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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 54 53 it is the complementary color RGB 68 201 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 54 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 54 53: RGB 192 54 48, RGB 209 72 67, RGB 226 90 86, RGB 243 108 105 and RGB 255 126 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 54 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 54 53: RGB 187 54 53, RGB 170 36 34, RGB 153 18 15, RGB 136 0 0 and RGB 119 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

Complementary color

CMYK 66 / 0 / 0 / 21

HEX #44C9CA

RGB 68 201 202

HSL 180.45, 0.56%, 0.53%

LAB 74.36, -34.79, -11.05

 

CMYK 0 / 72 / 75 / 25

HEX #C03630

RGB 192 54 48

HSL 2.5, 0.6%, 0.47%

LAB 44.32, 54.24, 36.06

 

CMYK 0 / 66 / 68 / 18

HEX #D14843

RGB 209 72 67

HSL 2.11, 0.61%, 0.54%

LAB 50.21, 53.62, 32.77

 

CMYK 0 / 60 / 62 / 11

HEX #E25A56

RGB 226 90 86

HSL 1.71, 0.71%, 0.61%

LAB 56.24, 52.71, 29.93

 

CMYK 0 / 56 / 57 / 5

HEX #F36C69

RGB 243 108 105

HSL 1.3, 0.85%, 0.68%

LAB 62.34, 51.67, 27.49

 

CMYK 0 / 51 / 51 / 0

HEX #FF7E7C

RGB 255 126 124

HSL 0.92, 1%, 0.74%

LAB 67.75, 48.82, 24.3

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 0 / 79 / 80 / 33

HEX #AA2422

RGB 170 36 34

HSL 0.88, 0.67%, 0.4%

LAB 37.7, 52.95, 35.7

 

CMYK 0 / 88 / 90 / 40

HEX #99120F

RGB 153 18 15

HSL 1.3, 0.82%, 0.33%

LAB 32.35, 52.1, 39.59

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 0 / 60 / 72 / 27

HEX #BA4B34

RGB 186 75 52

HSL 10.3, 0.56%, 0.47%

LAB 46.6, 43.47, 36.08

 

CMYK 0 / 48 / 72 / 27

HEX #BA6134

RGB 186 97 52

HSL 20.15, 0.56%, 0.47%

LAB 50.96, 32.34, 40.91

 

CMYK 0 / 36 / 72 / 27

HEX #BA7734

RGB 186 119 52

HSL 30, 0.56%, 0.47%

LAB 55.97, 20.36, 46.28

 

CMYK 0 / 24 / 72 / 27

HEX #BA8E34

RGB 186 142 52

HSL 40.3, 0.56%, 0.47%

LAB 61.68, 7.63, 52.19

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 0 / 71 / 72 / 7

HEX #EE4543

RGB 238 69 67

HSL 0.7, 0.83%, 0.6%

LAB 54.91, 64.01, 39.56

 

CMYK 0 / 71 / 71 / 87

HEX #220A0A

RGB 34 10 10

HSL 0, 0.55%, 0.09%

LAB 5.23, 11.17, 3.93

 

CMYK 0 / 71 / 72 / 67

HEX #551918

RGB 85 25 24

HSL 0.98, 0.56%, 0.21%

LAB 18.77, 27.73, 15.94

 

CMYK 0 / 71 / 71 / 47

HEX #882727

RGB 136 39 39

HSL 0, 0.55%, 0.34%

LAB 31.42, 41.06, 23.83

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 72 / 43 / 0 / 27

HEX #346ABA

RGB 52 106 186

HSL 215.82, 0.56%, 0.47%

LAB 45.06, 9.6, -47.42

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 72 / 0 / 72 / 27

HEX #34BA34

RGB 52 186 52

HSL 120, 0.56%, 0.47%

LAB 66.59, -60.63, 54.69

 

CMYK 72 / 72 / 0 / 27

HEX #3434BA

RGB 52 52 186

HSL 240, 0.56%, 0.47%

LAB 31.19, 43.96, -69.95

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 14 / 0 / 72 / 27

HEX #A0BA34

RGB 160 186 52

HSL 71.64, 0.56%, 0.47%

LAB 71.45, -26.65, 61.15

 

CMYK 72 / 0 / 0 / 27

HEX #34BABA

RGB 52 186 186

HSL 180, 0.56%, 0.47%

LAB 69.04, -34.48, -10.31

 

CMYK 58 / 72 / 0 / 27

HEX #4F34BA

RGB 79 52 186

HSL 252.09, 0.56%, 0.47%

LAB 33.27, 47.3, -66.45

 

CMYK 0 / 71 / 72 / 27

HEX #BB3635

RGB 187 54 53

HSL 0.45, 0.56%, 0.47%

LAB 43.45, 52.85, 31.93

 

CMYK 36 / 0 / 72 / 27

HEX #77BA34

RGB 119 186 52

HSL 90, 0.56%, 0.47%

LAB 68.96, -42.52, 57.86

 

CMYK 72 / 0 / 0 / 27

HEX #34BABA

RGB 52 186 186

HSL 180, 0.56%, 0.47%

LAB 69.04, -34.48, -10.31

 

CMYK 36 / 72 / 0 / 27

HEX #7734BA

RGB 119 52 186

HSL 270, 0.56%, 0.47%

LAB 37.7, 54.04, -59.02

 

Description

Color code: RGB 187 54 53 | qconv.com Color code: RGB 187 54 53 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 54 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 54 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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