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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 206 91 it is the complementary color RGB 68 49 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 206 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 206 91: RGB 192 206 86, RGB 209 224 105, RGB 226 242 124, RGB 243 255 143 and RGB 255 255 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 206 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 206 91: RGB 187 206 91, RGB 170 188 72, RGB 153 170 53, RGB 136 152 34 and RGB 119 134 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

Complementary color

CMYK 59 / 70 / 0 / 36

HEX #4431A4

RGB 68 49 164

HSL 249.91, 0.54%, 0.42%

LAB 29.68, 40.59, -59.24

 

CMYK 7 / 0 / 58 / 19

HEX #C0CE56

RGB 192 206 86

HSL 67, 0.55%, 0.57%

LAB 79.63, -21.07, 56.72

 

CMYK 7 / 0 / 53 / 12

HEX #D1E069

RGB 209 224 105

HSL 67.56, 0.66%, 0.65%

LAB 85.95, -21.52, 55.73

 

CMYK 7 / 0 / 49 / 5

HEX #E2F27C

RGB 226 242 124

HSL 68.14, 0.82%, 0.72%

LAB 92.19, -21.89, 54.66

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF8F

RGB 243 255 143

HSL 66.43, 1%, 0.78%

LAB 97.05, -19.8, 51.96

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 10 / 0 / 62 / 26

HEX #AABC48

RGB 170 188 72

HSL 69.31, 0.46%, 0.51%

LAB 72.88, -22.24, 54.94

 

CMYK 10 / 0 / 69 / 33

HEX #99AA35

RGB 153 170 53

HSL 68.72, 0.52%, 0.44%

LAB 66.35, -21.66, 55.54

 

CMYK 11 / 0 / 78 / 40

HEX #889822

RGB 136 152 34

HSL 68.14, 0.63%, 0.36%

LAB 59.71, -20.9, 55.56

 

CMYK 11 / 0 / 89 / 47

HEX #77860F

RGB 119 134 15

HSL 67.56, 0.8%, 0.29%

LAB 52.96, -19.9, 54.39

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 18 / 0 / 56 / 20

HEX #A9CD5A

RGB 169 205 90

HSL 78.78, 0.53%, 0.58%

LAB 77.78, -29.4, 52.41

 

CMYK 27 / 0 / 56 / 20

HEX #95CD5A

RGB 149 205 90

HSL 89.22, 0.53%, 0.58%

LAB 76.55, -36.93, 50.68

 

CMYK 37 / 0 / 56 / 20

HEX #82CD5A

RGB 130 205 90

HSL 99.13, 0.53%, 0.58%

LAB 75.54, -43.57, 49.25

 

CMYK 46 / 0 / 56 / 20

HEX #6FCD5A

RGB 111 205 90

HSL 109.04, 0.53%, 0.58%

LAB 74.69, -49.58, 48.03

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 9 / 0 / 57 / 79

HEX #303517

RGB 48 53 23

HSL 70, 0.39%, 0.15%

LAB 20.97, -7.79, 18.07

 

CMYK 10 / 0 / 56 / 59

HEX #5E682E

RGB 94 104 46

HSL 70.34, 0.39%, 0.29%

LAB 41.97, -13.34, 30.98

 

CMYK 9 / 0 / 56 / 39

HEX #8D9B44

RGB 141 155 68

HSL 69.66, 0.39%, 0.44%

LAB 61.24, -18.01, 43.19

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 56 / 0 / 37 / 20

HEX #5ACD82

RGB 90 205 130

HSL 140.87, 0.53%, 0.58%

LAB 74.48, -49.26, 27.77

 

CMYK 14 / 56 / 0 / 20

HEX #B05ACD

RGB 176 90 205

HSL 284.87, 0.53%, 0.58%

LAB 52.89, 52.96, -45.26

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 56 / 8 / 0 / 20

HEX #5ABCCD

RGB 90 188 205

HSL 188.87, 0.53%, 0.58%

LAB 71.25, -23.87, -17.3

 

CMYK 0 / 56 / 8 / 20

HEX #CD5ABC

RGB 205 90 188

HSL 308.87, 0.53%, 0.58%

LAB 56.01, 57.66, -30.35

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 56 / 0 / 37 / 20

HEX #5ACD82

RGB 90 205 130

HSL 140.87, 0.53%, 0.58%

LAB 74.48, -49.26, 27.77

 

CMYK 48 / 56 / 0 / 20

HEX #6B5ACD

RGB 107 90 205

HSL 248.87, 0.53%, 0.58%

LAB 45.42, 36.26, -57.64

 

CMYK 0 / 56 / 20 / 20

HEX #CD5AA5

RGB 205 90 165

HSL 320.87, 0.53%, 0.58%

LAB 55.08, 54.12, -18.46

 

CMYK 9 / 0 / 56 / 19

HEX #BBCE5B

RGB 187 206 91

HSL 69.91, 0.54%, 0.58%

LAB 79.31, -22.69, 54.03

 

CMYK 56 / 0 / 20 / 20

HEX #5ACDA5

RGB 90 205 165

HSL 159.13, 0.53%, 0.58%

LAB 75.17, -42.13, 10.19

 

CMYK 48 / 56 / 0 / 20

HEX #6B5ACD

RGB 107 90 205

HSL 248.87, 0.53%, 0.58%

LAB 45.42, 36.26, -57.64

 

CMYK 0 / 56 / 37 / 20

HEX #CD5A82

RGB 205 90 130

HSL 339.13, 0.53%, 0.58%

LAB 53.92, 49.54, 0.4

 

Description

Color code: RGB 187 206 91 | qconv.com Color code: RGB 187 206 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 206 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 206 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 56 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 56% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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