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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 9 / 0 / 46 it is the complementary color CMYK 0 / 12 / 21 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 9 / 0 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 9 / 0 / 46: CMYK 16 / 6 / 0 / 48, CMYK 15 / 6 / 0 / 40, CMYK 15 / 6 / 0 / 33, CMYK 14 / 6 / 0 / 25 and CMYK 14 / 6 / 0 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 9 / 0 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 9 / 0 / 46: CMYK 22 / 9 / 0 / 46, CMYK 24 / 10 / 0 / 53, CMYK 27 / 11 / 0 / 61, CMYK 31 / 12 / 0 / 68 and CMYK 37 / 15 / 0 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

Complementary color

CMYK 0 / 12 / 21 / 42

HEX #948275

RGB 148 130 117

HSL 25.16, 0.13%, 0.52%

LAB 55.63, 4.65, 9.54

 

CMYK 16 / 6 / 0 / 48

HEX #707D85

RGB 112 125 133

HSL 202.86, 0.09%, 0.48%

LAB 51.62, -3, -5.97

 

CMYK 15 / 6 / 0 / 40

HEX #818F98

RGB 129 143 152

HSL 203.48, 0.1%, 0.55%

LAB 58.58, -3.08, -6.48

 

CMYK 15 / 6 / 0 / 33

HEX #92A1AB

RGB 146 161 171

HSL 204, 0.13%, 0.62%

LAB 65.39, -3.17, -6.99

 

CMYK 14 / 6 / 0 / 25

HEX #A3B3BE

RGB 163 179 190

HSL 204.44, 0.17%, 0.69%

LAB 72.06, -3.25, -7.48

 

CMYK 14 / 6 / 0 / 18

HEX #B4C5D1

RGB 180 197 209

HSL 204.83, 0.24%, 0.76%

LAB 78.6, -3.34, -7.97

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 24 / 10 / 0 / 53

HEX #5A6B77

RGB 90 107 119

HSL 204.83, 0.14%, 0.41%

LAB 44.26, -3.44, -8.8

 

CMYK 27 / 11 / 0 / 61

HEX #495964

RGB 73 89 100

HSL 204.44, 0.16%, 0.34%

LAB 36.89, -3.35, -8.36

 

CMYK 31 / 12 / 0 / 68

HEX #384751

RGB 56 71 81

HSL 204, 0.18%, 0.27%

LAB 29.26, -3.25, -7.93

 

CMYK 37 / 15 / 0 / 76

HEX #27353E

RGB 39 53 62

HSL 203.48, 0.23%, 0.2%

LAB 21.3, -3.14, -7.51

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 23 / 14 / 0 / 46

HEX #6A778A

RGB 106 119 138

HSL 215.63, 0.13%, 0.48%

LAB 49.61, -0.38, -11.96

 

CMYK 23 / 17 / 0 / 46

HEX #6A728A

RGB 106 114 138

HSL 225, 0.13%, 0.48%

LAB 48.18, 2.57, -14.13

 

CMYK 23 / 21 / 0 / 46

HEX #6A6D8A

RGB 106 109 138

HSL 234.38, 0.13%, 0.48%

LAB 46.76, 5.56, -16.28

 

CMYK 21 / 23 / 0 / 46

HEX #6D6A8A

RGB 109 106 138

HSL 245.63, 0.13%, 0.48%

LAB 46.17, 8.38, -17.16

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 22 / 10 / 0 / 26

HEX #93ABBD

RGB 147 171 189

HSL 205.71, 0.24%, 0.66%

LAB 68.75, -4.29, -11.97

 

CMYK 23 / 10 / 0 / 6

HEX #BAD9F0

RGB 186 217 240

HSL 205.56, 0.64%, 0.84%

LAB 85.18, -5.32, -14.66

 

CMYK 22 / 8 / 0 / 86

HEX #1C2124

RGB 28 33 36

HSL 202.5, 0.13%, 0.13%

LAB 12.36, -1.44, -2.79

 

CMYK 23 / 9 / 0 / 66

HEX #434F57

RGB 67 79 87

HSL 204, 0.13%, 0.3%

LAB 32.86, -2.73, -6.29

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 9 / 23 / 0 / 46

HEX #7E6A8A

RGB 126 106 138

HSL 277.5, 0.13%, 0.48%

LAB 47.72, 14.28, -14.65

 

CMYK 1 / 0 / 23 / 46

HEX #898A6A

RGB 137 138 106

HSL 61.88, 0.13%, 0.48%

LAB 56.62, -5.99, 17.07

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 0 / 23 / 9 / 46

HEX #8A6A7D

RGB 138 106 125

HSL 324.38, 0.13%, 0.48%

LAB 48.5, 16.05, -5.62

 

CMYK 9 / 0 / 23 / 46

HEX #7D8A6A

RGB 125 138 106

HSL 84.38, 0.13%, 0.48%

LAB 55.66, -10.77, 15.6

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 9 / 23 / 0 / 46

HEX #7E6A8A

RGB 126 106 138

HSL 277.5, 0.13%, 0.48%

LAB 47.72, 14.28, -14.65

 

CMYK 0 / 14 / 23 / 46

HEX #8A776A

RGB 138 119 106

HSL 24.38, 0.13%, 0.48%

LAB 51.42, 5.17, 9.86

 

CMYK 14 / 0 / 23 / 46

HEX #768A6A

RGB 118 138 106

HSL 97.5, 0.13%, 0.48%

LAB 55.14, -13.47, 14.8

 

CMYK 22 / 9 / 0 / 46

HEX #6B7D8A

RGB 107 125 138

HSL 205.16, 0.13%, 0.48%

LAB 51.41, -3.53, -9.24

 

CMYK 2 / 23 / 0 / 46

HEX #876A8A

RGB 135 106 138

HSL 294.38, 0.13%, 0.48%

LAB 48.63, 17.5, -13.19

 

CMYK 0 / 14 / 23 / 46

HEX #8A776A

RGB 138 119 106

HSL 24.38, 0.13%, 0.48%

LAB 51.42, 5.17, 9.86

 

CMYK 21 / 0 / 23 / 46

HEX #6D8A6A

RGB 109 138 106

HSL 114.38, 0.13%, 0.48%

LAB 54.52, -16.86, 13.84

 

Description

Color code: CMYK 22 / 9 / 0 / 46 | qconv.com Color code: CMYK 22 / 9 / 0 / 46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 125 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 125 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 9 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 9% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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