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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 211 210 it is the complementary color RGB 68 44 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 211 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 211 210: RGB 192 211 205, RGB 209 229 224, RGB 226 247 243, RGB 243 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 211 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 211 210: RGB 187 211 210, RGB 170 193 191, RGB 153 175 172, RGB 136 157 153 and RGB 119 139 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

Complementary color

CMYK 0 / 35 / 34 / 73

HEX #442C2D

RGB 68 44 45

HSL 357.5, 0.21%, 0.22%

LAB 20.9, 11.27, 3.86

 

CMYK 9 / 0 / 3 / 17

HEX #C0D3CD

RGB 192 211 205

HSL 161.05, 0.18%, 0.79%

LAB 83.02, -7.52, 0.78

 

CMYK 9 / 0 / 2 / 10

HEX #D1E5E0

RGB 209 229 224

HSL 165, 0.28%, 0.86%

LAB 89.38, -7.55, 0.16

 

CMYK 9 / 0 / 2 / 3

HEX #E2F7F3

RGB 226 247 243

HSL 168.57, 0.57%, 0.93%

LAB 95.65, -7.58, -0.44

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 12 / 0 / 1 / 24

HEX #AAC1BF

RGB 170 193 191

HSL 174.78, 0.16%, 0.71%

LAB 76.34, -8.18, -1.65

 

CMYK 13 / 0 / 2 / 31

HEX #99AFAC

RGB 153 175 172

HSL 171.82, 0.12%, 0.64%

LAB 69.76, -8.19, -1.04

 

CMYK 13 / 0 / 3 / 38

HEX #889D99

RGB 136 157 153

HSL 168.57, 0.1%, 0.57%

LAB 63.05, -8.2, -0.41

 

CMYK 14 / 0 / 4 / 45

HEX #778B86

RGB 119 139 134

HSL 165, 0.08%, 0.51%

LAB 56.2, -8.23, 0.25

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 11 / 1 / 0 / 18

HEX #BBCFD2

RGB 187 207 210

HSL 187.83, 0.2%, 0.78%

LAB 81.75, -6.11, -3.79

 

CMYK 11 / 3 / 0 / 18

HEX #BBCCD2

RGB 187 204 210

HSL 195.65, 0.2%, 0.78%

LAB 80.96, -4.55, -4.95

 

CMYK 11 / 5 / 0 / 18

HEX #BBC8D2

RGB 187 200 210

HSL 206.09, 0.2%, 0.78%

LAB 79.91, -2.44, -6.51

 

CMYK 11 / 7 / 0 / 18

HEX #BBC4D2

RGB 187 196 210

HSL 216.52, 0.2%, 0.78%

LAB 78.87, -0.32, -8.06

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 14 / 0 / 0 / 97

HEX #060707

RGB 6 7 7

HSL 180, 0.08%, 0.03%

LAB 1.86, -0.26, -0.09

 

CMYK 12 / 0 / 0 / 77

HEX #333A3A

RGB 51 58 58

HSL 180, 0.06%, 0.21%

LAB 23.79, -2.93, -1.01

 

CMYK 11 / 0 / 1 / 57

HEX #616D6C

RGB 97 109 108

HSL 175, 0.06%, 0.4%

LAB 45.03, -4.74, -0.99

 

CMYK 11 / 0 / 1 / 37

HEX #8EA09F

RGB 142 160 159

HSL 176.67, 0.09%, 0.59%

LAB 64.48, -6.52, -1.64

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 10 / 11 / 0 / 18

HEX #BEBBD2

RGB 190 187 210

HSL 247.83, 0.2%, 0.78%

LAB 76.76, 5.49, -11.16

 

CMYK 0 / 5 / 11 / 18

HEX #D2C8BB

RGB 210 200 187

HSL 33.91, 0.2%, 0.78%

LAB 81.07, 1.26, 7.73

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 0 / 11 / 0 / 18

HEX #D1BBD2

RGB 209 187 210

HSL 297.39, 0.2%, 0.78%

LAB 78.32, 11.88, -8.69

 

CMYK 0 / 0 / 11 / 18

HEX #D2D1BB

RGB 210 209 187

HSL 57.39, 0.2%, 0.78%

LAB 83.38, -3.44, 11.04

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 10 / 11 / 0 / 18

HEX #BEBBD2

RGB 190 187 210

HSL 247.83, 0.2%, 0.78%

LAB 76.76, 5.49, -11.16

 

CMYK 0 / 11 / 10 / 18

HEX #D2BBBC

RGB 210 187 188

HSL 357.39, 0.2%, 0.78%

LAB 77.8, 8.33, 2.48

 

CMYK 1 / 0 / 11 / 18

HEX #CFD2BB

RGB 207 210 187

HSL 67.83, 0.2%, 0.78%

LAB 83.41, -5.03, 11.05

 

CMYK 11 / 0 / 0 / 17

HEX #BBD3D2

RGB 187 211 210

HSL 177.5, 0.21%, 0.78%

LAB 82.81, -8.19, -2.24

 

CMYK 6 / 11 / 0 / 18

HEX #C5BBD2

RGB 197 187 210

HSL 266.09, 0.2%, 0.78%

LAB 77.32, 7.82, -10.28

 

CMYK 0 / 11 / 10 / 18

HEX #D2BBBC

RGB 210 187 188

HSL 357.39, 0.2%, 0.78%

LAB 77.8, 8.33, 2.48

 

CMYK 5 / 0 / 11 / 18

HEX #C8D2BB

RGB 200 210 187

HSL 86.09, 0.2%, 0.78%

LAB 82.89, -7.5, 10.23

 

Description

Color code: RGB 187 211 210 | qconv.com Color code: RGB 187 211 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 211 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 211 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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