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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 22 163 it is the complementary color RGB 68 233 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 22 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 22 163: RGB 192 22 158, RGB 209 40 177, RGB 226 58 196, RGB 243 76 215 and RGB 255 94 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 22 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 22 163: RGB 187 22 163, RGB 170 4 144, RGB 153 0 125, RGB 136 0 106 and RGB 119 0 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

 

Complementary color

CMYK 71 / 0 / 61 / 9

HEX #44E95C

RGB 68 233 92

HSL 128.73, 0.79%, 0.59%

LAB 81.99, -69.34, 55.26

 

CMYK 0 / 89 / 18 / 25

HEX #C0169E

RGB 192 22 158

HSL 312, 0.79%, 0.42%

LAB 44.59, 72.32, -30.71

 

CMYK 0 / 81 / 15 / 18

HEX #D128B1

RGB 209 40 177

HSL 311.36, 0.68%, 0.49%

LAB 49.79, 74.75, -33.61

 

CMYK 0 / 74 / 13 / 11

HEX #E23AC4

RGB 226 58 196

HSL 310.71, 0.74%, 0.56%

LAB 55.26, 76.22, -35.88

 

CMYK 0 / 69 / 12 / 5

HEX #F34CD7

RGB 243 76 215

HSL 310.06, 0.87%, 0.63%

LAB 60.9, 77, -37.69

 

CMYK 0 / 63 / 8 / 0

HEX #FF5EEA

RGB 255 94 234

HSL 307.83, 1%, 0.68%

LAB 65.91, 76.09, -40.35

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 98 / 15 / 33

HEX #AA0490

RGB 170 4 144

HSL 309.4, 0.95%, 0.34%

LAB 38.98, 68.41, -31.32

 

CMYK 0 / 100 / 18 / 40

HEX #99007D

RGB 153 0 125

HSL 310.98, 1%, 0.3%

LAB 34.5, 63.13, -26.82

 

CMYK 0 / 100 / 22 / 47

HEX #88006A

RGB 136 0 106

HSL 313.24, 1%, 0.27%

LAB 30.1, 57.3, -21.89

 

CMYK 0 / 100 / 27 / 53

HEX #770057

RGB 119 0 87

HSL 316.13, 1%, 0.23%

LAB 25.59, 51.35, -16.73

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 89 / 27 / 27

HEX #BB1589

RGB 187 21 137

HSL 318.07, 0.8%, 0.41%

LAB 42.62, 68.85, -21.11

 

CMYK 0 / 89 / 41 / 27

HEX #BB156E

RGB 187 21 110

HSL 327.83, 0.8%, 0.41%

LAB 41.57, 65.99, -5.99

 

CMYK 0 / 89 / 56 / 27

HEX #BB1552

RGB 187 21 82

HSL 337.95, 0.8%, 0.41%

LAB 40.75, 63.69, 10.51

 

CMYK 0 / 89 / 71 / 27

HEX #BB1536

RGB 187 21 54

HSL 348.07, 0.8%, 0.41%

LAB 40.19, 62.1, 27.46

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 88 / 13 / 7

HEX #EE1CCF

RGB 238 28 207

HSL 308.86, 0.86%, 0.52%

LAB 55.6, 86.61, -41.52

 

CMYK 0 / 88 / 12 / 87

HEX #22041E

RGB 34 4 30

HSL 308, 0.79%, 0.07%

LAB 4.7, 17.99, -9.77

 

CMYK 0 / 88 / 13 / 67

HEX #550A4A

RGB 85 10 74

HSL 308.8, 0.79%, 0.19%

LAB 18.55, 39.54, -19.47

 

CMYK 0 / 88 / 13 / 47

HEX #881077

RGB 136 16 119

HSL 308.5, 0.79%, 0.3%

LAB 31.66, 56.52, -27.73

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 59 / 89 / 27

HEX #BB4D15

RGB 187 77 21

HSL 20.24, 0.8%, 0.41%

LAB 46.88, 41.82, 51.14

 

CMYK 89 / 0 / 24 / 27

HEX #15BB8F

RGB 21 187 143

HSL 164.1, 0.8%, 0.41%

LAB 67.79, -49.4, 11.42

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 12 / 0 / 89 / 27

HEX #A5BB15

RGB 165 187 21

HSL 67.95, 0.8%, 0.41%

LAB 71.96, -26.21, 70.17

 

CMYK 89 / 12 / 0 / 27

HEX #15A5BB

RGB 21 165 187

HSL 187.95, 0.8%, 0.41%

LAB 62.22, -26.77, -21.21

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 59 / 89 / 27

HEX #BB4D15

RGB 187 77 21

HSL 20.24, 0.8%, 0.41%

LAB 46.88, 41.82, 51.14

 

CMYK 89 / 0 / 77 / 27

HEX #15BB2B

RGB 21 187 43

HSL 127.95, 0.8%, 0.41%

LAB 66.42, -65.43, 57.53

 

CMYK 89 / 29 / 0 / 27

HEX #1584BB

RGB 21 132 187

HSL 199.88, 0.8%, 0.41%

LAB 52.12, -9, -36.85

 

CMYK 0 / 88 / 13 / 27

HEX #BB16A3

RGB 187 22 163

HSL 308.73, 0.79%, 0.41%

LAB 43.92, 71.99, -34.82

Pantone® 247 C

CMYK 0 / 33 / 89 / 27

HEX #BB7E15

RGB 187 126 21

HSL 37.95, 0.8%, 0.41%

LAB 57.6, 15.81, 59.54

 

CMYK 89 / 0 / 77 / 27

HEX #15BB2B

RGB 21 187 43

HSL 127.95, 0.8%, 0.41%

LAB 66.42, -65.43, 57.53

 

CMYK 89 / 56 / 0 / 27

HEX #1552BB

RGB 21 82 187

HSL 217.95, 0.8%, 0.41%

LAB 37.45, 22.5, -60.33

 

Description

Color code: RGB 187 22 163 | qconv.com Color code: RGB 187 22 163 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 22 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 22 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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Sherwin Williams® to CMYK

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