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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 78 164 it is the complementary color RGB 69 177 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 78 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 78 164: RGB 191 78 159, RGB 208 96 178, RGB 225 114 197, RGB 242 132 216 and RGB 255 150 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 78 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 78 164: RGB 186 78 164, RGB 169 60 145, RGB 152 42 126, RGB 135 24 107 and RGB 118 6 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

Complementary color

CMYK 61 / 0 / 49 / 31

HEX #45B15B

RGB 69 177 91

HSL 132.22, 0.44%, 0.48%

LAB 64.54, -49.42, 34.88

 

CMYK 0 / 59 / 17 / 25

HEX #BF4E9F

RGB 191 78 159

HSL 316.99, 0.47%, 0.53%

LAB 50.72, 54.61, -21.8

 

CMYK 0 / 54 / 14 / 18

HEX #D060B2

RGB 208 96 178

HSL 316.07, 0.54%, 0.6%

LAB 57.07, 54.15, -22.92

 

CMYK 0 / 49 / 12 / 12

HEX #E172C5

RGB 225 114 197

HSL 315.14, 0.65%, 0.66%

LAB 63.4, 53.54, -23.84

 

CMYK 0 / 45 / 11 / 5

HEX #F284D8

RGB 242 132 216

HSL 314.18, 0.81%, 0.73%

LAB 69.71, 52.86, -24.62

 

CMYK 0 / 41 / 8 / 0

HEX #FF96EB

RGB 255 150 235

HSL 311.43, 1%, 0.79%

LAB 75.5, 50.93, -26.06

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 64 / 14 / 34

HEX #A93C91

RGB 169 60 145

HSL 313.21, 0.48%, 0.45%

LAB 43.82, 54.15, -24.38

 

CMYK 0 / 72 / 17 / 40

HEX #982A7E

RGB 152 42 126

HSL 314.18, 0.57%, 0.38%

LAB 37.55, 53.86, -22.7

 

CMYK 0 / 82 / 21 / 47

HEX #87186B

RGB 135 24 107

HSL 315.14, 0.7%, 0.31%

LAB 31.5, 52.69, -20.36

 

CMYK 0 / 95 / 25 / 54

HEX #760658

RGB 118 6 88

HSL 316.07, 0.9%, 0.24%

LAB 25.82, 50.12, -17.05

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 58 / 22 / 27

HEX #BA4E92

RGB 186 78 146

HSL 322.22, 0.44%, 0.52%

LAB 49.45, 51.22, -16.09

 

CMYK 0 / 58 / 31 / 27

HEX #BA4E81

RGB 186 78 129

HSL 331.67, 0.44%, 0.52%

LAB 48.85, 48.9, -6.82

 

CMYK 0 / 58 / 40 / 27

HEX #BA4E6F

RGB 186 78 111

HSL 341.67, 0.44%, 0.52%

LAB 48.3, 46.75, 3.25

 

CMYK 0 / 58 / 50 / 27

HEX #BA4E5D

RGB 186 78 93

HSL 351.67, 0.44%, 0.52%

LAB 47.85, 44.92, 13.51

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 58 / 12 / 7

HEX #ED63D1

RGB 237 99 209

HSL 312.17, 0.79%, 0.66%

LAB 62.95, 65.7, -31.17

 

CMYK 0 / 58 / 12 / 87

HEX #210E1D

RGB 33 14 29

HSL 312.63, 0.4%, 0.09%

LAB 6.56, 12.54, -6.22

 

CMYK 0 / 58 / 12 / 67

HEX #54234A

RGB 84 35 74

HSL 312.24, 0.41%, 0.23%

LAB 22.24, 28.51, -13.74

 

CMYK 0 / 58 / 12 / 47

HEX #873977

RGB 135 57 119

HSL 312.31, 0.41%, 0.38%

LAB 36.76, 41.49, -19.79

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 35 / 58 / 27

HEX #BA794E

RGB 186 121 78

HSL 23.89, 0.44%, 0.52%

LAB 56.75, 20.95, 33.8

 

CMYK 58 / 0 / 12 / 27

HEX #4EBAA4

RGB 78 186 164

HSL 167.78, 0.44%, 0.52%

LAB 69.05, -36.3, 1.88

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 12 / 0 / 58 / 27

HEX #A4BA4E

RGB 164 186 78

HSL 72.22, 0.44%, 0.52%

LAB 71.93, -23.24, 51.12

 

CMYK 58 / 12 / 0 / 27

HEX #4EA4BA

RGB 78 164 186

HSL 192.22, 0.44%, 0.52%

LAB 63.11, -19.43, -19.18

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 35 / 58 / 27

HEX #BA794E

RGB 186 121 78

HSL 23.89, 0.44%, 0.52%

LAB 56.75, 20.95, 33.8

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA64

RGB 78 186 100

HSL 132.22, 0.44%, 0.52%

LAB 67.77, -49.48, 34.43

 

CMYK 58 / 23 / 0 / 27

HEX #4E8FBA

RGB 78 143 186

HSL 203.89, 0.44%, 0.52%

LAB 56.89, -7.99, -28.72

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA64

RGB 78 186 100

HSL 132.22, 0.44%, 0.52%

LAB 67.77, -49.48, 34.43

 

CMYK 58 / 40 / 0 / 27

HEX #4E6FBA

RGB 78 111 186

HSL 221.67, 0.44%, 0.52%

LAB 47.67, 11.04, -43.19

 

Description

Color code: RGB 186 78 164 | qconv.com Color code: RGB 186 78 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 78 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 78 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 12 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 12% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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