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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 85 59 it is the complementary color RGB 68 170 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 85 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 85 59: RGB 192 85 54, RGB 209 103 73, RGB 226 121 92, RGB 243 139 111 and RGB 255 157 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 85 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 85 59: RGB 187 85 59, RGB 170 67 40, RGB 153 49 21, RGB 136 31 2 and RGB 119 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

Complementary color

CMYK 65 / 13 / 0 / 23

HEX #44AAC4

RGB 68 170 196

HSL 192.19, 0.52%, 0.52%

LAB 64.93, -21.3, -22

 

CMYK 0 / 56 / 72 / 25

HEX #C05536

RGB 192 85 54

HSL 13.48, 0.56%, 0.48%

LAB 49.46, 40.97, 38.46

 

CMYK 0 / 51 / 65 / 18

HEX #D16749

RGB 209 103 73

HSL 13.24, 0.6%, 0.55%

LAB 55.82, 39.51, 36.13

 

CMYK 0 / 46 / 59 / 11

HEX #E2795C

RGB 226 121 92

HSL 12.99, 0.7%, 0.62%

LAB 62.18, 38.12, 34.05

 

CMYK 0 / 43 / 54 / 5

HEX #F38B6F

RGB 243 139 111

HSL 12.73, 0.85%, 0.69%

LAB 68.51, 36.83, 32.18

 

CMYK 0 / 38 / 49 / 0

HEX #FF9D82

RGB 255 157 130

HSL 12.96, 1%, 0.75%

LAB 74.18, 33.74, 29.57

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 0 / 61 / 76 / 33

HEX #AA4328

RGB 170 67 40

HSL 12.46, 0.62%, 0.41%

LAB 42.33, 40.77, 37.21

 

CMYK 0 / 68 / 86 / 40

HEX #993115

RGB 153 49 21

HSL 12.73, 0.76%, 0.34%

LAB 36.03, 42.11, 39.78

 

CMYK 0 / 77 / 99 / 47

HEX #881F02

RGB 136 31 2

HSL 12.99, 0.97%, 0.27%

LAB 29.96, 42.99, 41.69

 

CMYK 0 / 89 / 100 / 53

HEX #770D00

RGB 119 13 0

HSL 6.55, 1%, 0.23%

LAB 24.35, 42.9, 36.21

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 0 / 44 / 69 / 27

HEX #BA693A

RGB 186 105 58

HSL 22.03, 0.52%, 0.48%

LAB 52.78, 28.37, 39.82

 

CMYK 0 / 32 / 69 / 27

HEX #BA7E3A

RGB 186 126 58

HSL 31.88, 0.52%, 0.48%

LAB 57.72, 16.81, 45.28

 

CMYK 0 / 21 / 69 / 27

HEX #BA933A

RGB 186 147 58

HSL 41.72, 0.52%, 0.48%

LAB 63.02, 5.21, 50.94

 

CMYK 0 / 9 / 69 / 27

HEX #BAA93A

RGB 186 169 58

HSL 52.03, 0.52%, 0.48%

LAB 68.84, -6.61, 56.95

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 0 / 55 / 68 / 7

HEX #EE6C4B

RGB 238 108 75

HSL 12.15, 0.83%, 0.61%

LAB 61.14, 48, 42.39

 

CMYK 0 / 56 / 68 / 87

HEX #220F0B

RGB 34 15 11

HSL 10.43, 0.51%, 0.09%

LAB 6.38, 8.97, 5.19

 

CMYK 0 / 54 / 68 / 67

HEX #55271B

RGB 85 39 27

HSL 12.41, 0.52%, 0.22%

LAB 21.8, 20.18, 17.68

 

CMYK 0 / 54 / 68 / 47

HEX #883E2B

RGB 136 62 43

HSL 12.26, 0.52%, 0.35%

LAB 35.7, 30.14, 26.5

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 27 / 0 / 69 / 27

HEX #87BA3A

RGB 135 186 58

HSL 83.91, 0.52%, 0.48%

LAB 69.88, -36.22, 56.81

 

CMYK 69 / 55 / 0 / 27

HEX #3A54BA

RGB 58 84 186

HSL 227.81, 0.52%, 0.48%

LAB 39.22, 24.65, -56.81

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 69 / 0 / 55 / 27

HEX #3ABA54

RGB 58 186 84

HSL 132.19, 0.52%, 0.48%

LAB 67.02, -56.03, 41.33

 

CMYK 55 / 69 / 0 / 27

HEX #543ABA

RGB 84 58 186

HSL 252.19, 0.52%, 0.48%

LAB 34.92, 44.8, -63.74

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 27 / 0 / 69 / 27

HEX #87BA3A

RGB 135 186 58

HSL 83.91, 0.52%, 0.48%

LAB 69.88, -36.22, 56.81

 

CMYK 69 / 14 / 0 / 27

HEX #3AA0BA

RGB 58 160 186

HSL 192.19, 0.52%, 0.48%

LAB 61.3, -20.79, -22

 

CMYK 41 / 69 / 0 / 27

HEX #6D3ABA

RGB 109 58 186

HSL 263.91, 0.52%, 0.48%

LAB 37.52, 49.25, -59.37

 

CMYK 0 / 55 / 68 / 27

HEX #BB553B

RGB 187 85 59

HSL 12.19, 0.52%, 0.48%

LAB 48.73, 39.33, 34.67

 

CMYK 48 / 0 / 69 / 27

HEX #60BA3A

RGB 96 186 58

HSL 102.19, 0.52%, 0.48%

LAB 67.95, -49.63, 54.21

 

CMYK 69 / 14 / 0 / 27

HEX #3AA0BA

RGB 58 160 186

HSL 192.19, 0.52%, 0.48%

LAB 61.3, -20.79, -22

 

CMYK 21 / 69 / 0 / 27

HEX #933ABA

RGB 147 58 186

HSL 281.72, 0.52%, 0.48%

LAB 42.42, 57.07, -51.21

 

Description

Color code: RGB 187 85 59 | qconv.com Color code: RGB 187 85 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 85 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 85 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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