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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 154 79 it is the complementary color RGB 69 101 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 154 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 154 79 shade: RGB 191 154 74, RGB 208 172 93, RGB 225 190 112, RGB 242 208 131 and RGB 255 226 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 154 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 154 79 shade: RGB 186 154 79, RGB 169 136 60, RGB 152 118 41, RGB 135 100 22 and RGB 118 82 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 154 79 shade: RGB 186 154 78, RGB 186 125 78, RGB 186 96 78 and RGB 186 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 154 79 shade: RGB 186 154 78, RGB 186 183 78, RGB 160 186 78, RGB 131 186 78 and RGB 102 186 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 154 79 shade matches the following richer shades: RGB 186 154 78, RGB 206 162 58, RGB 226 170 39 and RGB 245 178 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 154 79 shade: RGB 186 154 78, RGB 166 146 98, RGB 146 138 118, RGB 127 130 138 and RGB 107 122 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 154 79 shade: RGB 186 96 78, RGB 186 125 78, RGB 186 154 78, RGB 186 182 78 and RGB 161 186 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 154 79 shade: RGB 131 107 51, RGB 161 131 62, RGB 186 154 78, RGB 198 171 108 and RGB 209 188 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 154 79 shade: RGB 186 154 79, RGB 89 186 78 and RGB 111 78 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 154 79 shade: RGB 186 154 79, RGB 78 186 154 and RGB 154 78 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 154 79 shade: RGB 186 154 79, RGB 89 186 78, RGB 78 111 186 and RGB 175 78 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 154 79 shade: RGB 186 154 79, RGB 78 186 100, RGB 78 111 186 and RGB 186 78 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

Complementary color

CMYK 61 / 43 / 0 / 31

HEX #4565B0

RGB 69 101 176

HSL 222.06, 0.44%, 0.48%

LAB 43.81, 12.07, -43.54

 

CMYK 0 / 19 / 61 / 25

HEX #BF9A4A

RGB 191 154 74

HSL 41.03, 0.48%, 0.52%

LAB 65.5, 4.6, 46.35

 

CMYK 0 / 17 / 55 / 18

HEX #D0AC5D

RGB 208 172 93

HSL 41.22, 0.55%, 0.59%

LAB 72.03, 3.62, 45.07

 

CMYK 0 / 16 / 50 / 12

HEX #E1BE70

RGB 225 190 112

HSL 41.42, 0.65%, 0.66%

LAB 78.46, 2.78, 43.77

 

CMYK 0 / 14 / 46 / 5

HEX #F2D083

RGB 242 208 131

HSL 41.62, 0.81%, 0.73%

LAB 84.81, 2.06, 42.51

 

CMYK 0 / 11 / 41 / 0

HEX #FFE296

RGB 255 226 150

HSL 43.43, 1%, 0.79%

LAB 90.71, -0.12, 40.77

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

CMYK 0 / 20 / 64 / 34

HEX #A9883C

RGB 169 136 60

HSL 41.83, 0.48%, 0.45%

LAB 58.39, 3.87, 44.5

 

CMYK 0 / 22 / 73 / 40

HEX #987629

RGB 152 118 41

HSL 41.62, 0.58%, 0.38%

LAB 51.6, 5.15, 45.55

 

CMYK 0 / 26 / 84 / 47

HEX #876416

RGB 135 100 22

HSL 41.42, 0.72%, 0.31%

LAB 44.69, 6.74, 45.97

 

CMYK 0 / 31 / 97 / 54

HEX #765203

RGB 118 82 3

HSL 41.22, 0.95%, 0.24%

LAB 37.65, 8.7, 45.18

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 33 / 58 / 27

HEX #BA7D4E

RGB 186 125 78

HSL 26.11, 0.44%, 0.52%

LAB 57.71, 18.73, 34.98

 

CMYK 0 / 48 / 58 / 27

HEX #BA604E

RGB 186 96 78

HSL 10, 0.44%, 0.52%

LAB 51.1, 34.55, 26.73

 

CMYK 0 / 58 / 58 / 27

HEX #BA4E4E

RGB 186 78 78

HSL 0, 0.44%, 0.52%

LAB 47.54, 43.66, 22.12

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 2 / 58 / 27

HEX #BAB74E

RGB 186 183 78

HSL 58.33, 0.44%, 0.52%

LAB 72.8, -12.61, 52.55

 

CMYK 14 / 0 / 58 / 27

HEX #A0BA4E

RGB 160 186 78

HSL 74.44, 0.44%, 0.52%

LAB 71.65, -24.86, 50.73

 

CMYK 30 / 0 / 58 / 27

HEX #83BA4E

RGB 131 186 78

HSL 90.56, 0.44%, 0.52%

LAB 69.82, -36.06, 48.16

 

CMYK 45 / 0 / 58 / 27

HEX #66BA4E

RGB 102 186 78

HSL 106.67, 0.44%, 0.52%

LAB 68.38, -45.88, 46.13

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 21 / 72 / 19

HEX #CEA23A

RGB 206 162 58

HSL 42.16, 0.6%, 0.52%

LAB 68.94, 5.84, 57.69

 

