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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 141 210 it is the complementary color RGB 68 114 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 141 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 141 210: RGB 192 141 205, RGB 209 159 224, RGB 226 177 243, RGB 243 195 255 and RGB 255 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 141 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 141 210: RGB 187 141 210, RGB 170 123 191, RGB 153 105 172, RGB 136 87 153 and RGB 119 69 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

Complementary color

CMYK 40 / 0 / 61 / 55

HEX #44722D

RGB 68 114 45

HSL 100, 0.43%, 0.31%

LAB 43.44, -29.36, 32.76

 

CMYK 6 / 31 / 0 / 20

HEX #C08DCD

RGB 192 141 205

HSL 287.81, 0.39%, 0.68%

LAB 65.49, 30.46, -25.47

 

CMYK 7 / 29 / 0 / 12

HEX #D19FE0

RGB 209 159 224

HSL 286.15, 0.51%, 0.75%

LAB 72.05, 29.8, -25.77

 

CMYK 7 / 27 / 0 / 5

HEX #E2B1F3

RGB 226 177 243

HSL 284.55, 0.73%, 0.82%

LAB 78.51, 29.18, -26.06

 

CMYK 5 / 24 / 0 / 0

HEX #F3C3FF

RGB 243 195 255

HSL 288, 1%, 0.88%

LAB 84.64, 27.27, -22.99

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 11 / 36 / 0 / 25

HEX #AA7BBF

RGB 170 123 191

HSL 281.47, 0.35%, 0.62%

LAB 58.48, 30.6, -28.57

 

CMYK 11 / 39 / 0 / 33

HEX #9969AC

RGB 153 105 172

HSL 282.99, 0.29%, 0.54%

LAB 51.67, 31.36, -28.35

 

CMYK 11 / 43 / 0 / 40

HEX #885799

RGB 136 87 153

HSL 284.55, 0.28%, 0.47%

LAB 44.73, 32.17, -28.11

 

CMYK 11 / 49 / 0 / 47

HEX #774586

RGB 119 69 134

HSL 286.15, 0.32%, 0.4%

LAB 37.66, 33, -27.83

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 5 / 33 / 0 / 18

HEX #C68DD1

RGB 198 141 209

HSL 290.29, 0.43%, 0.69%

LAB 66.26, 33.17, -26.46

 

CMYK 0 / 33 / 0 / 18

HEX #D18DD1

RGB 209 141 209

HSL 300, 0.43%, 0.69%

LAB 67.43, 36.68, -24.56

 

CMYK 0 / 33 / 5 / 18

HEX #D18DC6

RGB 209 141 198

HSL 309.71, 0.43%, 0.69%

LAB 67.04, 34.68, -19.03

 

CMYK 0 / 33 / 11 / 18

HEX #D18DBB

RGB 209 141 187

HSL 319.41, 0.43%, 0.69%

LAB 66.67, 32.76, -13.44

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 17 / 33 / 0 / 98

HEX #050406

RGB 5 4 6

HSL 270, 0.2%, 0.02%

LAB 1.19, 0.54, -0.67

 

CMYK 11 / 33 / 0 / 78

HEX #332639

RGB 51 38 57

HSL 281.05, 0.2%, 0.19%

LAB 17.39, 10.43, -9.92

 

CMYK 11 / 32 / 0 / 58

HEX #60496C

RGB 96 73 108

HSL 279.43, 0.19%, 0.35%

LAB 34.67, 16.95, -16.56

 

CMYK 11 / 33 / 0 / 38

HEX #8E6B9F

RGB 142 107 159

HSL 280.38, 0.21%, 0.52%

LAB 50.42, 23.81, -22.79

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 0 / 33 / 28 / 18

HEX #D18D97

RGB 209 141 151

HSL 351.18, 0.43%, 0.69%

LAB 65.62, 27.21, 5.28

 

CMYK 33 / 0 / 23 / 18

HEX #8DD1A0

RGB 141 209 160

HSL 136.76, 0.43%, 0.69%

LAB 78.35, -31.56, 17.63

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 0 / 11 / 33 / 18

HEX #D1BB8D

RGB 209 187 141

HSL 40.59, 0.43%, 0.69%

LAB 76.69, 1.04, 26.19

 

CMYK 33 / 0 / 11 / 18

HEX #8DD1BB

RGB 141 209 187

HSL 160.59, 0.43%, 0.69%

LAB 78.96, -26.19, 4.1

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 0 / 33 / 28 / 18

HEX #D18D97

RGB 209 141 151

HSL 351.18, 0.43%, 0.69%

LAB 65.62, 27.21, 5.28

 

CMYK 22 / 0 / 33 / 18

HEX #A4D18D

RGB 164 209 141

HSL 99.71, 0.43%, 0.69%

LAB 79.28, -27.1, 29.08

 

CMYK 33 / 0 / 4 / 18

HEX #8DD1C8

RGB 141 209 200

HSL 172.06, 0.43%, 0.69%

LAB 79.29, -23.33, -2.37

 

CMYK 11 / 33 / 0 / 18

HEX #BB8DD2

RGB 187 141 210

HSL 280, 0.43%, 0.69%

LAB 65.17, 29.89, -28.78

 

CMYK 0 / 27 / 33 / 18

HEX #D1998D

RGB 209 153 141

HSL 10.59, 0.43%, 0.69%

LAB 68.21, 19.34, 14.56

 

CMYK 22 / 0 / 33 / 18

HEX #A4D18D

RGB 164 209 141

HSL 99.71, 0.43%, 0.69%

LAB 79.28, -27.1, 29.08

 

CMYK 33 / 5 / 0 / 18

HEX #8DC6D1

RGB 141 198 209

HSL 189.71, 0.43%, 0.69%

LAB 76.47, -15.67, -11.4

 

Description

Color code: RGB 187 141 210 | qconv.com Color code: RGB 187 141 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 141 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 141 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 33 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 33% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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