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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187.3 108.4 59 it is the complementary color RGB 67.7 146.6 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187.3 108.4 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187.3 108.4 59 shade: RGB 192.3 108.4 54, RGB 209.3 126.4 73, RGB 226.3 144.4 92, RGB 243.3 162.4 111 and RGB 255 180.4 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187.3 108.4 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187.3 108.4 59 shade: RGB 187.3 108.4 59, RGB 170.3 90.4 40, RGB 153.3 72.4 21, RGB 136.3 54.4 2 and RGB 119.3 36.4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187.3 108.4 59 shade: RGB 186 108 59, RGB 186 73 59 and RGB 186 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187.3 108.4 59 shade: RGB 186 108 59, RGB 186 142 59, RGB 186 176 59, RGB 161 186 59 and RGB 127 186 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187.3 108.4 59 shade matches the following richer shades: RGB 186 108 59, RGB 206 103 39 and RGB 226 99 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187.3 108.4 59 shade: RGB 186 108 59, RGB 166 112 79, RGB 146 117 98, RGB 127 121 118 and RGB 107 126 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187.3 108.4 59 shade: RGB 186 59 78, RGB 186 74 59, RGB 186 108 59, RGB 186 141 59 and RGB 186 175 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187.3 108.4 59 shade: RGB 123 71 39, RGB 155 90 49, RGB 186 108 59, RGB 201 130 85 and RGB 211 153 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187.3 108.4 59 shade: RGB 187.3 108.4 59, RGB 112 186 59 and RGB 59 61 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187.3 108.4 59 shade: RGB 187.3 108.4 59, RGB 59 186 108 and RGB 108 59 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187.3 108.4 59 shade: RGB 187.3 108.4 59, RGB 112 186 59, RGB 59 137 186 and RGB 133 59 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187.3 108.4 59 shade: RGB 187.3 108.4 59, RGB 74 186 59, RGB 59 137 186 and RGB 171 59 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

Complementary color

CMYK 65 / 25 / 0 / 23

HEX #4392C4

RGB 67.7 146.6 196

HSL 203.1, 0.52%, 0.52%

LAB 57.99, -8.7, -32.71

 

CMYK 0 / 44 / 72 / 25

HEX #C06C36

RGB 192.3 108.4 54

HSL 23.6, 0.56%, 0.48%

LAB 54.37, 28.93, 43.85

 

CMYK 0 / 40 / 65 / 18

HEX #D17E49

RGB 209.3 126.4 73

HSL 23.51, 0.6%, 0.55%

LAB 60.87, 27.35, 42.09

 

CMYK 0 / 36 / 59 / 11

HEX #E2905C

RGB 226.3 144.4 92

HSL 23.41, 0.7%, 0.62%

LAB 67.32, 25.95, 40.39

 

CMYK 0 / 33 / 54 / 5

HEX #F3A26F

RGB 243.3 162.4 111

HSL 23.31, 0.85%, 0.69%

LAB 73.7, 24.72, 38.78

 

CMYK 0 / 29 / 49 / 0

HEX #FFB482

RGB 255 180.4 130

HSL 24.19, 1%, 0.75%

LAB 79.43, 21.53, 36.43

 

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

CMYK 0 / 47 / 77 / 33

HEX #AA5A28

RGB 170.3 90.4 40

HSL 23.21, 0.62%, 0.41%

LAB 47.12, 28.82, 42.2

 

CMYK 0 / 53 / 86 / 40

HEX #994815

RGB 153.3 72.4 21

HSL 23.31, 0.76%, 0.34%

LAB 40.48, 30.73, 43.65

 

CMYK 0 / 60 / 99 / 47

HEX #883602

RGB 136.3 54.4 2

HSL 23.41, 0.97%, 0.27%

LAB 33.86, 32.77, 44.34

 

CMYK 0 / 69 / 100 / 53

HEX #772400

RGB 119.3 36.4 0

HSL 18.31, 1%, 0.23%

LAB 27.38, 34.78, 39.02

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 61 / 68 / 27

HEX #BA493B

RGB 186 73 59

HSL 6.61, 0.52%, 0.48%

LAB 46.34, 44.77, 31.8

 

CMYK 0 / 68 / 68 / 27

HEX #BA3B3B

RGB 186 59 59

HSL 0, 0.52%, 0.48%

LAB 44.06, 50.88, 29.07

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 24 / 68 / 27

HEX #BA8E3B

RGB 186 142 59

HSL 39.21, 0.52%, 0.48%

LAB 61.74, 8.01, 49.14

 

CMYK 0 / 5 / 68 / 27

HEX #BAB03B

RGB 186 176 59

HSL 55.28, 0.52%, 0.48%

LAB 70.74, -10.22, 58.48

 

CMYK 13 / 0 / 68 / 27

HEX #A1BA3B

RGB 161 186 59

HSL 71.81, 0.52%, 0.48%

LAB 71.56, -25.84, 58.68

 

