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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 177 150 it is the complementary color RGB 68 78 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 177 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 177 150: RGB 192 177 145, RGB 209 195 164, RGB 226 213 183, RGB 243 231 202 and RGB 255 249 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 177 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 177 150: RGB 187 177 150, RGB 170 159 131, RGB 153 141 112, RGB 136 123 93 and RGB 119 105 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

Complementary color

CMYK 35 / 26 / 0 / 59

HEX #444E69

RGB 68 78 105

HSL 223.78, 0.21%, 0.34%

LAB 33.35, 3.26, -16.93

 

CMYK 0 / 8 / 24 / 25

HEX #C0B191

RGB 192 177 145

HSL 40.85, 0.27%, 0.66%

LAB 72.69, 0.27, 18.34

 

CMYK 0 / 7 / 22 / 18

HEX #D1C3A4

RGB 209 195 164

HSL 41.33, 0.33%, 0.73%

LAB 79.19, -0.05, 17.37

 

CMYK 0 / 6 / 19 / 11

HEX #E2D5B7

RGB 226 213 183

HSL 41.86, 0.43%, 0.8%

LAB 85.59, -0.33, 16.45

 

CMYK 0 / 5 / 17 / 5

HEX #F3E7CA

RGB 243 231 202

HSL 42.44, 0.63%, 0.87%

LAB 91.9, -0.58, 15.58

 

CMYK 0 / 2 / 13 / 0

HEX #FFF9DD

RGB 255 249 221

HSL 49.41, 1%, 0.93%

LAB 97.73, -2.56, 14.15

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 0 / 6 / 23 / 33

HEX #AA9F83

RGB 170 159 131

HSL 43.08, 0.19%, 0.59%

LAB 65.73, -0.62, 16.08

 

CMYK 0 / 8 / 27 / 40

HEX #998D70

RGB 153 141 112

HSL 42.44, 0.17%, 0.52%

LAB 58.97, -0.29, 17.12

 

CMYK 0 / 10 / 32 / 47

HEX #887B5D

RGB 136 123 93

HSL 41.86, 0.19%, 0.45%

LAB 52.05, 0.11, 18.25

 

CMYK 0 / 12 / 38 / 53

HEX #77694A

RGB 119 105 74

HSL 41.33, 0.23%, 0.38%

LAB 44.97, 0.6, 19.48

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 0 / 2 / 19 / 27

HEX #BAB696

RGB 186 182 150

HSL 53.33, 0.21%, 0.66%

LAB 73.61, -3.95, 16.83

 

CMYK 1 / 0 / 19 / 27

HEX #B8BA96

RGB 184 186 150

HSL 63.33, 0.21%, 0.66%

LAB 74.51, -6.82, 18.06

 

CMYK 4 / 0 / 19 / 27

HEX #B2BA96

RGB 178 186 150

HSL 73.33, 0.21%, 0.66%

LAB 74.05, -9.07, 17.35

 

CMYK 8 / 0 / 19 / 27

HEX #ACBA96

RGB 172 186 150

HSL 83.33, 0.21%, 0.66%

LAB 73.6, -11.29, 16.66

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 0 / 5 / 20 / 7

HEX #EEE1BF

RGB 238 225 191

HSL 43.4, 0.58%, 0.84%

LAB 89.76, -0.94, 18.25

 

CMYK 0 / 6 / 21 / 87

HEX #22201B

RGB 34 32 27

HSL 42.86, 0.11%, 0.12%

LAB 12.3, -0.19, 3.74

 

CMYK 0 / 6 / 20 / 67

HEX #555044

RGB 85 80 68

HSL 42.35, 0.11%, 0.3%

LAB 34.16, -0.25, 7.82

 

CMYK 0 / 5 / 20 / 47

HEX #88816D

RGB 136 129 109

HSL 44.44, 0.11%, 0.48%

LAB 54.07, -0.88, 11.8

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 18 / 0 / 19 / 27

HEX #99BA96

RGB 153 186 150

HSL 115, 0.21%, 0.66%

LAB 72.29, -18.13, 14.63

 

CMYK 13 / 19 / 0 / 27

HEX #A196BA

RGB 161 150 186

HSL 258.33, 0.21%, 0.66%

LAB 64.11, 11.26, -17.2

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 19 / 0 / 5 / 27

HEX #96BAB0

RGB 150 186 176

HSL 163.33, 0.21%, 0.66%

LAB 72.72, -14.15, 1.06

 

CMYK 5 / 19 / 0 / 27

HEX #B096BA

RGB 176 150 186

HSL 283.33, 0.21%, 0.66%

LAB 65.43, 16.31, -15.08

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 18 / 0 / 19 / 27

HEX #99BA96

RGB 153 186 150

HSL 115, 0.21%, 0.66%

LAB 72.29, -18.13, 14.63

 

CMYK 19 / 14 / 0 / 27

HEX #96A0BA

RGB 150 160 186

HSL 223.33, 0.21%, 0.66%

LAB 65.88, 2.04, -14.6

 

CMYK 2 / 19 / 0 / 27

HEX #B796BA

RGB 183 150 186

HSL 295, 0.21%, 0.66%

LAB 66.08, 18.7, -14.03

 

CMYK 0 / 5 / 20 / 27

HEX #BBB196

RGB 187 177 150

HSL 43.78, 0.21%, 0.66%

LAB 72.37, -0.91, 15.11

 

CMYK 19 / 0 / 16 / 27

HEX #96BA9D

RGB 150 186 157

HSL 131.67, 0.21%, 0.66%

LAB 72.25, -17.89, 10.75

 

CMYK 19 / 14 / 0 / 27

HEX #96A0BA

RGB 150 160 186

HSL 223.33, 0.21%, 0.66%

LAB 65.88, 2.04, -14.6

 

CMYK 0 / 19 / 4 / 27

HEX #BA96B2

RGB 186 150 178

HSL 313.33, 0.21%, 0.66%

LAB 66.11, 18.23, -9.47

 

Description

Color code: RGB 187 177 150 | qconv.com Color code: RGB 187 177 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 177 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 177 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 20 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 20% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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