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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 82 181 it is the complementary color RGB 68 173 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 82 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 82 181: RGB 192 82 176, RGB 209 100 195, RGB 226 118 214, RGB 243 136 233 and RGB 255 154 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 82 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 82 181: RGB 187 82 181, RGB 170 64 162, RGB 153 46 143, RGB 136 28 124 and RGB 119 10 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

Complementary color

CMYK 61 / 0 / 57 / 32

HEX #44AD4A

RGB 68 173 74

HSL 123.43, 0.44%, 0.47%

LAB 63.02, -50.5, 41.42

 

CMYK 0 / 57 / 8 / 25

HEX #C052B0

RGB 192 82 176

HSL 308.73, 0.47%, 0.54%

LAB 52.26, 55.75, -29.37

 

CMYK 0 / 52 / 7 / 18

HEX #D164C3

RGB 209 100 195

HSL 307.71, 0.54%, 0.61%

LAB 58.61, 55.27, -30.27

 

CMYK 0 / 48 / 5 / 11

HEX #E276D6

RGB 226 118 214

HSL 306.67, 0.65%, 0.67%

LAB 64.95, 54.66, -31.01

 

CMYK 0 / 44 / 4 / 5

HEX #F388E9

RGB 243 136 233

HSL 305.61, 0.82%, 0.74%

LAB 71.25, 53.99, -31.62

 

CMYK 0 / 40 / 1 / 0

HEX #FF9AFC

RGB 255 154 252

HSL 301.78, 1%, 0.8%

LAB 76.92, 51.8, -33.1

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 62 / 5 / 33

HEX #AA40A2

RGB 170 64 162

HSL 304.53, 0.45%, 0.46%

LAB 45.39, 55.46, -32.11

 

CMYK 0 / 70 / 7 / 40

HEX #992E8F

RGB 153 46 143

HSL 305.61, 0.54%, 0.39%

LAB 39.09, 55.28, -30.75

 

CMYK 0 / 79 / 9 / 47

HEX #881C7C

RGB 136 28 124

HSL 306.67, 0.66%, 0.32%

LAB 32.96, 54.31, -28.84

 

CMYK 0 / 92 / 12 / 53

HEX #770A69

RGB 119 10 105

HSL 307.71, 0.84%, 0.25%

LAB 27.18, 51.98, -26.06

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 56 / 12 / 27

HEX #BB52A5

RGB 187 82 165

HSL 312.57, 0.44%, 0.53%

LAB 51.05, 52.54, -24.86

 

CMYK 0 / 56 / 21 / 27

HEX #BB5293

RGB 187 82 147

HSL 322.86, 0.44%, 0.53%

LAB 50.34, 49.79, -15.32

 

CMYK 0 / 56 / 31 / 27

HEX #BB5281

RGB 187 82 129

HSL 333.14, 0.44%, 0.53%

LAB 49.72, 47.32, -5.51

 

CMYK 0 / 56 / 40 / 27

HEX #BB5270

RGB 187 82 112

HSL 342.86, 0.44%, 0.53%

LAB 49.22, 45.28, 3.98

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 56 / 3 / 7

HEX #EE68E6

RGB 238 104 230

HSL 303.58, 0.8%, 0.67%

LAB 64.8, 67.11, -40.04

 

CMYK 0 / 56 / 3 / 87

HEX #220F21

RGB 34 15 33

HSL 303.16, 0.39%, 0.1%

LAB 7.15, 13.49, -8.38

 

CMYK 0 / 56 / 4 / 67

HEX #552552

RGB 85 37 82

HSL 303.75, 0.39%, 0.24%

LAB 23.22, 29.29, -17.58

 

CMYK 0 / 56 / 3 / 47

HEX #883C84

RGB 136 60 132

HSL 303.16, 0.39%, 0.38%

LAB 38.08, 42.6, -25.78

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 42 / 56 / 27

HEX #BB6C52

RGB 187 108 82

HSL 14.86, 0.44%, 0.53%

LAB 53.92, 28.84, 28.07

 

CMYK 56 / 0 / 20 / 27

HEX #52BB96

RGB 82 187 150

HSL 158.86, 0.44%, 0.53%

LAB 69.14, -39.29, 9.69

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 3 / 0 / 56 / 27

HEX #B6BB52

RGB 182 187 82

HSL 62.86, 0.44%, 0.53%

LAB 73.61, -16.02, 51.56

 

CMYK 56 / 3 / 0 / 27

HEX #52B6BB

RGB 82 182 187

HSL 182.86, 0.44%, 0.53%

LAB 68.63, -27.51, -11.38

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 42 / 56 / 27

HEX #BB6C52

RGB 187 108 82

HSL 14.86, 0.44%, 0.53%

LAB 53.92, 28.84, 28.07

 

CMYK 56 / 0 / 53 / 27

HEX #52BB57

RGB 82 187 87

HSL 122.86, 0.44%, 0.53%

LAB 68.04, -50.79, 41.27

 

CMYK 56 / 14 / 0 / 27

HEX #52A1BB

RGB 82 161 187

HSL 194.86, 0.44%, 0.53%

LAB 62.4, -16.74, -20.8

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B5

RGB 187 82 181

HSL 303.43, 0.44%, 0.53%

LAB 51.76, 55.21, -33.11

 

CMYK 0 / 25 / 56 / 27

HEX #BB8C52

RGB 187 140 82

HSL 33.14, 0.44%, 0.53%

LAB 61.59, 11.17, 37.61

 

CMYK 56 / 0 / 53 / 27

HEX #52BB57

RGB 82 187 87

HSL 122.86, 0.44%, 0.53%

LAB 68.04, -50.79, 41.27

 

CMYK 56 / 31 / 0 / 27

HEX #5281BB

RGB 82 129 187

HSL 213.14, 0.44%, 0.53%

LAB 53.04, 1.29, -35.28

 

Description

Color code: RGB 187 82 181 | qconv.com Color code: RGB 187 82 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 82 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 82 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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