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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 221 110 it is the complementary color RGB 68 34 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 221 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 221 110: RGB 192 221 105, RGB 209 239 124, RGB 226 255 143, RGB 243 255 162 and RGB 255 255 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 221 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 221 110: RGB 187 221 110, RGB 170 203 91, RGB 153 185 72, RGB 136 167 53 and RGB 119 149 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

Complementary color

CMYK 53 / 77 / 0 / 43

HEX #442291

RGB 68 34 145

HSL 258.38, 0.62%, 0.35%

LAB 25.01, 42.98, -55.28

 

CMYK 13 / 0 / 52 / 13

HEX #C0DD69

RGB 192 221 105

HSL 75, 0.63%, 0.64%

LAB 83.93, -26.73, 53.08

 

CMYK 13 / 0 / 48 / 6

HEX #D1EF7C

RGB 209 239 124

HSL 75.65, 0.78%, 0.71%

LAB 90.2, -26.96, 52

 

CMYK 11 / 0 / 44 / 0

HEX #E2FF8F

RGB 226 255 143

HSL 75.54, 1%, 0.78%

LAB 95.86, -26.19, 50.23

 

CMYK 5 / 0 / 36 / 0

HEX #F3FFA2

RGB 243 255 162

HSL 67.74, 1%, 0.82%

LAB 97.3, -17.78, 43.14

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 16 / 0 / 55 / 20

HEX #AACB5B

RGB 170 203 91

HSL 77.68, 0.52%, 0.58%

LAB 77.29, -27.97, 51.41

 

CMYK 17 / 0 / 61 / 27

HEX #99B948

RGB 153 185 72

HSL 76.99, 0.45%, 0.5%

LAB 70.83, -27.68, 52.35

 

CMYK 19 / 0 / 68 / 35

HEX #88A735

RGB 136 167 53

HSL 76.32, 0.52%, 0.43%

LAB 64.26, -27.27, 53.03

 

CMYK 20 / 0 / 77 / 42

HEX #779522

RGB 119 149 34

HSL 75.65, 0.63%, 0.36%

LAB 57.59, -26.68, 53.13

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 24 / 0 / 50 / 13

HEX #A9DD6E

RGB 169 221 110

HSL 88.11, 0.62%, 0.65%

LAB 82.53, -34.89, 48.72

 

CMYK 32 / 0 / 50 / 13

HEX #96DD6E

RGB 150 221 110

HSL 98.38, 0.62%, 0.65%

LAB 81.47, -41.57, 47.19

 

CMYK 40 / 0 / 50 / 13

HEX #84DD6E

RGB 132 221 110

HSL 108.11, 0.62%, 0.65%

LAB 80.6, -47.42, 45.93

 

CMYK 48 / 0 / 50 / 13

HEX #72DD6E

RGB 114 221 110

HSL 117.84, 0.62%, 0.65%

LAB 79.85, -52.69, 44.84

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 18 / 0 / 53 / 93

HEX #0E1108

RGB 14 17 8

HSL 80, 0.36%, 0.05%

LAB 4.62, -2.5, 3.59

 

CMYK 15 / 0 / 50 / 73

HEX #3A4422

RGB 58 68 34

HSL 77.65, 0.33%, 0.2%

LAB 27.16, -10.65, 19.19

 

CMYK 15 / 0 / 50 / 53

HEX #65773B

RGB 101 119 59

HSL 78, 0.34%, 0.35%

LAB 47.33, -17.02, 30.61

 

CMYK 15 / 0 / 50 / 33

HEX #90AA55

RGB 144 170 85

HSL 78.35, 0.33%, 0.5%

LAB 66.01, -22.72, 40.53

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 50 / 0 / 25 / 13

HEX #6EDDA5

RGB 110 221 165

HSL 149.73, 0.62%, 0.65%

LAB 80.6, -44.57, 17.92

 

CMYK 5 / 50 / 0 / 13

HEX #D26EDD

RGB 210 110 221

HSL 294.05, 0.62%, 0.65%

LAB 61.72, 55.3, -40.11

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 50 / 15 / 0 / 13

HEX #6EBBDD

RGB 110 187 221

HSL 198.38, 0.62%, 0.65%

LAB 72.28, -14.61, -24.39

 

CMYK 0 / 50 / 15 / 13

HEX #DD6EBB

RGB 221 110 187

HSL 318.38, 0.62%, 0.65%

LAB 61.75, 52.72, -20.75

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 50 / 0 / 25 / 13

HEX #6EDDA5

RGB 110 221 165

HSL 149.73, 0.62%, 0.65%

LAB 80.6, -44.57, 17.92

 

CMYK 35 / 50 / 0 / 13

HEX #8F6EDD

RGB 143 110 221

HSL 257.84, 0.62%, 0.65%

LAB 54.25, 37.45, -52.4

 

CMYK 0 / 50 / 25 / 13

HEX #DD6EA5

RGB 221 110 165

HSL 330.27, 0.62%, 0.65%

LAB 60.99, 49.53, -9.31

 

CMYK 15 / 0 / 50 / 13

HEX #BBDD6E

RGB 187 221 110

HSL 78.38, 0.62%, 0.65%

LAB 83.65, -28.18, 50.34

 

CMYK 50 / 0 / 10 / 13

HEX #6EDDC6

RGB 110 221 198

HSL 167.57, 0.62%, 0.65%

LAB 81.35, -37.33, 1.54

 

CMYK 35 / 50 / 0 / 13

HEX #8F6EDD

RGB 143 110 221

HSL 257.84, 0.62%, 0.65%

LAB 54.25, 37.45, -52.4

 

CMYK 0 / 50 / 40 / 13

HEX #DD6E84

RGB 221 110 132

HSL 348.11, 0.62%, 0.65%

LAB 60.06, 45.47, 8.37

 

Description

Color code: RGB 187 221 110 | qconv.com Color code: RGB 187 221 110 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 221 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 221 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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