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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 181 122 it is the complementary color RGB 68 74 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 181 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 181 122: RGB 192 181 117, RGB 209 199 136, RGB 226 217 155, RGB 243 235 174 and RGB 255 253 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 181 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 181 122: RGB 187 181 122, RGB 170 163 103, RGB 153 145 84, RGB 136 127 65 and RGB 119 109 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

Complementary color

CMYK 49 / 44 / 0 / 48

HEX #444A85

RGB 68 74 133

HSL 234.46, 0.32%, 0.39%

LAB 33.61, 14.64, -33.97

 

CMYK 0 / 6 / 39 / 25

HEX #C0B575

RGB 192 181 117

HSL 51.2, 0.37%, 0.61%

LAB 73.25, -5.44, 34.02

 

CMYK 0 / 5 / 35 / 18

HEX #D1C788

RGB 209 199 136

HSL 51.78, 0.44%, 0.68%

LAB 79.72, -5.84, 32.84

 

CMYK 0 / 4 / 31 / 11

HEX #E2D99B

RGB 226 217 155

HSL 52.39, 0.55%, 0.75%

LAB 86.09, -6.18, 31.71

 

CMYK 0 / 3 / 28 / 5

HEX #F3EBAE

RGB 243 235 174

HSL 53.04, 0.74%, 0.82%

LAB 92.37, -6.48, 30.64

 

CMYK 0 / 1 / 24 / 0

HEX #FFFDC1

RGB 255 253 193

HSL 58.06, 1%, 0.88%

LAB 98.18, -8.56, 29.04

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 0 / 4 / 39 / 33

HEX #AAA367

RGB 170 163 103

HSL 53.73, 0.28%, 0.54%

LAB 66.31, -6.48, 32.07

 

CMYK 0 / 5 / 45 / 40

HEX #999154

RGB 153 145 84

HSL 53.04, 0.29%, 0.46%

LAB 59.58, -6.02, 33.33

 

CMYK 0 / 7 / 52 / 47

HEX #887F41

RGB 136 127 65

HSL 52.39, 0.35%, 0.39%

LAB 52.72, -5.43, 34.62

 

CMYK 0 / 8 / 61 / 53

HEX #776D2E

RGB 119 109 46

HSL 51.78, 0.44%, 0.32%

LAB 45.71, -4.67, 35.87

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 2 / 0 / 34 / 27

HEX #B7BB7B

RGB 183 187 123

HSL 63.75, 0.32%, 0.61%

LAB 74.21, -11.45, 32

 

CMYK 8 / 0 / 34 / 27

HEX #ACBB7B

RGB 172 187 123

HSL 74.06, 0.32%, 0.61%

LAB 73.38, -15.75, 30.75

 

CMYK 14 / 0 / 34 / 27

HEX #A1BB7B

RGB 161 187 123

HSL 84.38, 0.32%, 0.61%

LAB 72.59, -19.96, 29.57

 

CMYK 19 / 0 / 34 / 27

HEX #97BB7B

RGB 151 187 123

HSL 93.75, 0.32%, 0.61%

LAB 71.93, -23.68, 28.57

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 0 / 3 / 35 / 7

HEX #EEE69B

RGB 238 230 155

HSL 54.22, 0.71%, 0.77%

LAB 90.38, -8.16, 37.56

 

CMYK 0 / 3 / 35 / 87

HEX #222116

RGB 34 33 22

HSL 55, 0.21%, 0.11%

LAB 12.52, -1.88, 7.64

 

CMYK 0 / 4 / 35 / 67

HEX #555237

RGB 85 82 55

HSL 54, 0.21%, 0.27%

LAB 34.48, -3.58, 16.32

 

CMYK 0 / 3 / 35 / 47

HEX #888459

RGB 136 132 89

HSL 54.89, 0.21%, 0.44%

LAB 54.51, -5.5, 23.8

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 34 / 0 / 30 / 27

HEX #7BBB82

RGB 123 187 130

HSL 126.56, 0.32%, 0.61%

LAB 70.43, -32.23, 22.56

 

CMYK 17 / 34 / 0 / 27

HEX #9B7BBB

RGB 155 123 187

HSL 270, 0.32%, 0.61%

LAB 56.8, 24.99, -29.01

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 34 / 0 / 3 / 27

HEX #7BBBB5

RGB 123 187 181

HSL 174.38, 0.32%, 0.61%

LAB 71.61, -21.74, -3.47

 

CMYK 3 / 34 / 0 / 27

HEX #B57BBB

RGB 181 123 187

HSL 294.38, 0.32%, 0.61%

LAB 59.51, 33.3, -24.62

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 34 / 0 / 30 / 27

HEX #7BBB82

RGB 123 187 130

HSL 126.56, 0.32%, 0.61%

LAB 70.43, -32.23, 22.56

 

CMYK 34 / 30 / 0 / 27

HEX #7B82BB

RGB 123 130 187

HSL 233.44, 0.32%, 0.61%

LAB 55.85, 11.17, -30.7

 

CMYK 0 / 34 / 3 / 27

HEX #BB7BB5

RGB 187 123 181

HSL 305.63, 0.32%, 0.61%

LAB 59.95, 34.12, -20.46

 

CMYK 0 / 3 / 35 / 27

HEX #BBB57A

RGB 187 181 122

HSL 54.46, 0.32%, 0.61%

LAB 72.9, -6.86, 30.87

 

CMYK 34 / 0 / 20 / 27

HEX #7BBB95

RGB 123 187 149

HSL 144.38, 0.32%, 0.61%

LAB 70.82, -28.7, 12.85

 

CMYK 34 / 30 / 0 / 27

HEX #7B82BB

RGB 123 130 187

HSL 233.44, 0.32%, 0.61%

LAB 55.85, 11.17, -30.7

 

CMYK 0 / 34 / 14 / 27

HEX #BB7BA1

RGB 187 123 161

HSL 324.38, 0.32%, 0.61%

LAB 59.25, 30.6, -10.06

 

Description

Color code: RGB 187 181 122 | qconv.com Color code: RGB 187 181 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 181 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 181 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 35 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 35% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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