAB 67.77, -36.12, 30.06

 

CMYK 40 / 0 / 31 / 29

HEX #6DB57C

RGB 109 181 124

HSL 132.5, 0.33%, 0.57%

LAB 67.84, -34.86, 22.15

 

CMYK 6 / 0 / 40 / 29

HEX #ABB56D

RGB 171 181 109

HSL 68.33, 0.33%, 0.57%

LAB 71.43, -14.81, 35.49

 

CMYK 8 / 0 / 54 / 22

HEX #B8C75B

RGB 184 199 91

HSL 68.33, 0.49%, 0.57%

LAB 77.16, -20.46, 51.51

 

CMYK 9 / 0 / 66 / 15

HEX #C5D949

RGB 197 217 73

HSL 68.33, 0.65%, 0.57%

LAB 82.9, -25.27, 65.68

 

CMYK 10 / 0 / 76 / 8

HEX #D2EA37

RGB 210 234 55

HSL 68.04, 0.81%, 0.57%

LAB 88.36, -28.96, 77.38

 

CMYK 12 / 0 / 85 / 1

HEX #DFFC26

RGB 223 252 38

HSL 68.13, 0.97%, 0.57%

LAB 94.08, -32.62, 86.79

 

CMYK 6 / 0 / 40 / 29

HEX #ABB56D

RGB 171 181 109

HSL 68.33, 0.33%, 0.57%

LAB 71.43, -14.81, 35.49

 

CMYK 3 / 0 / 23 / 36

HEX #9EA37E

RGB 158 163 126

HSL 68.11, 0.17%, 0.57%

LAB 65.73, -8.22, 18.67

 

CMYK 1 / 0 / 1 / 43

HEX #919290

RGB 145 146 144

HSL 90, 0.01%, 0.57%

LAB 60.42, -0.75, 0.92

 

CMYK 19 / 21 / 0 / 36

HEX #8480A2

RGB 132 128 162

HSL 247.06, 0.15%, 0.57%

LAB 55.02, 8.82, -17.56

 

CMYK 34 / 39 / 0 / 29

HEX #776EB4

RGB 119 110 180

HSL 247.71, 0.32%, 0.57%

LAB 49.94, 20.05, -35.94

 

CMYK 0 / 17 / 40 / 29

HEX #B5976D

RGB 181 151 109

HSL 35, 0.33%, 0.57%

LAB 64.21, 5.27, 26.3

 

CMYK 0 / 6 / 40 / 29

HEX #B5AA6D

RGB 181 170 109

HSL 50.83, 0.33%, 0.57%

LAB 69.24, -5.01, 32.86

 

CMYK 4 / 0 / 40 / 29

HEX #ADB56D

RGB 173 181 109

HSL 66.67, 0.33%, 0.57%

LAB 71.58, -14.01, 35.72

 

CMYK 15 / 0 / 40 / 29

HEX #99B56D

RGB 153 181 109

HSL 83.33, 0.33%, 0.57%

LAB 70.12, -21.86, 33.56

 

CMYK 26 / 0 / 40 / 29

HEX #86B56D

RGB 134 181 109

HSL 99.17, 0.33%, 0.57%

LAB 68.91, -28.94, 31.76

 

CMYK 7 / 0 / 50 / 46

HEX #818A45

RGB 129 138 69

HSL 67.83, 0.33%, 0.41%

LAB 55.35, -14.1, 35.55

 

CMYK 7 / 0 / 50 / 35

HEX #9AA553

RGB 154 165 83

HSL 68.05, 0.33%, 0.49%

LAB 65.28, -16.31, 40.83

 

CMYK 6 / 0 / 40 / 29

HEX #ABB56D

RGB 171 181 109

HSL 68.33, 0.33%, 0.57%

LAB 71.43, -14.81, 35.49

 

CMYK 4 / 0 / 30 / 24

HEX #BBC388

RGB 187 195 136

HSL 68.14, 0.33%, 0.65%

LAB 76.9, -12.34, 28.8

 

CMYK 3 / 0 / 22 / 18

HEX #CBD1A4

RGB 203 209 164

HSL 68, 0.33%, 0.73%

LAB 82.37, -9.55, 21.69

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 40 / 0 / 27 / 29

HEX #6DB584

RGB 109 181 132

HSL 139.17, 0.33%, 0.57%

LAB 67.99, -33.38, 18.04

 

CMYK 11 / 40 / 0 / 29

HEX #A16DB5

RGB 161 109 181

HSL 283.33, 0.33%, 0.57%

LAB 53.87, 33.53, -30.08

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 40 / 4 / 0 / 29

HEX #6DADB5

RGB 109 173 181

HSL 186.67, 0.33%, 0.57%

LAB 66.88, -18.37, -10.57

 

CMYK 0 / 40 / 4 / 29

HEX #B56DAD

RGB 181 109 173

HSL 306.67, 0.33%, 0.57%

LAB 55.87, 38.32, -22.18

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 40 / 0 / 27 / 29

HEX #6DB584

RGB 109 181 132

HSL 139.17, 0.33%, 0.57%

LAB 67.99, -33.38, 18.04

 

CMYK 35 / 40 / 0 / 29

HEX #756DB5

RGB 117 109 181

HSL 246.67, 0.33%, 0.57%

LAB 49.56, 20.37, -37.12

 

CMYK 0 / 40 / 13 / 29

HEX #B56D9E

RGB 181 109 158

HSL 319.17, 0.33%, 0.57%

LAB 55.31, 35.68, -14.34

 

CMYK 5 / 0 / 40 / 29

HEX #ABB46C

RGB 171.1 180.8 108

HSL 67.99, 0.33%, 0.57%

LAB 71.36, -14.78, 35.93

 

CMYK 40 / 0 / 15 / 29

HEX #6DB599

RGB 109 181 153

HSL 156.67, 0.33%, 0.57%

LAB 68.46, -29.08, 7.22

 

CMYK 35 / 40 / 0 / 29

HEX #756DB5

RGB 117 109 181

HSL 246.67, 0.33%, 0.57%

LAB 49.56, 20.37, -37.12

 

CMYK 0 / 40 / 25 / 29

HEX #B56D88

RGB 181 109 136

HSL 337.5, 0.33%, 0.57%

LAB 54.59, 32.2, -2.55

 

Description

Color code: RGB 171.1 180.8 108 | qconv.com Color code: RGB 171.1 180.8 108 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171.1 red, 180.8 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171.1 180.8 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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