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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 129 207 it is the complementary color RGB 68 126 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 129 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 129 207: RGB 192 129 202, RGB 209 147 221, RGB 226 165 240, RGB 243 183 255 and RGB 255 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 129 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 129 207: RGB 187 129 207, RGB 170 111 188, RGB 153 93 169, RGB 136 75 150 and RGB 119 57 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

Complementary color

CMYK 46 / 0 / 62 / 51

HEX #447E30

RGB 68 126 48

HSL 104.62, 0.45%, 0.34%

LAB 47.45, -34.5, 35.88

 

CMYK 5 / 36 / 0 / 21

HEX #C081CA

RGB 192 129 202

HSL 291.78, 0.41%, 0.65%

LAB 62.65, 36.45, -28.15

 

CMYK 5 / 33 / 0 / 13

HEX #D193DD

RGB 209 147 221

HSL 290.27, 0.52%, 0.72%

LAB 69.21, 35.73, -28.47

 

CMYK 6 / 31 / 0 / 6

HEX #E2A5F0

RGB 226 165 240

HSL 288.8, 0.71%, 0.79%

LAB 75.68, 35.04, -28.77

 

CMYK 5 / 28 / 0 / 0

HEX #F3B7FF

RGB 243 183 255

HSL 290, 1%, 0.86%

LAB 81.92, 33.63, -27.15

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 10 / 41 / 0 / 26

HEX #AA6FBC

RGB 170 111 188

HSL 285.97, 0.36%, 0.59%

LAB 55.63, 36.67, -31.28

 

CMYK 9 / 45 / 0 / 34

HEX #995DA9

RGB 153 93 169

HSL 287.37, 0.31%, 0.51%

LAB 48.84, 37.47, -31

 

CMYK 9 / 50 / 0 / 41

HEX #884B96

RGB 136 75 150

HSL 288.8, 0.33%, 0.44%

LAB 41.95, 38.27, -30.66

 

CMYK 9 / 56 / 0 / 49

HEX #773983

RGB 119 57 131

HSL 290.27, 0.39%, 0.37%

LAB 34.98, 38.99, -30.2

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 4 / 38 / 0 / 19

HEX #C781CF

RGB 199 129 207

HSL 293.85, 0.45%, 0.66%

LAB 63.63, 39.61, -29.39

 

CMYK 0 / 38 / 2 / 19

HEX #CF81CA

RGB 207 129 202

HSL 303.85, 0.45%, 0.66%

LAB 64.35, 41.18, -25.4

 

CMYK 0 / 38 / 9 / 19

HEX #CF81BD

RGB 207 129 189

HSL 313.85, 0.45%, 0.66%

LAB 63.87, 38.88, -18.82

 

CMYK 0 / 38 / 15 / 19

HEX #CF81B0

RGB 207 129 176

HSL 323.85, 0.45%, 0.66%

LAB 63.43, 36.72, -12.13

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 0 / 33 / 0 / 99

HEX #030203

RGB 3 2 3

HSL 300, 0.2%, 0.01%

LAB 0.63, 0.4, -0.29

 

CMYK 9 / 37 / 0 / 79

HEX #312236

RGB 49 34 54

HSL 285, 0.23%, 0.17%

LAB 15.82, 11.65, -10.25

 

CMYK 10 / 38 / 0 / 59

HEX #5F4169

RGB 95 65 105

HSL 285, 0.24%, 0.33%

LAB 32.33, 20.9, -18.28

 

CMYK 10 / 38 / 0 / 39

HEX #8D619C

RGB 141 97 156

HSL 284.75, 0.23%, 0.5%

LAB 47.77, 28.65, -25.12

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 0 / 38 / 35 / 19

HEX #CF8186

RGB 207 129 134

HSL 356.15, 0.45%, 0.66%

LAB 62.24, 30.72, 10.06

 

CMYK 38 / 0 / 25 / 19

HEX #81CF9B

RGB 129 207 155

HSL 140, 0.45%, 0.66%

LAB 77.08, -35.18, 18.42

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 0 / 10 / 38 / 19

HEX #CFBA81

RGB 207 186 129

HSL 43.85, 0.45%, 0.66%

LAB 76.05, -0.67, 31.64

 

CMYK 38 / 0 / 10 / 19

HEX #81CFBA

RGB 129 207 186

HSL 163.85, 0.45%, 0.66%

LAB 77.78, -28.81, 2.86

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 0 / 38 / 35 / 19

HEX #CF8186

RGB 207 129 134

HSL 356.15, 0.45%, 0.66%

LAB 62.24, 30.72, 10.06

 

CMYK 28 / 0 / 38 / 19

HEX #96CF81

RGB 150 207 129

HSL 103.85, 0.45%, 0.66%

LAB 77.69, -32.78, 33.02

 

CMYK 38 / 0 / 2 / 19

HEX #81CFCA

RGB 129 207 202

HSL 176.15, 0.45%, 0.66%

LAB 78.2, -25.13, -5.12

 

CMYK 10 / 38 / 0 / 19

HEX #BB81CF

RGB 187 129 207

HSL 284.62, 0.45%, 0.66%

LAB 62.31, 35.9, -31.53

 

CMYK 0 / 29 / 38 / 19

HEX #CF9381

RGB 207 147 129

HSL 13.85, 0.45%, 0.66%

LAB 66.3, 20.34, 18.55

 

CMYK 28 / 0 / 38 / 19

HEX #96CF81

RGB 150 207 129

HSL 103.85, 0.45%, 0.66%

LAB 77.69, -32.78, 33.02

 

CMYK 38 / 9 / 0 / 19

HEX #81BDCF

RGB 129 189 207

HSL 193.85, 0.45%, 0.66%

LAB 73.26, -14.76, -15.18

 

Description

Color code: RGB 187 129 207 | qconv.com Color code: RGB 187 129 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 129 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 129 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 38 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 38% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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