CMYK 0 / 25 / 83 / 11

HEX #E2AA27

RGB 226 170 39

HSL 42.03, 0.76%, 0.52%

LAB 72.93, 9.52, 68.92

 

CMYK 0 / 27 / 92 / 4

HEX #F5B213

RGB 245 178 19

HSL 42.21, 0.92%, 0.52%

LAB 76.86, 13.07, 77.44

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 12 / 41 / 35

HEX #A69262

RGB 166 146 98

HSL 42.35, 0.28%, 0.52%

LAB 61.26, 0.5, 28.17

 

CMYK 0 / 5 / 19 / 43

HEX #928A76

RGB 146 138 118

HSL 42.86, 0.11%, 0.52%

LAB 57.65, -0.5, 11.79

 

CMYK 8 / 6 / 0 / 46

HEX #7F828A

RGB 127 130 138

HSL 223.64, 0.04%, 0.52%

LAB 54.36, 0.55, -4.7

 

CMYK 32 / 22 / 0 / 38

HEX #6B7A9D

RGB 107 122 157

HSL 222, 0.2%, 0.52%

LAB 51.24, 3.07, -20.61

 

CMYK 0 / 48 / 58 / 27

HEX #BA604E

RGB 186 96 78

HSL 10, 0.44%, 0.52%

LAB 51.1, 34.55, 26.73

 

CMYK 0 / 33 / 58 / 27

HEX #BA7D4E

RGB 186 125 78

HSL 26.11, 0.44%, 0.52%

LAB 57.71, 18.73, 34.98

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 2 / 58 / 27

HEX #BAB64E

RGB 186 182 78

HSL 57.78, 0.44%, 0.52%

LAB 72.52, -12.09, 52.25

 

CMYK 13 / 0 / 58 / 27

HEX #A1BA4E

RGB 161 186 78

HSL 73.89, 0.44%, 0.52%

LAB 71.72, -24.46, 50.82

 

CMYK 0 / 18 / 61 / 49

HEX #836B33

RGB 131 107 51

HSL 42, 0.44%, 0.36%

LAB 46.42, 2.44, 34.42

 

CMYK 0 / 19 / 61 / 37

HEX #A1833E

RGB 161 131 62

HSL 41.82, 0.44%, 0.44%

LAB 56.25, 3.23, 40.89

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 14 / 45 / 22

HEX #C6AB6C

RGB 198 171 108

HSL 42, 0.44%, 0.6%

LAB 71.02, 1.35, 35.97

 

CMYK 0 / 10 / 34 / 18

HEX #D1BC8A

RGB 209 188 138

HSL 42.25, 0.44%, 0.68%

LAB 76.89, 0.14, 28.05

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

CMYK 52 / 0 / 58 / 27

HEX #59BA4E

RGB 89 186 78

HSL 113.89, 0.44%, 0.52%

LAB 67.87, -49.67, 45.4

 

CMYK 40 / 58 / 0 / 27

HEX #6F4EBA

RGB 111 78 186

HSL 258.33, 0.44%, 0.52%

LAB 41.8, 38.74, -52.43

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

CMYK 58 / 0 / 17 / 27

HEX #4EBA9A

RGB 78 186 154

HSL 162.22, 0.44%, 0.52%

LAB 68.8, -38.75, 7.01

 

CMYK 17 / 58 / 0 / 27

HEX #9A4EBA

RGB 154 78 186

HSL 282.22, 0.44%, 0.52%

LAB 46.8, 49.32, -44.16

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

CMYK 52 / 0 / 58 / 27

HEX #59BA4E

RGB 89 186 78

HSL 113.89, 0.44%, 0.52%

LAB 67.87, -49.67, 45.4

 

CMYK 58 / 40 / 0 / 27

HEX #4E6FBA

RGB 78 111 186

HSL 221.67, 0.44%, 0.52%

LAB 47.67, 11.04, -43.19

 

CMYK 6 / 58 / 0 / 27

HEX #AF4EBA

RGB 175 78 186

HSL 293.89, 0.44%, 0.52%

LAB 49.63, 54.76, -39.49

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4F

RGB 186 154 79

HSL 42.06, 0.44%, 0.52%

LAB 65.05, 2.82, 43.25

 

CMYK 58 / 0 / 46 / 27

HEX #4EBA64

RGB 78 186 100

HSL 132.22, 0.44%, 0.52%

LAB 67.77, -49.48, 34.43

 

CMYK 58 / 40 / 0 / 27

HEX #4E6FBA

RGB 78 111 186

HSL 221.67, 0.44%, 0.52%

LAB 47.67, 11.04, -43.19

 

CMYK 0 / 58 / 12 / 27

HEX #BA4EA4

RGB 186 78 164

HSL 312.22, 0.44%, 0.52%

LAB 50.18, 53.95, -25.64

 

Description

Color code: RGB 186 154 79 | qconv.com Color code: RGB 186 154 79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 154 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 154 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 58 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 58% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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