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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 171 142 it is the complementary color RGB 68 84 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 171 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 171 142: RGB 192 171 137, RGB 209 189 156, RGB 226 207 175, RGB 243 225 194 and RGB 255 243 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 171 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 171 142: RGB 187 171 142, RGB 170 153 123, RGB 153 135 104, RGB 136 117 85 and RGB 119 99 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

Complementary color

CMYK 40 / 26 / 0 / 56

HEX #445471

RGB 68 84 113

HSL 218.67, 0.25%, 0.35%

LAB 35.52, 1.82, -18.58

 

CMYK 0 / 11 / 29 / 25

HEX #C0AB89

RGB 192 171 137

HSL 37.09, 0.3%, 0.65%

LAB 70.97, 2.37, 20.31

 

CMYK 0 / 10 / 25 / 18

HEX #D1BD9C

RGB 209 189 156

HSL 37.36, 0.37%, 0.72%

LAB 77.49, 1.97, 19.28

 

CMYK 0 / 8 / 23 / 11

HEX #E2CFAF

RGB 226 207 175

HSL 37.65, 0.47%, 0.79%

LAB 83.91, 1.62, 18.31

 

CMYK 0 / 7 / 20 / 5

HEX #F3E1C2

RGB 243 225 194

HSL 37.96, 0.67%, 0.86%

LAB 90.23, 1.31, 17.4

 

CMYK 0 / 5 / 16 / 0

HEX #FFF3D5

RGB 255 243 213

HSL 42.86, 1%, 0.92%

LAB 96.07, -0.75, 15.91

NCS® S0507-Y20R

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 0 / 10 / 28 / 33

HEX #AA997B

RGB 170 153 123

HSL 38.3, 0.22%, 0.57%

LAB 63.96, 1.5, 18.07

 

CMYK 0 / 12 / 32 / 40

HEX #998768

RGB 153 135 104

HSL 37.96, 0.19%, 0.5%

LAB 57.17, 1.94, 19.19

 

CMYK 0 / 14 / 38 / 47

HEX #887555

RGB 136 117 85

HSL 37.65, 0.23%, 0.43%

LAB 50.23, 2.47, 20.4

 

CMYK 0 / 17 / 45 / 53

HEX #776342

RGB 119 99 66

HSL 37.36, 0.29%, 0.36%

LAB 43.12, 3.13, 21.73

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 0 / 5 / 24 / 26

HEX #BCB38F

RGB 188 179 143

HSL 48, 0.25%, 0.65%

LAB 72.84, -2.63, 19.57

 

CMYK 0 / 1 / 24 / 26

HEX #BCBA8F

RGB 188 186 143

HSL 57.33, 0.25%, 0.65%

LAB 74.69, -6.32, 22.12

 

CMYK 3 / 0 / 24 / 26

HEX #B6BC8F

RGB 182 188 143

HSL 68, 0.25%, 0.65%

LAB 74.76, -9.66, 22.13

 

CMYK 7 / 0 / 24 / 26

HEX #AEBC8F

RGB 174 188 143

HSL 78.67, 0.25%, 0.65%

LAB 74.16, -12.68, 21.21

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 0 / 8 / 24 / 7

HEX #EEDAB5

RGB 238 218 181

HSL 38.95, 0.63%, 0.82%

LAB 87.8, 1.23, 20.73

 

CMYK 0 / 9 / 24 / 87

HEX #221F1A

RGB 34 31 26

HSL 37.5, 0.13%, 0.12%

LAB 11.92, 0.32, 3.93

 

CMYK 0 / 8 / 24 / 67

HEX #554E41

RGB 85 78 65

HSL 39, 0.13%, 0.29%

LAB 33.48, 0.46, 8.75

 

CMYK 0 / 9 / 24 / 47

HEX #887C67

RGB 136 124 103

HSL 38.18, 0.14%, 0.47%

LAB 52.54, 1.01, 13.14

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 20 / 0 / 24 / 26

HEX #96BC8F

RGB 150 188 143

HSL 110.67, 0.25%, 0.65%

LAB 72.52, -21.4, 18.69

 

CMYK 19 / 24 / 0 / 26

HEX #998FBC

RGB 153 143 188

HSL 253.33, 0.25%, 0.65%

LAB 61.7, 13.07, -22.06

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 24 / 0 / 9 / 26

HEX #8FBCAB

RGB 143 188 171

HSL 157.33, 0.25%, 0.65%

LAB 72.72, -18.47, 3.74

 

CMYK 9 / 24 / 0 / 26

HEX #AB8FBC

RGB 171 143 188

HSL 277.33, 0.25%, 0.65%

LAB 63.29, 18.98, -19.49

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 20 / 0 / 24 / 26

HEX #96BC8F

RGB 150 188 143

HSL 110.67, 0.25%, 0.65%

LAB 72.52, -21.4, 18.69

 

CMYK 24 / 15 / 0 / 26

HEX #8F9FBC

RGB 143 159 188

HSL 218.67, 0.25%, 0.65%

LAB 65.17, 0.83, -16.84

 

CMYK 4 / 24 / 0 / 26

HEX #B48FBC

RGB 180 143 188

HSL 289.33, 0.25%, 0.65%

LAB 64.14, 21.99, -18.11

 

CMYK 0 / 9 / 24 / 27

HEX #BBAB8E

RGB 187 171 142

HSL 38.67, 0.25%, 0.65%

LAB 70.62, 1.12, 17.04

 

CMYK 24 / 0 / 21 / 26

HEX #8FBC95

RGB 143 188 149

HSL 128, 0.25%, 0.65%

LAB 72.21, -22.75, 14.97

 

CMYK 24 / 15 / 0 / 26

HEX #8F9FBC

RGB 143 159 188

HSL 218.67, 0.25%, 0.65%

LAB 65.17, 0.83, -16.84

 

CMYK 0 / 24 / 3 / 26

HEX #BC8FB6

RGB 188 143 182

HSL 308, 0.25%, 0.65%

LAB 64.73, 23.57, -13.76

 

Description

Color code: RGB 187 171 142 | qconv.com Color code: RGB 187 171 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 171 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 171 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 24 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 24% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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