CMYK 32 / 0 / 68 / 27

HEX #7FBA3B

RGB 127 186 59

HSL 87.87, 0.52%, 0.48%

LAB 69.43, -39.14, 55.81

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 50 / 81 / 19

HEX #CE6727

RGB 206 103 39

HSL 22.99, 0.68%, 0.48%

LAB 55.04, 36.74, 52.14

 

CMYK 0 / 56 / 92 / 11

HEX #E26313

RGB 226 99 19

HSL 23.19, 0.84%, 0.48%

LAB 57.21, 46.01, 62.19

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 33 / 52 / 35

HEX #A6704F

RGB 166 112 79

HSL 22.76, 0.36%, 0.48%

LAB 52.13, 17.6, 26.93

 

CMYK 0 / 20 / 33 / 43

HEX #927562

RGB 146 117 98

HSL 23.75, 0.2%, 0.48%

LAB 51.51, 8.45, 14.78

 

CMYK 0 / 5 / 7 / 50

HEX #7F7976

RGB 127 121 118

HSL 20, 0.04%, 0.48%

LAB 51.26, 1.71, 2.45

 

CMYK 22 / 9 / 0 / 46

HEX #6B7E8A

RGB 107 126 138

HSL 203.23, 0.13%, 0.48%

LAB 51.7, -4.1, -8.81

 

CMYK 0 / 68 / 58 / 27

HEX #BA3B4E

RGB 186 59 78

HSL 351.02, 0.52%, 0.48%

LAB 44.4, 52.08, 17.96

 

CMYK 0 / 60 / 68 / 27

HEX #BA4A3B

RGB 186 74 59

HSL 7.09, 0.52%, 0.48%

LAB 46.52, 44.3, 32.01

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 24 / 68 / 27

HEX #BA8D3B

RGB 186 141 59

HSL 38.74, 0.52%, 0.48%

LAB 61.49, 8.56, 48.86

 

CMYK 0 / 6 / 68 / 27

HEX #BAAF3B

RGB 186 175 59

HSL 54.8, 0.52%, 0.48%

LAB 70.47, -9.7, 58.2

 

CMYK 0 / 42 / 68 / 52

HEX #7B4727

RGB 123 71 39

HSL 22.86, 0.52%, 0.32%

LAB 35.72, 19.15, 28.36

 

CMYK 0 / 42 / 68 / 39

HEX #9B5A31

RGB 155 90 49

HSL 23.21, 0.52%, 0.4%

LAB 44.95, 22.98, 34.57

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

CMYK 0 / 35 / 58 / 21

HEX #C98255

RGB 201 130 85

HSL 23.28, 0.52%, 0.56%

LAB 60.82, 22.82, 35.44

 

CMYK 0 / 27 / 45 / 17

HEX #D39974

RGB 211 153 116

HSL 23.37, 0.52%, 0.64%

LAB 67.94, 17.22, 27.98

 

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

CMYK 40 / 0 / 68 / 27

HEX #70BA3B

RGB 112 186 59

HSL 94.96, 0.52%, 0.48%

LAB 68.66, -44.44, 54.78

 

CMYK 68 / 67 / 0 / 27

HEX #3B3DBA

RGB 59 61 186

HSL 239.06, 0.52%, 0.48%

LAB 33.59, 39.4, -65.99

 

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

CMYK 68 / 0 / 42 / 27

HEX #3BBA6C

RGB 59 186 108

HSL 143.15, 0.52%, 0.48%

LAB 67.37, -52.06, 29.7

 

CMYK 42 / 68 / 0 / 27

HEX #6C3BBA

RGB 108 59 186

HSL 263.15, 0.52%, 0.48%

LAB 37.59, 48.55, -59.27

 

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

CMYK 40 / 0 / 68 / 27

HEX #70BA3B

RGB 112 186 59

HSL 94.96, 0.52%, 0.48%

LAB 68.66, -44.44, 54.78

 

CMYK 68 / 26 / 0 / 27

HEX #3B89BA

RGB 59 137 186

HSL 203.15, 0.52%, 0.48%

LAB 54.41, -8.05, -32.63

 

CMYK 28 / 68 / 0 / 27

HEX #853BBA

RGB 133 59 186

HSL 274.96, 0.52%, 0.48%

LAB 40.67, 53.62, -54.13

 

CMYK 0 / 42 / 68 / 27

HEX #BB6C3B

RGB 187.3 108.4 59

HSL 23.1, 0.52%, 0.48%

LAB 53.74, 27.12, 40.42

 

CMYK 60 / 0 / 68 / 27

HEX #4ABA3B

RGB 74 186 59

HSL 112.91, 0.52%, 0.48%

LAB 67.19, -55.5, 52.78

 

CMYK 68 / 26 / 0 / 27

HEX #3B89BA

RGB 59 137 186

HSL 203.15, 0.52%, 0.48%

LAB 54.41, -8.05, -32.63

 

CMYK 8 / 68 / 0 / 27

HEX #AB3BBA

RGB 171 59 186

HSL 292.91, 0.52%, 0.48%

LAB 46.08, 61.98, -45.15

 

Description

Color code: RGB 187.3 108.4 59 | qconv.com Color code: RGB 187.3 108.4 59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187.3 red, 108.4 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187.3 108.4 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 68 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 68% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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