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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 159 67 it is the complementary color RGB 68 96 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 159 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 159 67: RGB 192 159 62, RGB 209 177 81, RGB 226 195 100, RGB 243 213 119 and RGB 255 231 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 159 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 159 67: RGB 187 159 67, RGB 170 141 48, RGB 153 123 29, RGB 136 105 10 and RGB 119 87 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

Complementary color

CMYK 64 / 49 / 0 / 26

HEX #4460BC

RGB 68 96 188

HSL 226, 0.47%, 0.5%

LAB 43.1, 19.27, -51.68

 

CMYK 0 / 17 / 68 / 25

HEX #C09F3E

RGB 192 159 62

HSL 44.77, 0.51%, 0.5%

LAB 66.79, 1.56, 53.32

 

CMYK 0 / 15 / 61 / 18

HEX #D1B151

RGB 209 177 81

HSL 45, 0.58%, 0.57%

LAB 73.28, 0.49, 52.29

 

CMYK 0 / 14 / 56 / 11

HEX #E2C364

RGB 226 195 100

HSL 45.24, 0.68%, 0.64%

LAB 79.68, -0.41, 51.12

 

CMYK 0 / 12 / 51 / 5

HEX #F3D577

RGB 243 213 119

HSL 45.48, 0.84%, 0.71%

LAB 85.99, -1.19, 49.9

 

CMYK 0 / 9 / 46 / 0

HEX #FFE78A

RGB 255 231 138

HSL 47.69, 1%, 0.77%

LAB 91.8, -3.83, 48.06

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 0 / 17 / 72 / 33

HEX #AA8D30

RGB 170 141 48

HSL 45.74, 0.56%, 0.43%

LAB 59.72, 0.84, 51.35

 

CMYK 0 / 20 / 81 / 40

HEX #997B1D

RGB 153 123 29

HSL 45.48, 0.68%, 0.36%

LAB 52.98, 2.24, 51.66

 

CMYK 0 / 23 / 93 / 47

HEX #88690A

RGB 136 105 10

HSL 45.24, 0.86%, 0.29%

LAB 46.12, 3.98, 50.66

 

CMYK 0 / 27 / 100 / 53

HEX #775700

RGB 119 87 0

HSL 43.87, 1%, 0.23%

LAB 39.14, 6.12, 47.2

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 0 / 4 / 64 / 27

HEX #BBB343

RGB 187 179 67

HSL 56, 0.47%, 0.5%

LAB 71.7, -10.87, 56.21

 

CMYK 6 / 0 / 64 / 27

HEX #AFBB43

RGB 175 187 67

HSL 66, 0.47%, 0.5%

LAB 72.93, -20.02, 57.21

 

CMYK 17 / 0 / 64 / 27

HEX #9BBB43

RGB 155 187 67

HSL 76, 0.47%, 0.5%

LAB 71.5, -28.22, 55.26

 

CMYK 28 / 0 / 64 / 27

HEX #87BB43

RGB 135 187 67

HSL 86, 0.47%, 0.5%

LAB 70.24, -36.01, 53.54

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 0 / 15 / 64 / 7

HEX #EECA55

RGB 238 202 85

HSL 45.88, 0.82%, 0.63%

LAB 82.42, -0.07, 61.31

 

CMYK 0 / 15 / 65 / 87

HEX #221D0C

RGB 34 29 12

HSL 46.36, 0.48%, 0.09%

LAB 10.89, -0.6, 11.24

 

CMYK 0 / 15 / 65 / 67

HEX #55481E

RGB 85 72 30

HSL 45.82, 0.48%, 0.23%

LAB 31.02, -0.34, 26.75

 

CMYK 0 / 15 / 64 / 47

HEX #887431

RGB 136 116 49

HSL 46.21, 0.47%, 0.36%

LAB 49.43, -0.58, 38.99

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 62 / 0 / 64 / 27

HEX #47BB43

RGB 71 187 67

HSL 118, 0.47%, 0.5%

LAB 67.49, -55.78, 49.74

 

CMYK 41 / 64 / 0 / 27

HEX #6F43BB

RGB 111 67 187

HSL 262, 0.47%, 0.5%

LAB 39.55, 45.19, -56.66

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 64 / 0 / 15 / 27

HEX #43BB9F

RGB 67 187 159

HSL 166, 0.47%, 0.5%

LAB 68.92, -40.05, 4.4

 

CMYK 15 / 64 / 0 / 27

HEX #9F43BB

RGB 159 67 187

HSL 286, 0.47%, 0.5%

LAB 45.6, 56.02, -46.61

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 62 / 0 / 64 / 27

HEX #47BB43

RGB 71 187 67

HSL 118, 0.47%, 0.5%

LAB 67.49, -55.78, 49.74

 

CMYK 64 / 49 / 0 / 27

HEX #435FBB

RGB 67 95 187

HSL 226, 0.47%, 0.5%

LAB 42.71, 19.38, -51.73

 

CMYK 2 / 64 / 0 / 27

HEX #B743BB

RGB 183 67 187

HSL 298, 0.47%, 0.5%

LAB 49.09, 61.76, -40.84

 

CMYK 0 / 15 / 64 / 27

HEX #BB9F43

RGB 187 159 67

HSL 46, 0.47%, 0.5%

LAB 66.34, -0.31, 50.47

 

CMYK 64 / 0 / 47 / 27

HEX #43BB63

RGB 67 187 99

HSL 136, 0.47%, 0.5%

LAB 67.75, -52.44, 34.85

 

CMYK 64 / 49 / 0 / 27

HEX #435FBB

RGB 67 95 187

HSL 226, 0.47%, 0.5%

LAB 42.71, 19.38, -51.73

 

CMYK 0 / 64 / 17 / 27

HEX #BB439B

RGB 187 67 155

HSL 316, 0.47%, 0.5%

LAB 48.19, 57.65, -23.37

 

Description

Color code: RGB 187 159 67 | qconv.com Color code: RGB 187 159 67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 159 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 159 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 64 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 64% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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